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BASS LIFE BEGINS AFTER 60!

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BASS LIFE BEGINS AFTER 60!

By Guest Contributor Nanker Phelge

“Youth is wasted on the young…” bellowed Bernard Shaw.

This a decidedly flawed quote oft-referenced by bassists, authors, web hosts, recording and performing artists, and co-hosts David C. Gross and Tom Semioli on their weekly radio show/podcast aptly titled Notes From An Artist.

Wherein early life is perpetually celebrated, Gross and Semioli are hitting their stride at a time when their peers are perceived to be headed out to pasture.

Former full-time working/touring musicians who nearly grabbed the brass ring of rock stardom in their respective 20s, Gross and Semioli parlayed their unpredictable music careers into more stable endeavors. It is a shared history with a decidedly D.I.Y. (Do It Yourself) spirit that serves them well.

“We needed a lifetime of experience to do what we are doing now…” reveals Gross in his Upper West Side of Manhattan parlance. “We’ve pooled our ‘ya gotta do it yourself’ philosophy to the max. From the time we started out as musicians, we invented our own map – and geography. Along the way we’ve had to pivot – life is not static, it’s all about perpetual motion. By the time you read this, we’ll have already improved our work. We enjoy every minute of it. Every morning we have an hour-long conference ‘What can we do differently today, what can we do better!”

Adds Semioli, “We are enjoying the benefits of age, notwithstanding the occasional aches and pains. David and I draw influence from Rowan & Martin’s Laugh-in to the original cast of Saturday Night Live to the Joe Rogan Show. We’re not imitators, however, we learn from the masters, past and present. This is the perfect show for an AARP platform – we are living proof of the doctrine that life gets better with age even with all the bumps, bruises, and wrinkles along the way. We wear them as badges of honor!”

Gross, who has eighteen music theory, history, and transcription books to his credit, created an innovative music education platform for New York City schools entitled Empower Thru Music which places actual musicians in urban classrooms. Semioli migrated from the recording studio and the bandstand to the world of journalism as a writer / editor for Amplifier, Vh-1, Spin, Huffington Post, American Music Guide, and numerous other publications of renown.

When Napster presaged the record industry’s demise, Tom gravitated to public relations and television, representing and interviewing corporate executives, fashion designers, athletes, and celebrities for cable, digital, and broadcast media worldwide.

“I went from being the guy on stage to the man behind the curtain. Young artists loved working with me because I had been there and done that. They’d ask me how I knew so much – and my response was to keep breathing, keep exploring, and keep working…” When Covid stopped the world in early 2020 Gross and Semioli maintained their perpetual motion. Both their careers nosedived due to circumstances beyond their control, yet they managed to find each other by way of social media – in particular Facebook – the go-to destination for Boomers, Jones, and Gen X’ers. David was a fan of Tom’s Know Your Bass Player website/video series. Tom checked in regularly with David’s website/video series The Bass Guitar Channel.

“We had to work together,” says David. “We had these hours-long phone conversations which become the foundation of our show. And the fact that we’re both history buffs and voracious readers makes our research even easier. We know where to go. Knowledge is a powerful tool…”

The twosome found a home on the independent outlet Cygnus Radio – and began broadcasting as The Bass Guitar Channel.

Seeking to expand their scope beyond their beloved instrument, they remodeled their show as Notes From An Artist. Leveraging contacts from their professional lives, in less than a year on the air their roster of guests superseded what most broadcasters call a career.

“Zoom has been a boon for us” emphasizes Tom. “When I worked in the magazine biz, my interviews were mostly by phone which can be an impersonal platform especially when you’re speaking with someone for the first time – which was the usual case. In television, celebrities tend to act for the camera, however with Zoom people are relaxed in their homes and it’s a semi-controlled environment which makes for a more comfortable conversation.”

Notes From An Artist video viewers make note of the exercise equipment in David’s Zoom studio background. When bassist Tony Levin, known for his work with John Lennon, King Crimson, and Peter Gabriel appeared on the show via Zoom, his musical gear was positioned among his treadmill and weights as well. “Tony and I are both in our 70s. Physical fitness is one of the many keys to our longevity. Neither of us has any intentions of retiring. As we both said on the episode ‘retire to what!”

That sentiment is shared by their on-air invitees who span jazz, rock, classical, folk, country, and permutations thereof – and all of whom are active in their respective art. “And we hardly talk about the past – it’s all about what the artist is doing now and their future plans” boasts Tom. “Sure, history plays a big part in our show, but we put it in the context of the present. David and I are not nostalgic by nature. And our guests appreciate that – which is why they keep coming back on…”

For those of you keeping score: Select Guest List / Accreditation / Age

*Denotes bassist

Bob Gruen (Photographer – Kiss, John Lennon) 78 Richard Thompson (Fairport Convention) 74 Steve Hackett (Genesis) 73 *Ron Carter (Miles Davis) 86 Ian Anderson (Jethro Tull) 75 John Altman (Monty Python, Amy Winehouse, James Bond, George Michael) 73 Lenny Kaye (Patti Smith Group, Rock and Roll Hall of Fame) 76 Ricky Byrd (Joan Jett & The Blackhearts, Rock and Roll Hall of Fame) 66 Colin Blunstone (The Zombies, Rock and Roll Hall of Fame) 77 *Dave Swift (Later…with Jools Holland) 60 *Michael League (Snarky Puppy) 39 *Neil Jason (Bryan Ferry, Brecker Bros., Roxy Music, Diana Ross) 69 *Rick Wills (Peter Frampton, Foreigner, David Gilmour, Small Faces) 75 *Carmine Rojas (David Bowie, Labelle, Rod Stewart) Joe Bonamassa) 70 *Freebo (Bonnie Raitt, Maria Muldaur) 79 *Larry Grenadier (Brad Meldau, Jack DeJohnette, Pat Metheny) 57 *John Regan (Peter Frampton, Rolling Stones, Ace Frehley, David Bowie) passed at 71 in 2023 *Bruce Thomas (Elvis Costello, Suzanne Vega, The Pretenders) 74 *Michael Manring (Windham Hill Records) 63 *Jeff Berlin (Bruford)70 *Benny Rietveld (Sheila E, Miles Davis, Santana) 66 *Rudy Sarzo (Ozzy Osborne, Quiet Riot, Whitesnake) 72 *George Porter Jr. (The Meters, Tori Amos, Dr. John, Robert Palmer) 75 *Gerry McAvoy (Rory Gallagher) 71 *Leo Lyons (Ten Years After) 79 *Jim Fielder (Blood Sweat & Tears, Tim Buckley, Frank Zappa) 76 *Harvey Brooks (Bob Dylan, Electric Flag, Jimi Hendrix, The Doors) 78 *Greg Chaisson (Badlands, Pat Travers) 65 *Sal Maida (Roxy Music, Sparks, Cracker, Edward Rogers) 71 *Percy Jones (Eno, Brand X) 75 Chris Parker (Stuff, Bob Dylan, Brecker Brothers) 72 *Mark Andes (Spirit, Jo Jo Gunne, Firefall, Heart, Ian MacLagen’s Bump Band) *Trey Gunn (King Crimson) 63 *Lee Sklar (James Taylor, Jackson Browne, Billy Cobham) 75 *Jerry Jemmott (Aretha Franklin, Ray Charles, Roberta Flack) 77

All the Notes From An Artist episodes are archived on their podcast which is available on all streaming services including Spotify, BuzzSprout, Apple Music, and Amazon. “We’re battling the algorithms,” opines David. “We live in a world where twerking videos garner millions of views and social media shares but we don’t worry about stuff we cannot control. There is a need for intellectual content with depth and value and that’s what we deliver week after week after week.”

Gross continues “Our ethos is to be different. We don’t ask the usual questions – no gossip, no scandal though sometimes our subjects will make a few saucy revelations but we don’t encourage that. We follow the credo of our esteemed guest and music legend Ron Carter who has been on our show a few times to talk about his work with everyone from Miles Davis to A Tribe Called Quest and that is ‘it’s all about the Big M – music!’ We never lose sight of that! Plus we’re not fanboys – so many shows we hear on major platforms are mutual admiration affairs – not us!”

Among the duo’s running gags is the premise that David’s opinion is always right. Tom cedes to the older is wiser doctrine. Their differences stem from their slight generational divide. David is a child of the ‘60s – Tom came of age in the 70s. “David got here first…” stresses Tom, “so I understand how that tempers his views.” In one episode David and Tom debate which year in rock was superior – 1966 or 1971. David and guest author Mitchell Cohen reflexively chose’66, and Tom selected ’71 to which Cohen protested “How can you choose a year where there was no record from The Beatles or Bob Dylan!” To which Tom delivered the knockout punch “Mitch, there’s life after Dylan and The Beatles.” Among Tom’s Notes From An Artist side-projects is a video series entitled Defending The 1980s wherein he makes the case that the most maligned decade in rock/jazz / pop history was the most outstanding. Gross has yet to shoot holes through that theorem – stay tuned.

When Covid restrictions were relaxed in late 2021, Gross and Semioli took their radio/ podcast show to the concert stage. Once again, they called on their colleagues whose resumes include Bob Dylan, Miles Davis, the Rolling Stones, Joan Jett, Ian Hunter, Hall & Oates, J. Geils Band, Iggy Pop, and Late Night… with David Letterman to namedrop a few.

“I’d become friends with the sister in law of Roger Daltrey of The Who” recalls David. “Roger and Pete Townshend are the founders of the international charity Teen Cancer America which provides support for young cancer victims and include such activities as learning an instrument, recording, and performing before an audience. The power of music and healing is overwhelming – and we wanted to be a part of that. Tom had cancer, I lost friends to cancer – we had to do something.”

Gross and Semioli put together two Teen Cancer America fund-raisers in a matter of weeks. Daltrey and Townsend couldn’t make the trip due to travel restrictions however, they taped a message and sent a video that was played before the musicians took to the stage.

“Getting people out of their homes wasn’t easy” remembers Tom, “the media was scaring people, misinformation was rampant– but we managed to pull off successful shows at two of New York City’s signature venues – The Cutting Room and The City Winery. We even hosted a series of scaled-down performances at the hallowed Bitter End and The Stitch Bar and Blues in the old garment district for our following who couldn’t quite afford the prices at the other two venues.”

David chimes in “And we didn’t want our shows to be old-timers day. We mixed and matched artists from ages 21 to well over 70. Everybody rose to the occasion. We imparted our wisdom to the younger players and us old dogs learned a few new tricks too. The synergy was mutual.” And if that wasn’t enough to keep them busy – David and Tom put together an improvisatory bass, guitar, and percussion ensemble performing in venues in Harlem and the East Village of New York City. Gross found time to compose and lead a solo ensemble named Theorcolus which now performs at exclusive clubs in Manhattan.

Yet senior life is not without its down moments. Semioli experienced two major life changes for the worse. In March of 2021, Tom’s wife Leona became seriously ill. Her diagnosis after months of tests and hospitalizations was Progressive Supranuclear Palsy – a rare, incurable neurodegenerative disorder. Tom assumed the role of full-time caregiver.

“She was an incredible fan of the show – you could hear her laughter in the background on our podcasts. PSP is often misdiagnosed as Dementia or Alzheimer’s as the symptoms are nearly identical. The difference with PSP is that it progresses much, much faster. My mom passed away from Dementia in May of 2022 after years of being bedridden. The emotional and financial burden was tremendous. Leona’s illness doubled that burden.”

Though life expectancy is usually about four years, Leona passed suddenly in March of 2023. David and his wife Nancy were there just hours after she transitioned peacefully traveling from their Connecticut home to the Bronx.

“A lot of people are afraid of being a caregiver, but it is a rewarding experience. You need to do it for your loved one and yourself” Tom intones. “Her passing is further inspiration for David and me to do as much as we can while we’re stomping around on this mortal coil.”

David’s daughter is a star photography student at the prestigious Pratt Institute in New York City. “I am such a big fan of my daughter’s work and I’m not just saying that as a doting father. She inspires me. And apparently, I inspire her too. At one of our shows, she came on stage to introduce us and gave an impromptu speech about how cool it was to have a dad who is still a rock and roller! And this is coming from the Tik-Tok generation.

David’s wife Nancy, a former actress and model turned film producer helms her own production company Summer Girl Entertainment. Her most recent documentary We’re Still Here was inspired by David and Tom’s musical colleagues from the East Village of Manhattan. She also curates art shows featuring some of New York City’s most eclectic artists and poets.

David and Tom find the title of Nancy’s film amusing as it relates to their lives.

“Of course, we’re still here…bass players never go away. We’re always supportive, we’re always needed. Playing bass keeps us young – we’re still learning our instrument.” After years of experimentation, Tom returned to his trusty traditional four- string Fender Jazz. David plies his craft on a custom Ken Bebensee six-string with a pink hue complimented by neon pink coated strings.

“Our peers continue to argue about how many strings should a ‘real bass’ be” laughs Tom. “As we learned from Ron it’s about the ‘Big M’ music – and I’ll add to that the ‘Big L’ – life! Don’t ever let anyone tell you you’re too old….”

Visit Online:
The Notes From An Artist Website
Notes From An Artist Radio Show
Notes From An Artist Podcast
Notes From An Artist YouTube Channel

Bass Videos

Artist Update With Bassist Derek Frank

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Artist Update With Bassist Derek Frank

Bassist Derek Frank…

Many of you will remember the last time I chatted with Derek Frank was back in 2017. The main thing that impressed me was how busy Derek was and how he juggled playing with many huge acts.

Now, I am happy to hear that Derek launched a new album last March titled “Origin Story” where he digs deep into his roots and pays homage to Pittsburg.

Join me as we get caught up after all these years and hear the details about the new album, how Derek gets his sound, and his plans for the future.

Photo, Stephen Bradley

Visit Online:

www.derekfrank.com
www.instagram.com/derekfrankbass
www.youtube.com/derekfrankbass
www.facebook.com/derekfrankbass

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Bass Videos

Interview With Bassist Graham Stanush

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Interview With Bassist Graham Stanush

Bassist Graham Stanush…

Return to Dust is keeping Grunge alive and well! They have a new self-titled album that went out on May 3rd, 2024 and will be super busy promoting this project in the near future.

Graham Stanush is the bass powerhouse driving their sound and adding vocals to the mix. Join me as we hear all about Graham’s musical journey, details about the new album, how he gets his sound and their plans for the future.

Visit Online:

linktr.ee/returntodust
instagram.com/returntodustband/
twitter.com/Returntodustbnd
youtube.com/@returntodustband
tiktok.com/@returntodustband

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Bass Videos

Interview With Bassist Erick “Jesus” Coomes

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Interview With Bassist Erick Jesus Coomes

Bassist Erick “Jesus” Coomes…

It is always great to meet a super busy bassist who simply exudes a love for music and his instrument. Erick “Jesus” Coomes fits this description exactly. Hailing from Southern California, “Jesus” co-founded and plays bass for Lettuce and has found his groove playing with numerous other musicians.

Join us as we hear of his musical journey, how he gets his sound, his ongoing projects, and his plans for the future.

Photo, Bob Forte

Visit Online

www.lettucefunk.com
IG @jesuscsuperstar
FB@jesuscoomes
FB @lettucefunk

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Bass Videos

Tour Touch Base (Bass) with Ian Allison

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Tour Touch Base (Bass) with Ian Allison

Ian Allison Bassist extreme

Most recently Ian has spent the last seven years touring nationally as part of Eric Hutchinson and The Believers, sharing stages with acts like Kelly Clarkson, Pentatonix, Rachel Platten, Matt Nathanson, Phillip Phillips, and Cory Wong playing venues such as Radio City Music Hall, The Staples Center and The Xcel Center in St. Paul, MN.

I had a chance to meet up with him at the Sellersville Theater in Eastern Pennsylvania to catch up on everything bass. Visit online at ianmartinallison.com/

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Features

Interview With Audic Empire Bassist James Tobias

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Interview With Audic Empire Bassist James Tobias

Checking in with Bergantino Artist James Tobias

James Tobias, Bassist for psychedelic, Reggae-Rock titans Audic Empire shares his history as a musician and how he came to find Bergantino…

Interview by Holly Bergantino

James Tobias, a multi-talented musician and jack-of-all-trades shares his story of coming up as a musician in Texas, his journey with his band Audic Empire, and his approach to life and music. With a busy tour schedule each year, we were fortunate to catch up with him while he was out and about touring the US. 

Where were you born and raised?

I was born in Dallas, Texas and lived in the Dallas area most of my life with the exception of 1 year in Colorado. I moved to the Austin area at age 18. 

What makes the bass so special to you particularly, and how did you gravitate to it?

I honestly started playing bass because we needed a bass player and I was the one with access to a bass amp and bass. I played rhythm guitar and sang up until I met Ronnie, who I would later start “Audic Empire” with. He also played rhythm guitar and sang and we didn’t know any bass players, so we had to figure something out. I still write most of my songs on guitar, but I’ve grown to love playing the bass. 

How did you learn to play, James?

I took guitar lessons growing up and spent a lot of time just learning tabs or playing by ear and kicked around as a frontman in a handful of bands playing at the local coffee shops or rec centers. Once I transitioned to bass, I really just tried to apply what I knew about guitar and stumbled through it till it sounded right. I’m still learning every time I pick it up, honestly. 

You are also a songwriter, recording engineer, and a fantastic singer, did you get formal training for this? 

Thank you, that means a lot!  I had a couple of voice lessons when I was in my early teens, but didn’t really like the instructor. I did however take a few lessons recently through ACC that I enjoyed and think really helped my technique (Shout out to Adam Roberts!) I was not a naturally gifted singer, which is a nice way of saying I was pretty awful, but I just kept at it. 

As far as recording and producing, I just watched a lot of YouTube videos and asked people who know more than me when I had a question. Whenever I feel like I’m not progressing, I just pull up tracks from a couple of years ago, cringe, and feel better about where I’m at but I’ve got a long way to go. Fortunately, we’ve got some amazing producers I can pass everything over to once I get the songs as close to finalized as I can. 

Describe your playing style(s), tone, strengths and/or areas that can be improved on the bass.

I honestly don’t know what my style would be considered. We’ve got so many styles that we play and fuse together that I just try to do what works song by song.  I don’t have too many tricks in the bag and just keep it simple and focus on what’s going to sound good in the overall mix. I think my strength lies in thinking about the song as a whole and what each instrument is doing, so I can compliment everything else that’s going on. What could be improved is absolutely everything, but that’s the great thing about music (and kind of anything really). 

Who were your influencers in terms of other musicians earlier on or now that have made a difference and inspired you?

My dad exposed me to a lot of music early. I was playing a toy guitar while watching a VHS of Stevie Ray Vaughan and Double Trouble live at SXSW on repeat at 4 years old saying I wanted to “do that” when I grew up. I was the only kid in daycare that had his own CDs that weren’t kid’s songs. I was listening to Led Zeppelin, Hendrix, and The Doors when I could barely talk. I would make up songs and sing them into my Panasonic slimline tape recorder and take it to my preschool to show my friends. As I got older went through a bunch of music phases. Metal, grunge, rock, punk, hip hop, reggae, ska, etc. Whatever I heard that I connected to I’d dive in and learn as much as I could about it. I was always in bands and I think I kept picking up different styles along the way and kept combining my different elements and I think that’s evident in Audic’s diverse sound. 

Tell me about Audic Empire and your new release Take Over! Can you share some of the highlights you and the band are most proud of?

Takeover was an interesting one. I basically built that song on keyboard and drum loops and wrote and tracked all my vocals in one long session in my bedroom studio kind of in a stream-of-consciousness type of approach. I kind of thought nothing would come of it and I’d toss it out, but we slowly went back and tracked over everything with instruments and made it our own sound. I got it as far as I could with production and handed it off to Chad Wrong to work his magic and really bring it to life. Once I got Snow Owl Media involved and we started brainstorming about a music video, it quickly turned into a considerably larger production than anything we’ve done before and it was such a cool experience. I’m really excited about the final product, especially considering I initially thought it was a throwaway track.

Describe the music style of Audic Empire for us. 

It’s all over the place… we advertise it as “blues, rock, reggae.” Blues because of our lead guitarist, Travis Brown’s playing style, rock because I think at the heart we’re a rock band, and reggae because we flavor everything with a little (or a lot) of reggae or ska. 

How did you find Bergantino Audio Systems?

Well, my Ampeg SVT7 caught fire at a show… We were playing Stubbs in Austin and everyone kept saying they smelled something burning, and I looked back in time to see my head, perched on top of its 8×10 cab, begin billowing smoke. We had a tour coming up, so I started researching and pricing everything to try and find a new amp. I was also fronting a metal band at the time, and my bass player’s dad was a big-time country bass player and said he had this really high-end bass amp just sitting in a closet he’d sell me. I was apprehensive since I really didn’t know much about it and “just a little 4×10” probably wasn’t going to cut it compared to my previous setup. He said I could come over and give it a test drive, but he said he knew I was going to buy it. He was right. I immediately fell in love. I couldn’t believe the power it put out compared to this heavy head and cumbersome cab I had been breaking my back hauling all over the country and up countless staircases.  

Tell us about your experience with the forte D amp and the AE 410 Speaker cabinet. 

It’s been a game-changer in every sense. It’s lightweight and compact. Amazing tone. And LOUD. It’s just a fantastic amp. Not to mention the customer service being top-notch! You’ll be hard-pressed to find another product that, if you have an issue, you can get in touch with the owner, himself. How cool is that? 

Tell us about some of your favorite basses.

I was always broke and usually working part-time delivering pizzas, so I just played what I could get my hands on. I went through a few pawn shop basses, swapped in new pickups, and fought with the action on them constantly. I played them through an Ampeg be115 combo amp. All the electronics in it had fried at some point, so I gutted it out and turned it into a cab that I powered with a rusted-up little head I bought off someone for a hundred bucks. My gear was often DIY’d and held together by electrical tape and usually had a few coats of spray paint to attempt to hide the wear and tear. I never really fell in love with any piece of gear I had till I had a supporter of our band give me an Ibanez Premium Series SDGR. I absolutely love that bass and still travel with it. I’ve since gotten another Ibanez Premium Series, but went with the 5-string BTB.  It’s a fantastic-sounding bass, my only complaint is it’s pretty heavy. 

Love your new video Take Over! Let us know what you’re currently working on (studio, tour, side projects, etc.)

Thank you!! We’ve got a LOT of stuff we’re working on right now actually. Having 2 writers in the band means we never have a shortage of material. It’s more about getting everything tracked and ready for release and all that goes into that. We just got through filming videos for 2 new unreleased tracks with Snow Owl Media, who did the videos for both Love Hate and Pain and Takeover. Both of these songs have surprise features which I’m really excited about since these will be the first singles since our last album we have other artists on. We’ve also got a lot of shows coming up and I’ve also just launched my solo project as well. The debut single, “Raisin’ Hell” is available now everywhere. You can go here to find all the links distrokid.com/hyperfollow/jamestobias/raisin-hell

What else do you do besides music?

For work, I own a handyman service here in Austin doing a lot of drywall, painting, etc. I have a lot of hobbies and side hustles as well. I make custom guitar straps and other leather work. I do a lot of artwork and have done most of our merch designs and a lot of our cover art. I’m really into (and borderline obsessed) with health, fitness, and sober living.  I have a hard time sitting still, but fortunately, there’s always a lot to do when you’re self-employed and running a band!

Follow James Tobias:

jamestobiasmusic.com
Facebook.com/james.tobias1
Instagram.com/ru4badfish2
TikTok.com/@jamestobiasmusic
audicempire.com 

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