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New Gear: Pete Wentz Artist Series StingRay Bass

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Today, Sterling by Music Man announces the Pete Wentz Artist Series StingRay Bass with GRAMMY award-nominated musician Pete Wentz.

Pete Wentz is the bassist, lyricist, and co-founding member of Fall Out Boy, and has been a driving force behind pop-punk, emo, rock music and beyond. Now, as the newest member of the Ernie Ball Music Man Artist Family, he is forging a new path for the iconic StingRay bass with Sterling by Music Man’s debut full-scale passive bass. Developed in close collaboration with the artist, this signature StingRay is tailored to Wentz’s exact specifications, offering fans the opportunity to wield the same instrument he’s playing on the Fall Out Boy ‘23/24 worldwide So Much For (Tour) Dust headline tour.

Over two decades ago, the Chicago-born Wentz emerged from the city’s punk scene, performing with various bands before co-founding Fall Out Boy. His dynamic basslines and songwriting played a pivotal role in shaping the band’s distinctive sound, earning critical acclaim, a dedicated fan base, and an enduring place in music. Partnering with Sterling by Music Man and the Ernie Ball Family to create his own Artist Series StingRay, Wentz designed a signature bass that honors his punk-rock roots while embracing the modern playability that’s demanded from his live performances and stadium tours. 

“The [StingRay Bass has the] best tone that we’ve had from a live show to date,” said Wentz, praising the bass’ durability and versatility throughout Fall Out Boy’s acclaimed So Much For (Tour) Dust tour this summer. “For me, a bass has to stand up and be able to play a lot of different songs. On this tour, we’re doing more than 20 songs. These basses come backstage, they go out – I play at front of house or I go out and play near the lawn, and they’ve held up for all that. I treat them well, but I also am who I am on stage and they’ve held up under those circumstances.” 

As Sterling by Music Man’s first full-scale passive bass, this StingRay is powered by an Alnico V humbucker for vintage-style warmth and punch, featuring dual controls for seamless performance. It also includes black hardware, an anodized gold pickguard and a custom Loon inlay on the 12th fret, described by Wentz as “beautiful but really spooky” and inspired by summers spent in Vermont throughout his youth.

“A lot of my design references were watches or skateboards, and things that I am just attracted to design-wise,” Wentz noted. “I’m a very visual person… I feel like starting with simplicity and the best ingredients is the way to go.”

A roasted maple neck, 3+1 headstock, and classic StingRay contoured body ensure comfortability and rock-solid tuning stability that’s ready to attack whatever you throw at it. This signature bass is available in Black or Fiesta Red finishes and retails at an accessible-priced $649.99 MAP (U.S. pricing).

 “At the end of the day, I think that punk rock and punk rock music should be accessible,” continued Wentz. “I think it’s very cool to be somebody’s potential first bass.”

The Pete Wentz Artist Series StingRay will be available for pre-order worldwide starting Monday, October 23, at select authorized dealers and online retailers, so fans and musicians alike can reserve their piece of Fall Out Boy history. As part of the launch, Sterling by Music Man has teamed up with Reverb, the premier online musical gear marketplace, to offer fifty exclusive limited-edition Pete Wentz autographed basses. Additionally, fans have the opportunity to gain early access to the Fiesta Red finish bass through the Alternative Press webstore.  

For more information about the Pete Wentz Artist Series StingRay Bass, please visit sterlingbymusicman.com/products/pete-wentz

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Gear News: Nordstrand Audio Releases the Acinonyx V, 5-String Short Scale Bass

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Gear News: Nordstrand Audio Releases the Acinonyx V, 5-String Short Scale Bass

As an homage to classic single pickup basses of the past the V1 Acinonyx 5 features a solitary PolyVox “pickup” (technically pickupS – 6 total coils under the cover) placed for maximum versatility. A volume and a wide range tone offer a broad palette of rich passive sounds and the single asymmetrical aperture captures all the organic goodness that a soft maple body with a classic maple/EIR neck can bring. Anything from super dark synth-y sub vibes to clean and clear chime are all available with nary a blurry, undefined note to be found.

The fingerboard features a compound radius for optimal even playability up and down the neck and the profile fits the hand like an old, broken-in glove.

Technical Details:
• Body Finish: Polyester
• Neck Finish: Urethane Satin Satin Lacquer
• Weight: 6.90 lbs average 7 lbs
• Body Wood: soft maple
• Neck Wood: hard maple
• Neck Shape: Classic Medium Slim
• Neck Dimensions: ~.810” @ 1st fret – .910” @ 15th fret
• Fingerboard Wood: Indian Rosewood
• Fingerboard Radius: 7.5” – 14”
• Fingerboard Inlays: Dots
• Scale Length: 30.7”
• Width at Nut: 1.725”
• Nut Material: Bone
• Frets: StewMac #147 Fretwire (Narrow/Medium) – Nickel/Silver
• Pickups: 1 Nordstrand PolyVox 5
• Controls: 1 Volume, 1 wide range Tone

Price starting at $4995

For more information, visit online at nordstrandaudio.com/

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Gear News: Neural DSP Darkglass Ultimate

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Gear News: Neural DSP Darkglass Ultimate

Neural DSP Introduces Darkglass® Ultimate – Expanding the Iconic Darkglass Sound into a Complete Creative Platform for Bass…

Neural DSP announced Darkglass Ultimate, a revamped plugin that brings the iconic Darkglass sound into a complete, studio-ready bass rig. Available as a free update for existing Darkglass Ultra users, it builds on Darkglass Ultra by combining Darkglass’ defining tones with a full signal chain and creative tools, enabling players to move from initial idea to finished, record-ready sounds all within one plugin.

The Darkglass sound has defined modern bass tone for more than a decade, with its powerful low end, clarity, and unmistakable character. Neural DSP first brought that sound into the digital domain in 2018, capturing the essence of the B7K Ultra and Vintage Ultra preamps inside a plugin. With this release, Darkglass Ultra evolves into a creative platform for bass – extending beyond preamp modeling into a signal chain designed for modern bass workflows.

“With Darkglass Ultimate, we’re expanding the Darkglass sound into something more comprehensive,” said François Barrillon, Lead Product Manager – Plugins, Neural DSP. “For many players, that sound has been a reliable starting point – something they shape around and build on. This release brings more of that process into the same place, so you can experiment, refine, and carry a sound further without stepping outside of it – while preserving the clarity, power, and character that define Darkglass.”

The Darkglass Sound, Fully Unleashed

At the core of Darkglass Ultimate are the B7K Ultra and Vintage Ultra – two circuits that have shaped modern bass tone.

The B7K Ultra delivers a tight, aggressive drive with controlled low end and clear articulation, while the Vintage Ultra introduces a warmer, more rounded character inspired by classic tube amplification. Together, they offer a wide tonal range that remains consistent, responsive, and immediately usable in a mix.

Surrounding the B7K Ultra and Vintage Ultra is a signal chain designed to support the entire process of tone creation:

  • Pre-effects including compressor, auto-wah, octaver, and fuzz for shaping dynamics and character
  • Post-effects such as chorus and delay
  • Darkglass cabinet simulations including DG210C 2×10 and DG810ES 8×10 with flexible microphone positioning
  • A 9-band graphic EQ designed specifically for shaping bass tone
  • Integrated tools including transpose, tuner, metronome, and a curated selection of production-ready presets

This extends the Darkglass sound beyond the B7K Ultra and Vintage Ultra into an all-in-one bass toolkit – combining its defining tones with the tools needed to shape, refine, and bring sounds to completion.

“Darkglass Ultimate represents how we continue to build on what players already know and love,” said Douglas Castro, CEO and Co-Founder of Neural DSP. “We’ve taken the core Darkglass tones and expanded them into a more complete setup, bringing more of the signal chain within a single environment and making the process of shaping and developing a sound more fluid – so players can spend less time managing their tone and more time creating with it.”

To learn more and purchase Darkglass Ultimate, visit neuraldsp.com/darkglass-ultimate. A 14-day free trial is available.

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Gear News: Darkglass Expands Anagram Platform with Anagram Marketplace

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Darkglass Expands Anagram Platform with Anagram Marketplace

Darkglass® Electronics announces the launch of the Anagram Marketplace, a significant expansion of its Anagram™ bass platform, introducing a growing ecosystem of third-party plugins and tools. Designed to extend the capabilities of Anagram beyond its original feature set, the Anagram Marketplace enables users to access, share, and integrate new sounds and processing tools while opening the platform to trusted developers, engineers, producers, and sound designers. By bridging the gap between studio-based workflows and real-world performance environments, the Anagram Marketplace positions Anagram as an evolving platform shaped by its user community.

Think of it like an App Store. Building on Anagram’s core processing architecture, including its hexacore processor and 32-bit/48kHz audio engine, the Anagram Marketplace expands the system’s functional scope by enabling support for external plugins that were previously limited to desktop environments. At the time of launch, the Anagram Marketplace has already partnered with some established plug-in developers like Nembrini Audio, Bogren Digital, and DoGood Sounds.

The Anagram Marketplace complements Anagram’s existing blocks-based architecture, where users can construct signal chains in series or parallel configurations. With the addition of partner-developed plugins and processing blocks, users gain access to an expanding library of tools that can be incorporated into their existing signal paths. This approach extends the platform’s flexibility over time, allowing workflows and signal chains to evolve as new tools and ideas are introduced.

From a user experience perspective, the Anagram Marketplace integrates into the broader Anagram ecosystem, where its high-resolution touch display and control modes – Preset, Scene, and Stomp -continue to provide direct access to signal chains and parameter control. As new plugins and blocks become available, users can incorporate them into familiar control structures without disrupting established workflows, supporting a streamlined approach to exploration and implementation.

The introduction of the Anagram Marketplace also reinforces Anagram’s integration with the wider Darkglass ecosystem. Alongside access to partner-created plugins, Darkglass will continue to deliver free software updates, including new blocks, features, and ongoing performance improvements. Together, these updates and the Anagram Marketplace ecosystem create a platform that continuously expands, ensuring users have access to new tools and capabilities without requiring added hardware.

In practical use, the Anagram Marketplace enables musicians, producers, and content creators to extend their setups with new processing tools while keeping a consistent workflow across studio, rehearsal, and live environments. By enabling access to a broader range of plugins and community-driven development, the platform supports faster iteration, expanded creative options, and a more connected approach to sound design and performance.

The Anagram Marketplace is available now to Anagram users. For more information, visit www.darkglass.com.

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Gear News: Future Impact V4.5 Upgrade Adds 99 DX7 FM Gig-ready Presets & More

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Gear News: Future Impact V4.5 Upgrade Adds 99 DX7 FM Gig-ready Presets & More

The Future Impact V4 and V4 VIP are already incredibly versatile bass synth pedals –designed for players rather than programmers. The V4.5 upgrade offers even greater value while retaining the same simplicity of operation. Some of the new features include:

•  99 DX7 FM song-ready presets have been added to the existing 99 Virtual Analogue presets library

•  Setlist Mode to easily program a performance list without a computer

•  Zero Latency has been added as a third mode to the existing Speed and Accuracy modes

The FM library draws heavily from iconic ‘80s and ‘90s recordings made with the Yamaha DX7 bass: “Take on Me,” “Smooth Criminal,” “Take My Breath Away,” “Broken Wings,” and many more. There are also funky bass, smooth bass, double bass, Stratocaster emulation, and a selection of classic DX7 sounds —church organ, tubular bells, pan pipe, and harmonica, to name a few. 

You can also explore the tens of thousands of other FM patches out in the world and upload them using the 4.5 Editor software for Windows or Mac. The only caveat is to not to get too lost down that rabbit trail! 

While fully loaded with presets galore, you can still add and edit your own so you’re not locked into someone else’s palette choices.

In addition to producing synthesizer sounds such as basses, leads, and pads, the Future Impact can also function as an octaver, chorus, flanger, phaser, distortion, envelope filter, traditional wah-wah, tremolo, reverb, etc. Plus, there’s a built-in tuner. With so much functionality, you can potentially replace an entire pedalboard of dedicated single-effect pedals. 

The Future Impact is brought to you by Andras Szalay, the original designer of the legendary Akai Deep Impact pedal. It is the world’s fastest and most reliable tracking platform for professionals and hobbyists alike.

For full details, head over here: www.panda-audio.com/future-impact-v4-vip

For an overview and sound samples:  www.youtube.com/watch?v=pLJSdy3Wf8c

Exclusive U.S. distribution by Tech 21 USA, Inc. 

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New Gear: MESA/Boogie Subway+ Bass DI Preamp II

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New Gear: MESA/Boogie Subway+ Bass DI?Preamp II

MESA/Boogie unveils the new Subway®+ Bass DI Preamp II, a compact, full-featured follow-up to its highly acclaimed first-generation Subway bass preamp pedals. Consolidating the strengths of the original two preamp models into a single, streamlined unit, the Subway+ Bass DI Preamp II adds smart refinements that give bassists all the tone-shaping tools they need to capture the sound, feel, and response that have made the Subway Series market leaders in premium bass tone. The new Subway+ Bass DI Preamp II is now available worldwide at authorized MESA/Boogie dealers, at Gibson Garage locations, and at www.mesaboogie.com.

Building on the foundation laid by the celebrated Subway® D 800™, Subway® D 800+, and Subway® D350 preamps, the new model delivers world-class?class MESA bass tone in a format that is approximately 40% smaller than the previous Subway+ design. The result is a road-ready, studio-savvy preamp that’s equally at home on a tight pedalboard, a desktop, or riding along as a micro-sized gig-bag solution.

Designed for power without complexity, the Subway+ Bass DI Preamp II features an extended-range JFET preamp that plays beautifully with both active and passive instruments, plus an Input Mute footswitch for silent tuning. A Deep switch adds roundness and low-end weight, while a Bright switch lends bite and top-end sparkle. MESA’s award-winning variable Hi-Pass Filter (30 Hz–150 Hz) removes headroom, robbing subsonic content so players can precisely tune their low end to the musical style, ensemble, or venue.

Independent Gain, Boost (footswitchable with dedicated level control), and Master Volume controls unlock a wide palette—from warm, rounded cleans to mix-ready drive. The Variable Voicing control sweeps the overall character from a flatter, modern response to a more vintage-inspired contour by intelligently adjusting multiple frequency regions with a single knob. For deeper sculpting, a fully active 4-band Baxandall EQ provides ±12 dB of Bass, Low Mid, High Mid, and Treble, with sweepable Low-Mid (150 Hz–1.8 kHz) and High-Mid (300 Hz–5 kHz) frequency controls for surgical precision.

Flexible connectivity makes the Subway+ Bass DI Preamp II a natural fit for practice, stage, and studio. Aux In and Headphone Out allow players to blend a media source with their bass for quiet, on-the-go rehearsal. The Preamp Output supports ¼” (6.35 mm) TS unbalanced or ¼” (6.35 mm) TRS fully balanced connections and delivers ample level to drive any pro audio power amp. A mic-level balanced XLR DI with Pre/Post EQ and Ground Lift routes iconic MESA tone directly to front-of-house, monitors, or recording interfaces with ease.

With its ideal mix of compact size—just 2.25” (57 mm) H × 6” (152 mm) W × 4.25” (108 mm) D—light weight, 9–18 VDC (either polarity) power flexibility, and stellar tonal control, the Subway+ Bass DI Preamp II is a powerful solution for silent or live practice, studio sessions, and touring. Whether feeding PA and/or backline in small to midsize venues or standing by as a trusted emergency rig, it brings unmistakable MESA authority to any bass setup.

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