Bass Edu
Why an 8 String Bass by Igor Saavedra
Why the 8 String Bass…
I just realized that after all the articles and columns I’ve written in my life, that I have never yet explained the exact reasons why after having played 4, 5 & 6 string basses I jumped directly into an 8 string bass, skipping the 7 string Bass altogether (and have not moved to a 9, 10, 11 or 12 string ERB). In this article, I will share with you the reason and why I encourage people to try going for an 8 String Bass.
I’m humbly aware that many people consider me as the ‘8 string Bass Pioneer’, so in relation to this sort of ‘label’ I think is fair to consider that in reality, nobody can assure there wasn’t any other crazy bassist like me in any other place of the world who might have experimented and made an 8 String bass at the same time or even before me.
Having that said, what might make the substantial difference, is that since 1999 I’ve dedicated my entire heart, brain and soul exclusively to developing the 8 string bass as the instrument itself as well as the 8 string bass playing technique. From the first day I had my first 8 string, I fell in love with it and committed myself completely to it.
For the last 15 years it has been exclusively about the 8 string bass for me, and for that reason I really prefer when people call me the, “8-String Bass Pioneer” and not “The 8-String Bass creator”, because having invented it is something I really can’t assure, but what I’m sure about is that I must be the first dedicated 8 string Bassist, and for that obvious reason the most experienced one. Also, it’s quite important to add that words like, “First dedicated” and “Most experienced,” are just historical facts, which by no means are synonyms for, “The Best 8 String Bass Player,” or silly adjectives like that, which don’t apply for any true artistic context. At the same time I’d never value myself in any form because I think that I should be the last person in the world to do that. I consider myself just an eternal, “Bass Apprentice,” so for that reason I study and practice many hours every day.
Why not go lower?
The answer is really simple… The 8 string bass is tuned from high to low F-C-G-D-A-E-B-F#, as you can see the standard 4 string bass is right in the middle. I don’t add an extra string below the F# at 23,125 Hz because that F# is the last audible open string you can have if you want to keep the standard bass tuning in descending 4ths. The following lower string should be a C# and that note will need a lot of subwoofer technology ‘to make you feel like you hear it’, but in fact the 17.32 Hz of the fundamental harmonic of that C# are below the hearing range of 99% of normal people, so what everybody will be really hearing is just the second harmonic of the note; these are the objective reasons I have for not going below the F#. The most important question in relation with this comes, in my opinion, from the other side, and that is…. Why stopping on the E at 41Hz and not having a bass that is able to reach the lowest audible possible open string note if we keep the standard bass tuning in 4ths? So that’s why in my opinion the F# at 23.125Hz must be the lowest starting point for what I call. “My perfect Bass”.
Why not go higher?
Regarding going higher, the reasons are also quite simple. First I want to mention that the 24 fret – 4 string bass high register sounding range is perfect and enough for me, but I like how that sounding range (mostly the middle and higher notes) sound on the central part of the fretboard, so on the 8 string bass, I can have that sounding range between the 5th and the 14th fret; in there every middle and higher note sounds sweet, crisp & clear and is also quite comfortable to be played in a vertical disposition, which doesn’t happen with a 4 string Bass but begins to appear a little bit on a 6 string bass.
If you take a look at any of my videos you’ll see that 99% of the notes I play don’t go over the 14th fret of the F string, which is a G=392Hz. But the objective reason comes here. Any open string over the F=174.61Hz (keeping the standard tuning in descending 4ths) like a supposed 9th string, which will be a Bb=233.08Hz, is almost impossible to be wound, and needless to say the situation gets much more complex in the case of a high Eb or a high Ab. That’s also one of the main reasons why the G string of an electric or acoustic guitar doesn’t have any winding. In my opinion the winding makes a huge difference in the sound. If you have an unwounded string, the sound of an electric or acoustic guitar appears immediately and the sound texture of an electric bass string is lost right in that moment… so it’s right there where I set the limit on the high register for what I understand as, “A Standard Bass Sound”.
Finally, setting this lower and higher string limits, and adding an extra fret, allows us to reach an outstanding 5-octave range in our 8 string bass. At the same time, we are able to listen to the fundamental harmonic of the lowest open string note, and if we play the higher string, even on the 25th space, we’ll be able to have that recognizable sounding texture that an electric bass has, due to the winding of all its strings; when these are combined with the extended scale/tension of the electric bass (33 to 37 inches in average), this gives the instrument its inherent and recognizable sound-texture that differentiates it from the sound of an electric guitar.
That’s why I call the 8 string bass, “The perfect Bass”. Please don’t misunderstand my quote; I’m just saying that it’s the perfect bass…for me (smile).
See you soon guys!
Bass Edu
Bass and Drums Practice Exercises: How to Build Groove Together
Ready to take your rhythm section from good to unforgettable? It’s time to dive into bass and drums practice exercises that actually work.
If you and your drummer have been jamming for a while but still feel like something’s “off,” the missing ingredient is likely structured groove practice. Playing songs is fun, but real groove is forged in the fire of repetition, timing drills, and trust-building exercises.
So grab your drummer (or a drum machine), warm up your fingers, and get ready to go deeper than ever into the pocket.
Why Groove Practice Matters More Than Rehearsal
There’s a big difference between rehearsing a set list and actually practicing groove. Rehearsals are about song structure, transitions, and cues. But bass and drums practice exercises are all about feel.
Here’s why it matters:
- You develop musical chemistry
- You improve your internal timing
- You learn to communicate nonverbally
- You build consistency that carries into live shows
These exercises will help you achieve that, one locked-in groove at a time.
Exercise 1: The 2-Bar Loop Challenge
This is one of the simplest, most effective bass and drums practice exercises out there, and it’s addictively fun.
How to do it:
- Choose a simple 2-bar drum groove.
- As the bassist, play a simple line that locks into the kick and supports the snare.
- Loop those two bars… again and again… for at least 5 minutes straight.
- Focus on micro-adjustments: tone, dynamics, feel.
Why it works:
Repetition builds groove memory. This exercise strengthens your timing and teaches you to feel slight variations in the drummer’s pocket.
Exercise 2: Play With and Without a Click
Drummers and bassists both benefit from click practice, but here’s the twist: learn to feel the groove with the click, then test it without.
How to do it:
- Set a metronome to 70–80 BPM.
- Play a 4-bar groove with the click for a minute.
- Mute the click, and keep playing for another 2–3 minutes.
- Bring the click back in. Are you still in time?
Why it works:
This tests your internal clock as a unit. A tight rhythm section should be able to stay locked, even when the external reference disappears.
Exercise 3: Trade Eighths and Sixteenths
This one boosts your responsiveness and strengthens your groove vocabulary.
How to do it:
- Drummer starts with a basic beat.
- You play eighth notes for two bars.
- Switch to sixteenth notes for the next two bars.
- Go back and forth for 5+ minutes.
Optional twist: Have the drummer switch up their pattern too… ghost notes, syncopated hi-hats, rim shots. You adapt.
Why it works:
It trains you to adapt rhythmically while staying glued to the groove.
Exercise 4: Groove Call and Response
Think of this like a musical conversation.
How to do it:
- Drummer plays a 1- or 2-bar groove.
- You “respond” with a groove that complements or mirrors it.
- Switch… now you play first, and the drummer answers.
- Keep the phrases short and groovy.
Why it works:
It develops groove intuition and trains you to hear rhythmic ideas and respond with intention.
Exercise 5: The Ghost Note Sync-Up
This one’s a deeper dive. Ghost notes are subtle, so this is about listening and matching energy, not just rhythm.
How to do it:
- Drummer plays a groove with ghost notes on the snare.
- You add subtle ghost notes (muted plucks, low-volume notes) in between your main bass notes.
- Try to mirror the drummer’s energy, not necessarily their exact pattern.
Why it works:
Subtlety = groove mastery. Matching ghost note dynamics helps you blend and groove like pros.
Exercise 6: Dynamic Drops
Playing tight isn’t just about time, it’s about touch. This exercise sharpens your control.
How to do it:
- Groove at medium intensity.
- At random intervals, drop to whisper-quiet playing.
- Then build back up to full volume, together.
- Do it without talking or cueing—just eye contact or feel.
Why it works:
Real rhythm sections control the emotional flow of a song. This teaches dynamic awareness and builds musical trust.
Bonus: Record Yourself
No matter which bass and drums practice exercises you do, always record yourselves, even on a phone.
Listen back. What worked? What felt stiff? Where did the groove pop?
You’ll improve twice as fast when you can hear where you’re tight (or not) as a rhythm section.
How Often Should You Practice Together?
Ideally:
- Once a week for 30–60 minutes of groove-specific practice
- Rehearsals are separate… this is groove-only time
- Consistency is more important than length
You’ll start to notice the groove showing up in rehearsals, gigs, and recordings.
Remember… Groove Isn’t Luck, It’s Built
A tight rhythm section doesn’t happen by accident. It’s built on intention, sweat, patience, and yes, plenty of mistakes. The more bass and drums practice exercises you do together, the more effortless the groove will feel.
Remember: the audience may not know exactly what you’re doing, but they’ll feel it. That’s the power of a locked-in groove.
So next time you and your drummer get together, skip the set list. Start with the groove. The music will thank you for it.
Bass Edu
Pentatonic Scale Variations – Part Two
My next series of lessons using the pentatonic scale will continue exploring several sequence variations and the ideas they generate. After working on these sequences as strict exercises, melodic ideas should begin to creep into your playing. Spend enough time on each exercise until they become muscle memory. Make a conscious effort to apply these ideas to your groove and solo repertoire.
The first exercise follows a pattern starting with the second scale degree, third, fifth, and root. Follow the pattern up and back through the scale.

The second exercise starts with the pattern– root, 3rd, second scale degree, and fifth. Follow the pattern up and back, respectively.

The third exercise starts with the pattern—root, 5th, second scale degree, and the third. Follow the pattern up and back, respectively.

It will take more than one practice session to commit the ideas to memory. Make a commitment to making these exercises a normal part of your practice routine. Good luck!
Bass Edu
BASS LINES: How to Think Like a Professional Bassist (Beyond the Notes)
Being a great bassist isn’t just about scales, chops, or playing complex lines. At a certain point, you realize the real difference between a solid player and a true professional comes down to one thing: how you think about the music.
Thinking like a professional bassist means developing a deeper level of awareness, where every note has a purpose, every space is intentional, and every decision supports the music.
1. Know Your Role
The bass sits right between harmony and rhythm. We’re not just there to “hold it down”, we help shape the feel and direction of the groove.
A professional bassist is always asking:
- What does this song really need?
- Do I need to lay back, push forward, or stay out of the way?
It’s not about playing more—it’s about playing with purpose.
2. Listen First, Then Play
One of the biggest mistakes players make is thinking about what to play before actually listening.
Real listening means:
- Locking in with the drummer
- Following the harmonic movement
- Being aware of the band’s dynamics
Pro bassists don’t just react, they anticipate what’s coming next.
3. Groove Comes First
Technique matters… but groove is everything.
You can play all the right notes, but if the feel isn’t there, it won’t connect. On the flip side, a simple bass line with great time and feel can make the entire band sound better.
At the professional level, the priorities are clear:
- Time
- Tone
- Feel
Everything else comes after that.
4. Leave Space
Silence is part of the music.
Knowing when not to play is a skill that separates experienced players from mature musicians. Space gives the groove clarity and lets the music breathe.
You don’t have to fill every bar.
Sometimes the best note is the one you don’t play.
5. Serve the Music
The ego can get in the way of great playing.
Professional bassists aren’t trying to impress; they’re trying to make the music feel right. That means making choices that support the song, even if they’re not flashy.
That’s real musical maturity: doing what the music needs, not what your ego wants.
Thinking like a professional bassist is a lifelong process.
It’s about constantly growing in how you listen, how you feel, and how you respond in the moment.
At the end of the day, it’s not just about the notes you play; it’s about how you support, connect, and elevate the music.
“Play less. Listen more. Serve the music… always.”
— Jaime David Vázquez
Bass Edu
The Art of Playing Live: Holding the Groove Where It Matters Most
Hello bass players and fans of bass playing! This month, we’re going to talk about The Art of Playing Live! ARE YOU READY TO GROOVE?
There’s a powerful shift that happens the moment you step on stage.
Practicing at home is about control.
Playing live is about connection.
And as bass players, we live right in the center of that transformation.
We are not just supporting the band… we are anchoring the entire musical experience.
Groove Over Everything
In a live setting, perfection is overrated.
The audience won’t remember how many notes you played… but they will remember how you made them feel. The way your bass locks in with the kick drum can move an entire room without saying a word.
Playing less, with intention, often creates more impact than filling every space.
Great bass players understand this: Space is part of the groove.
Listening is Your Superpower
One of the most underrated skills on stage is deep listening.
Your connection with the drummer defines your foundation.
Your awareness of the vocalist shapes your dynamics.
Your sensitivity to the band creates cohesion.
When you truly listen, you don’t just play your part, you become part of the conversation.
And that’s when live music stops being structured… and starts being alive.
Presence Speaks Louder Than Notes
You don’t need to be front and center to command attention.
Presence is not about position—it’s about energy.
A bass player who is engaged, expressive, and connected elevates the entire performance. Your body language, your movement, your eye contact—it all communicates something beyond the instrument.
If you feel the music, the audience will feel it too.
Preparation Creates Freedom
The best live moments often feel spontaneous—but they are built on preparation.
Knowing the structure, transitions, and dynamics of each song gives you the confidence to explore without losing control.
When you’re prepared, you don’t overthink.
You react. You adapt. You create.
And that’s where the magic lives.
Adaptability is the Real Skill
No two stages are the same.
Different rooms. Different sound systems. Different audiences.
Sometimes, even different band dynamics.
A strong bass player reads the room and adjusts.
Maybe you simplify.
Maybe you dig in harder.
Maybe you leave more space.
Live performance is a living organism, and your role is to keep it grounded while allowing it to breathe.
Playing live is not just a performance… it’s a responsibility.
As bass players, we don’t just play notes… we shape the feel, the pulse, the emotional core of the music.
So the next time you step on stage, remember:
You are not in the background.
You are the foundation.
And everything moves because you do.
Stay tuned for more great stuff in the next issue and keep in touch with #bassmusicianmag,
#basslines, #bmmbasslines, #keepgrooving, #keepthegroovealive&kicking, #jdvinstrumental, #groovewars, #fullbassattack, #jdv, #boricuabass, #groovingtheworld, #bassgrooves, #groovemaniac, #6stringbass, #goodpracticemakesperfect #theartofplayinglive, #livemusic
Bass Edu
BASS LINES: Building the Foundation of Modern Music
The bass line is the heartbeat of modern music. It bridges rhythm and harmony, connecting the groove of the drums with the harmonic structure of the band. A well-crafted bass line does more than support; it defines the feel, direction, and emotional impact of a song. From Motown to rock, jazz to Latin music, the bass serves as both anchor and storyteller.
What Makes a Great Bass Line?
A great bass line balances time, tone, note choice, and space. While technical skill is valuable, musicality and intention are what truly elevate a bass performance.
1. Time and Groove
The primary responsibility of the bassist is to lock in with the drummer. This rhythmic unity creates the pocket, the groove that makes listeners move.
• Play slightly behind the beat for a laid-back feel
• Sit on top of the beat for energy and drive
• Maintain consistency to build trust within the band
Legendary players like James Jamerson demonstrated how groove can define an entire genre.
2. Note Choice and Harmony
Bass lines outline chord progressions and guide listeners through harmonic movement.
Essential tools include:
• Root notes to establish tonal center
• Fifths and octaves for strength and clarity
• Passing tones to create motion
• Chromatic approaches for tension and release
A strong bass line makes harmony audible even without chords.
3. Space: The Power of Restraint
One of the most overlooked aspects of bass playing is silence. Space allows the music to breathe and enhances the impact of each note.
Ask yourself:
• Does this note serve the song?
• Am I leaving room for other instruments?
Great bassists know that what you don’t play is just as important as what you do.
Styles of Bass Lines
Walking Bass
Common in jazz, walking bass lines use quarter notes to create forward motion while outlining chord changes.
Ostinato and Riffs
Repeated patterns, common in rock, funk, and Latin music, establish identity and groove. Think of iconic riffs that define entire songs.
Melodic Bass Lines
In modern genres, the bass often takes on a lyrical role, using phrasing and dynamics to create memorable melodies.
Tone: Your Sonic Signature
Your tone is your voice. Factors that shape tone include:
• Fingerstyle vs. pick vs. slap
• String type and gauge
• Instrument choice
• Amplification and EQ
A warm, round tone suits ballads, while a brighter tone can add articulation and presence in dense mixes.
The Bass in Contemporary Music
Today’s bassist must be versatile. In modern productions, bass lines may blend traditional playing with effects, extended range instruments, and melodic approaches. Six-string basses, looping, and chordal techniques are expanding the role of the instrument beyond its traditional boundaries.
The bass line is more than a supporting role, it is the foundation upon which music stands. Whether simple or complex, the best bass lines serve the song, connect the band, and move the listener.
As bassists, our mission is clear: support, enhance, and inspire through groove and musicality
Stay tuned for more great stuff in the next issue and keep in touch with #bassmusicianmag,
#basslines, #bmmbasslines, #keepgrooving, #keepthegroovealive&kicking, #jdvinstrumental, #groovewars, #fullbassattack, #jdv, #boricuabass, #groovingtheworld, #bassgrooves, #groovemaniac, #6stringbass, #goodpracticemakesperfect, #jdvbass, #jdvinstrumental
