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iRig Pro I/O Now Shipping
Pocket-sized mobile studio for all platforms offers high-definition audio I/O, professional quality preamp, MIDI input/output, device charging and a huge software bundle
June 29, 2017 – IK Multimedia is proud to announce iRig Pro I/O, the pocket-sized mobile audio/MIDI interface for iPhone®, iPad®, Mac®, PC and Android™ devices is now shipping worldwide.
iRig Pro I/O, the successor to IK’s highly popular iRig Pro I/O, raises the bar for personal mobile interfaces, with a new set of features and included software and apps that are unmatched in the category. iRig Pro I/O is an ultra-compact, plug-and-play, truly portable interface that lets musicians hook up all their gear – guitars, basses, studio mics, vocal mics, keyboards and more – to their mobile devices or computers and record 24-bit/96kHz pro-quality audio and MIDI tracks anywhere. iRig Pro I/O I/O features a high quality 1/8″ headphone/line out with level control for use with the latest Apple devices like the iPhone 7 to connect to headphones, mixers or powered monitor speakers in an ultra-compact enclosure that fits in a pocket and can be taken anywhere. Additionally, iRig Pro I/O is the first interface of its kind that includes built-in device charging for extended playing sessions, using an optional power supply.
24-bit, 96kHz professional audio
At its core, iRig Pro I/O is a truly professional audio interface, giving players the ability to record 24-bit audio at sample rates of up to 96kHz and rivals traditional desktop interfaces by providing stunning audio quality anywhere. The integrated Class-A preamp features a precision input gain control to handle a wide array of input signals giving it a tremendous amount of flexibility in a super-compact design. iRig Pro I/O features a multi-color LED indicator for visually optimizing the input gain level and monitoring the input signal to prevent clipping.
MIDI In/Out
iRig Pro I/O includes MIDI input and output ports offering connectivity with MIDI keyboards, controllers and synths to record MIDI tracks, control virtual instruments, use control surfaces, pedalboards and connect outboard sound modules and more. The multi-color LEDs on iRig Pro I/O provide visual feedback of MIDI in/out activity.
Pristine audio quality and real-time monitoring
For real-time monitoring on the go with the latest iPhones, iPads and computers, iRig Pro I/O features a high quality 1/8″ headphone/line output with level control. Users can plug in their headphones, connect to a mixer, or hook up a set of powered monitors like iLoud Micro Monitor. With any connection, the headphone/line output delivers pristine, crystal-clear audio for ultra-accurate representation of the audio program, with a quality far better than the host devices’ built-in audio output.
Combo XLR/¼” Input
iRig Pro I/O features a Neutrik® XLR/¼” combo input that lets users plug in all their gear – from dynamic, condenser or ribbon microphones to unbalanced Hi-Z or line level instruments like guitars, basses and more. iRig Pro I/O features a 48V phantom power switch for powering condenser or active ribbon microphones. With the adjustable, numeric input gain control, users can easily recall the gain settings for their recordings.
Battery, USB or DC Power with device charging function
iRig Pro I/O can operate on 2 x AA batteries (included) when connected to an iPhone/iPad, or on USB power when used with a Mac or PC. iRig Pro I/O also features a new DC in port that, when used with its dedicated power supply unit, charges a connected iPhone or iPad while in use for unlimited playing or recording time, on stage and in the studio. iRig Pro I/O comes with Mini-DIN to USB and Mini-DIN to Lightning cables along with two 5-pin MIDI to 2.5mm cables for connection to standard MIDI gear.
Over $/€500 worth of software and apps
iRig Pro I/O comes with more than $/€500 worth of included IK software. Users get full versions of IK’s award-winning titles like AmpliTube 4, AmpliTube for iPhone and iPad, SampleTank 3 SE and T-RackS Deluxe with Mic Room.
Pricing and availability
iRig Pro I/O is now available from the IK Multimedia online store and from IK authorized dealers worldwide for only $/€149.99*.
*Prices exclude taxes.
For more information, please visit: www.irigpro.io
Bass Player Health
Preparing for Performance with Dr. Randy Kertz
Preparing for Performance…
This month we discuss how to prepare for a performance and easy strategies that go a long way.
Dr. Randall Kertz is the author of The Bassist’s Complete Guide to Injury Management, Prevention and Better Health. Click here to get your copy today!
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Gear Reviews
The Frank Brocklehurst 6-String Fretless Bass Build
A few months ago, my Ken Bebensee 6-string fretted bass needed some TLC. You know, the one rocking those Pink Neon strings! I scoured my Connecticut neighborhood for a top-notch luthier and got pointed to Frank Brocklehurst, F Brock Music. He swung by my place, scooped up the bass, and boom, returned it the next day, good as new. Not only that, he showed up with a custom 5-string fretted bass that blew me away. I couldn’t resist asking if he could whip up a 6-string fretless for me.
Alright, let’s break down the process here. We’ve got our raw materials: Mahogany, Maple, and Holly. Fun fact – the Mahogany and Maple have been chilling in the wood vault for a solid 13 years. Frank is serious about his wood; they buy it, stash it away, and keep an eye on it to make sure it’s stable.
First up, they’re tackling the Mahogany. Frank glues it together, then lets it sit for a few days to let everything settle and the glue to fully dry. After that, it’s onto the thickness planer and sander to get it nice and flat for the CNC machine. The CNC machine’s the real star here – it’s gonna carve out the body chambers and volume control cavity like a pro.
While the Mahogany’s doing its thing, Frank goes onto the neck core. Three pieces of quartersawn maple are coming together for this bad boy. Quartersawn means the grain’s going vertical. He is also sneaking in some graphite rods under the fingerboard for stability and to avoid any dead spots. The truss rod is going to be two-way adjustable, and the CNC machine’s doing its magic to make sure everything’s just right.
Now, onto the design phase. Frank uses CAD software to plan out the body shape, neck pocket, chambering, and those cool f-holes. I had this idea for trapezoid F-holes, just to do something different. The CAD software also helps us map out the neck shape, graphite channels, and truss-rod channel with pinpoint accuracy.
Once everything’s planned out, it’s CNC time again. Frank cuts out the body outline, neck pocket, and the trapezoid F-holes. Then it’s a mix of hand sanding and power tools to get that neck just how we like it. Oh, and those f holes? We’re going for trapezoids of different sizes – gotta keep things interesting.
Next step: gluing that neck into the pocket with some old-school hide glue. It’s got great tonal transfer and can be taken apart later if needed. Then it’s onto hand-carving that neck-body transition.
For the custom-made bridge, Frank uses brass for definition and Ebony for tonal transfer and that warm, woody sound.
BTW, for tunes, Frank went with Hipshot Ultralights with a D Tuner on the low B. This way I can drop to a low A which is a wonderful tone particularly if you are doing any demolition around your house!
Now it’s time for the side dots. Typically, on most basses, these dots sit right in the middle of the frets. But with this bass, they’re placed around the 1st, 3rd, 5th, 7th, 9th, and 12th frets.
Frank’s got his pickup hookup. Since the pickup he was building wasn’t ready, he popped in a Nordstrand blade to give it a whirl.
It sounded good, but I was itching for that single-coil vibe! And speaking of pickups, Frank showed me the Holly cover he was cutting to match, along with all the pink wire – talk about attention to detail!
A couple of things, while it is important for me to go passive, it is equally important for me to just go with a volume knob. Tone knobs are really just low-pass filters and the less in the way of a pure sound for me, the better.
Finally, it’s string time! As usual, I went for the DR Pink Neon strings. Hey, I even have matching pink Cons…Both low tops and high!
Once we’ve got everything tuned up and settled, we’ll give it a day or two and then tweak that truss rod as needed. And voila, we’ve got ourselves a custom-made bass ready to rock and roll.
I want to thank Frank Brocklehurst for creating this 6 string beast for me.
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This Week’s Top 10 Basses on Instagram
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Bass Videos
Interview With Bassist Erick “Jesus” Coomes
Bassist Erick “Jesus” Coomes…
It is always great to meet a super busy bassist who simply exudes a love for music and his instrument. Erick “Jesus” Coomes fits this description exactly. Hailing from Southern California, “Jesus” co-founded and plays bass for Lettuce and has found his groove playing with numerous other musicians.
Join us as we hear of his musical journey, how he gets his sound, his ongoing projects, and his plans for the future.
Photo, Bob Forte
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Visit Online
www.lettucefunk.com
IG @jesuscsuperstar
FB@jesuscoomes
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Bass Videos
Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians
Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians
“These stories from the front are with real-life, day-to-day musicians who deal with work life and gigging and how they make it work out. Each month, topics may include… the kind of gigs you get, the money, dealing with less-than-ideal rooms, as well as the gear you need to get the job done… and the list goes on from there.” – Steve the Bass Guy and Shawn Cav