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Worship Bass With Steve Gregory: You Never Know the Impact You Will Have

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Meet Steve Gregory

On a recent Sunday a young woman brought her 4 year old son, who has been diagnosed with Attention Deficit Disorder (ADD), to one of our services. During the service, the child was sitting down, standing up, standing on the chair, looking around, wandering several seats away from his mother, picking up a bulletin, talking to everyone around him, etc. This continued while our worship team played, but something odd happened when I played the bass solo section on Hillsong United’s “Salvation Is Here”. To his mom’s amazement, he stood up and stared at the stage, completely focused. As the solo section continued he told his mom, “Look at that guy Mom! The music is running through him! The music running completely through him! That is what I want to do!”

Two things struck me when I heard this story. First, the fact that my playing could affect a 4 year old – and one that suffers from ADD, no less – is astonishing and flattering. I’ve played for some tough crowds before, but I can honestly say that the 3-5 year old market, with their natural tendency to critique things as they see it without a filter, is intimidating. (An adult reviewing my playing: “The use of the Lydian b7 was an “interesting” choice and I’m sure you’re not happy with the cleanliness of that 16th note run”. A 4 year old’s evaluation: “You’re a stupid-head!”…*Ouch*)

My second thought was that while we may not recognize the impact our playing will have, the chance to affect people should shape our attitude toward worship bass. The 4 year old was telling it exactly as he saw it, so we know the impact that was made. What we don’t know is how our playing will influence the person in the service who is depressed. Or the person who is searching. Or the person who is wondering what their friend, who invited them to church, got them into. Or the person who wants to celebrate their relationship with God. Each person in the worship service could have his or her life changed by our playing. When we start to think of the impact we have as worship bassists, the seriousness of our role becomes obvious. I know that a bass player doesn’t “get it” when they tell me about the playing they are doing and add, “oh, and I’ve got a church gig too”. This is the wrong attitude! The church job is truly important and is difficult to do well! (And a church gig for 3-5 year old kids? Whoa…)

In order to break down this responsibility into manageable pieces, I’ve created a list below of “be’s” for the worship bassist. Before presenting the list, I do want to say that I’m writing these not from a “holier than thou” position; rather, I came up with these as things that I personally need to do consistently.

• Be present. This can be tough, but worship bassists have to leave the static of life at the door. When you are playing, nothing but the worship experience matters. I know that I’ve had to stop for a few moments and let bad traffic, monthly bills, spilt coffee, and other life irritants fall to the background before going on stage. Carry your bass on your shoulder, but don’t let life’s worries rest there too.

• Be passionate. Playing worship bass is all about passion! If you are willing to be present, then you can pour everything into the service. I personally make it a goal to have nothing left when I leave the stage. Why hold anything back? I challenge you to try it during your next worship set – if you need a nap afterwards, that’s a good sign!

• Be a humble servant. Being humble can be difficult to balance with presence and passion. As I talked about in my last article, worship bass is all about supporting the worship environment. Sometimes that flashy lick is truly cool, but doesn’t support the worship environment. You may think you are “feeling it”, but you have to remember: it’s not about you! Pour your passion into the worship, not into promoting yourself.

• Be prepared. This is critical! The fact of the matter is that being under prepared is a sure way to deflate the worship experience. Those in the congregation absolutely can and will sense when the bassist is not prepared. Listen to the music, learn the music, and practice the music – ahead of time!

• Be willing to work on your skills. Yep, I’m echoing every bass teacher you’ve ever had: practice! You have to keep your skills sharp in order to bring your best to the worship experience. There are great ways to focus practice time to fit into 30 minute or one hour blocks, so marathon sessions aren’t necessary. As far as practice material, make sure that you use your time for technique, theory, transcription, and other items that aren’t categorized as “stuff you already know”. For even more specific material, look no further than this magazine – I personally devour every issue to learn as much as I can from this amazing staff!

• Be serious, but not too serious. I’ve spent about 1000 words painting the seriousness of being a worship bassist and indeed, it is an important job. Having said that, you can’t let a sense of responsibility creep into becoming a state of obsessive, over analytical, stressful, non-feeling mechanics. For example: I was playing a song that opens with a bar of sixteenth notes, followed by a bar that contains a sixteen note rest, followed by sixteen notes for the remaining space. Somewhere in that run, my plucking hand decided it didn’t want to play one of the sixteenth notes in the second measure. The flub was shocking and embarrassing – I had played simple patterns like this a million times and my ears heard the mistake loud and clear. My natural tendency would be to stew over this for the rest of the song and perhaps for the rest of the service. When I looked out at the crowd though, hands were raised, people were singing, and they didn’t notice or care about the sixteenth note that meant so much to me. Don’t let the call to seriousness pull you away from your mission: to create the worship environment.

Being a worship bassist is a rewarding but challenging job. It’s easily one of the most amazing gigs out there because you can make a lifelong impact. How do I know? I heard about this guy (who may or may not be the writer of this article) who was establishing himself as a bass player, but was being bumped around in life and was searching for something. The girl he was dating took him to a church where the bass player obviously took his job seriously, because the playing that day led to a life changing turn to God and a dedication to playing worship music… (Thank goodness Dave Combs was a worship bassist who “got it”.)

Until next time, I hope that your bass playing is blessed and that you can bless others through your bass playing!

Gear News

New Gear: Spector Doug Wimbish USA Custom Series Basses

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Doug Wimbish, pictured with the new Spector Doug Wimbish USA Custom Series basses

Spector offers Doug Wimbish USA Custom Series basses…

Spector, a leading authority in bass guitar design, unveils two new Doug Wimbish USA Custom Series basses. Synonymous with bass excellence since 1987, Wimbish collaborated with Spector’s USA Custom Shop to create the DW-4 and DW-5 models, echoing the iconic instruments that have been favored heavily throughout his recording and performing career.
 
These signature basses faithfully replicate Wimbish’s originals, down to the smallest details like neck contours and nut widths. Customized EMG pickups, developed in collaboration with Wimbish, capture the distinctive sound that has shaped his monumental musical impact. These models invite players to explore the feel and response that have defined Wimbish’s signature style over the years.
 
Available in 4-string and 5-string versions, each model boasts unique features & finish options. The DW-4 comes in Amber Stain Gloss and Black Stain Gloss options, while the DW-5 offers Dark Blue Stain Gloss and Faded Natural Gloss. Every purchase includes a certificate of authenticity signed by Doug Wimbish. Wimbish comments, “Spector took the time to get every little nuance right, and that to me is dedication and being thoughtful enough to know ‘I want to nail it,’ and they did. I’m able to pick these instruments up for the first time and play them like I’ve already had them for years.”

For more information, visit spectorbass.com/doug-wimbish-usa-signature-series/.

Photo: Doug Wimbish, pictured with the new Spector Doug Wimbish USA Custom Series basses

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Bass CDs

New Campaign: Alberto Rigoni, Nemesis Call – Queens Of Strings

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New Campaign: Alberto Rigoni, Nemesis Call - Queens Of Strings

Italian bass master and composer ALBERTO RIGONI is thrilled to announce his brand new project “Nemesis Call – Queens Of Strings”.

Nemesis Call – Queens Of Strings features a super talented drummer from Japan (TBA) and tons of female guitarists such as SAKI, Giusy Busetto, Alexandra Zerner (TBC) and many many others (TBA). Furthermore, Alberto has also launched a Fundraising Campaign for the project. 20% of the income will be donated to Lega del Filo d’Oro legadelfilodoro.it/it, an Italian association that helps deaf and blind children!

Alberto shares:
“Hello friends and music lovers! I’m Alberto Rigoni, an Italian composer and.. a BASS GUY! Between 2008 and 2024 I released 13 solo albums, spanning from progressive, rock, ambient to funky and experimental music, which also features contributions from musicians such as keyboard wizard Jordan Rudess (Dream Theater) drummer Gavin Harrison (Porcupine Tree) and Marco Minnemann (the Aristocrats), keyboardist Kevin Moore (ex Dream Theater), singer John Jeff Soto (ex  Goran Edman (ex Y. Malmsteen), bassists Nathan East, Stu Hamm (Joe Satriani), Nik West (ex Prince) and many others. I’m also bass player for BAD As, Sunset Groove Society, Kim Bingham, The Italians bands and co-producer of Mistheria’s Vivaldi Metal Project.”

Alberto on the new project Nemesis Call:
“Even if my latest album “Unexpected Lullabies”, dedicated to my newborn Vittoria Parini Rigoni, will be released on June 4th, 2024, when Vittoria came to life I felt the need to compose new music (yes, I really can’t stop!!!!!). This time will be quite challenging because I’m willing to release an instrumental ambient/prog/rock/metal album, that will feature a talented and young drummer (TBA) and tons of female guitarists (that’s why I will call the album “Queens of the Strings”) such as Alexandra Zerner, YOKA and many others (TBA/TBC)). It won’t be easy to manage all such great musicians but I will make it!! Are you ready to face a new prog experience? The album will be released in Digipack CD and in high-quality digital format approximately at the beginning of 2025.”

The Fundraising Campaign:
As an independent artist, Alberto is looking for supporters who can help him reach the budget for the production (recordings, mix, mastering, artwork etc.) of this new album and has started this fundraising campaign that will end successfully on October 15th, 2024.

Get further information about Alberto Rigoni’s new project Nemesis Call Fundraising campaign at albertorigoni.net/nemesiscal

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Bass Videos

Artist Update With Bassist Derek Frank

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Artist Update With Bassist Derek Frank

Bassist Derek Frank…

Many of you will remember the last time I chatted with Derek Frank was back in 2017. The main thing that impressed me was how busy Derek was and how he juggled playing with many huge acts.

Now, I am happy to hear that Derek launched a new album last March titled “Origin Story” where he digs deep into his roots and pays homage to Pittsburg.

Join me as we get caught up after all these years and hear the details about the new album, how Derek gets his sound, and his plans for the future.

Photo, Stephen Bradley

Visit Online:

www.derekfrank.com
www.instagram.com/derekfrankbass
www.youtube.com/derekfrankbass
www.facebook.com/derekfrankbass

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This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @foderaguitars @bqwbassguitar @lecomptebass @xvector_basses @vuorensaku_guitars @phdbassguitars @meridian_guitars @sterlingbymusicman @ramabass.ok @overwaterbasses

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Gear News

New Gear: Alberto Rigoni Signature Bass, the VPR5 by Gaetano Costanzo!

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Internationally renowned bassist ALBERTO RIGONI (soloist, BAD AS, Vivaldi Metal Project, TwinSpirits, etc.) is proud to announce the release of his signature bass VPR5 made by renowned Italian luthier Gaetano Costanzo!

Alberto Rigoni Signature Bass, the VPR5 by Gaetano Costanzo!

Internationally renowned bassist ALBERTO RIGONI (soloist, BAD AS, Vivaldi Metal Project, TwinSpirits, etc.) is proud to announce the release of his signature bass VPR5 made by renowned Italian luthier Gaetano Costanzo!

The bass is entirely handmade in Italy, without the use of CNC or other machinery, and has rather special features. The VPR is a 5-string bass (but also available as a 4-string) with 30 frets, Seymour Duncan pickups, Music Man Alnico style, passive electronics (volume, tone and a switch to select series/parallel/single-coil mode), alder body, and American maple neck and fingerboard. Gotoh tuners that ensure perfect intonation. The bass is totally painted white (nitro finish) but other colors can be requested. The VPR has a weight of about 2.9 kg and suitable for any genre.

For more information contact Gaetanobass77@gmail.com or visit online at www.instagram.com/gaetanocostanzoluthier or www.facebook.com/GaetanoCostanzoLuthier

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