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In-Depth Interview with Derek Jones, Bassist for KÀ by Cirque du Soleil at the MGM Grand, Las Vegas

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It use to be that, “What Happened in Vegas, stayed in Vegas.” But with the magic of technology and my most recent trip to Sin-City, what happened in Vegas is now on video for all to see!

What a thrill it was to sit down behind the scenes of KÀ by Cirque du Soleil at the MGM Grand, Las Vegas, for an in-depth interview with bassist Derek Jones…

When Bass Musician Magazine launched back in August 2007, Derek was one of the first friends we connected with on Myspace. We chatted online, and as my wife and I had seen KÀ several years prior, Derek and I had something to talk about besides G.A.S. (gear acquisition syndrome). Derek commented that if we were ever in Vegas to, “look him up.” So this fall, we did just that, and Derek was kind enough to put us in conversation with Jeff Lovari from Cirque’s PR department. As KÀ performs twice nightly at the MGM Grand in Las Vegas (five nights per week) Jeff offered us a rare opportunity to view the show again from the audience, and then join the performers backstage where we could sit-in with the band and film live during the show, following which would be an interview with Derek. Who could say no to that?

For those that have not had the opportunity to see KÀ (yet), it is an unprecedented, gravity-defying production by Cirque du Soleil that takes adventure to an all-new level. Encompassing a colossal dynamic stage, 100 performers & musicians as well as 200 crew members, it is a captivating display of aerial acrobatics that envelops the audience leaving us asking the question, “HOW did they do that?”

The following are a series of videos of our time with Derek Jones and KÀ, the first being an opportunity to view clips of the show as well as Derek playing behind the scenes. As this is live, during the segments with Derek, you will get to hear the stage manager’s cues as well!

Behind the Score of KÀ by Cirque du Soleil at the MGM Grand, Las Vegas with Bassist Derek Jones

Interview with Derek Jones, Bassist for KÀ by Cirque du Soleil at the MGM Grand, Las Vegas

Derek Jones talks about the Bass gear behind the scenes of KÀ by Cirque du Soleil at the MGM Grand, Las Vegas

How he got to play Bass for Cirque Du Soleil’s KA

Derek Jones, summing it up…

KÀ by Cirque du Soleil at the MGM Grand, Las Vegas… “You can see it. You can experience it. But, you wont believe it!” For tickets, visit online at www.MGMresorts.com/KA. For more information on Cirque du Soleil, visit online at online at www.cirquedusoleil.com.

For those interested in audition opportunities for Cirque du Soleil, click here.

CD for KÀ available at Amazon.com.

A special thanks to:
Jeff Lovari
Publicist Resident Shows Division
Cirque Du Soleil

Bass Videos

Interview With Bassist Erick “Jesus” Coomes

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Interview With Bassist Erick Jesus Coomes

Bassist Erick “Jesus” Coomes…

It is always great to meet a super busy bassist who simply exudes a love for music and his instrument. Erick “Jesus” Coomes fits this description exactly. Hailing from Southern California, “Jesus” co-founded and plays bass for Lettuce and has found his groove playing with numerous other musicians.

Join us as we hear of his musical journey, how he gets his sound, his ongoing projects, and his plans for the future.

Photo, Bob Forte

Visit Online

www.lettucefunk.com
IG @jesuscsuperstar
FB@jesuscoomes
FB @lettucefunk

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Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians

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WORKING-CLASS ZEROS With Steve Rosati and Shawn Cav

Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians

These stories from the front are with real-life, day-to-day musicians who deal with work life and gigging and how they make it work out. Each month, topics may include… the kind of gigs you get, the money, dealing with less-than-ideal rooms, as well as the gear you need to get the job done… and the list goes on from there.” – Steve the Bass Guy and Shawn Cav

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Tour Touch Base (Bass) with Ian Allison

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Tour Touch Base (Bass) with Ian Allison

Ian Allison Bassist extreme

Most recently Ian has spent the last seven years touring nationally as part of Eric Hutchinson and The Believers, sharing stages with acts like Kelly Clarkson, Pentatonix, Rachel Platten, Matt Nathanson, Phillip Phillips, and Cory Wong playing venues such as Radio City Music Hall, The Staples Center and The Xcel Center in St. Paul, MN.

I had a chance to meet up with him at the Sellersville Theater in Eastern Pennsylvania to catch up on everything bass. Visit online at ianmartinallison.com/

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Bass Videos

New Gear: Spector Woodstock Custom Collection Volume II

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New Gear: Spector Woodstock Custom Collection Volume II

Spector Launches Woodstock Custom Collection Volume II…

Spector Musical Instruments expands their celebrated Woodstock Custom Collection with the Volume II series – a breathtaking series of 12 handcrafted, one-of-a-kind bass guitars, each one masterfully designed by members of the Spector team. Crafted in the Spector USA Custom Shop in Woodstock, New York, these works of art go beyond musical instruments and expand the boundaries of Spector Bass design.

Spector’s iconic design lays the foundation for the Volume II collection. Each bass showcases a unique vision, including the selection of tonewoods, electronics, captivating finishes, and intricate design details. The collection highlights Spector’s commitment to craftsmanship and artistry and the individual people and stories that make up the team.

“The Woodstock Custom Collection was such a huge success, and we had so much fun with it that we couldn’t wait to do it again,” said John Stippell, Director – Korg Bass Division. “With Volume II, we’re expanding on everything we learned from the first collection, as well as pushing our design and Custom Shop team even further. These basses are a testament to the inspiring talent, creativity, and skill of every person on the Spector team. I’m excited for all of these basses and love how they tell the unique stories of all involved.”

Visit online at spectorbass.com/

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Bass Videos

New Gear: The Dingwall John Taylor Signature Model

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New Gear: The Dingwall John Taylor Signature Model

Dingwall John Taylor Signature Model…

After playing a limited edition Dingwall live with Duran Duran, John Taylor has launched his
Dingwall Guitars production model, loaded with a Rupert Neve Designs preamp and
Rio-inspired graphics.

Dingwall’s major launch for 2023 was the limited edition Rio Dream Bass, featuring an
innovative Rupert Neve Designs onboard preamp. A year later, the range has been bolstered
with the Canadian company now offering unlimited access to its continued collaboration with
John Taylor of Duran Duran.

Dingwall CEO Sheldon Dingwall says the basses are a response to Taylor’s upfront bass style.
“John’s bass playing with Duran Duran really imprinted on me how a bass should fit into a band mix. The combination of tastefully busy syncopation, his punchy tone, and tight performance immediately drew my ear. His basslines have always had a special combination of energy and elegance.”

The John Taylor Signature model follows the formula of the limited edition Rio Dream Bass,
combining a lightweight Nyatoh body with three neodymium pickups to produce what Dingwall deems “wonderful playability and tones that display a rare clarity and refinement.” The JT Signature model also updates the Rio Dream Bass with a range of new colors; Metallic Black, Primrose, Cranberry and Seafoam Green, as well as a new 5-string variant.

Other specs include a bolt-on Maple neck, a Pau Ferro multi-scale fingerboard with the ‘Rio Eye’ inlaid at the 12th fret, and Dingwall’s new ‘Minimalist’ bridge. The headstock sports lightweight tuners and a Rio-inspired graphic that complements the body stripes, designed by longtime Duran Duran collaborator, Patty Palazzo.

Finally, an onboard preamp designed and configured in collaboration with Rupert Neve Designs, whose studio consoles have long represented the pinnacle of high-end audio engineering, promises a clear voice that balances punch and sustain. “Duran’s breakthrough single, the title track from 1982’s Rio, was originally recorded on a Neve console, so the history was already there,” says Sheldon. “But the team at Rupert Neve Designs absolutely nailed the tone.”

Like the Rio Dream Bass, the JT Signature has also been configured to Taylor’s own personal
specifications. “It all started when I was in Toronto about six years ago,” says Taylor. “A friend
showed me a Dingwall bass on his phone. I loved how it looked and immediately said to my
tech, ‘You’ve got to reach out to these guys!’”

For further information on the range options, head to dingwallguitars.com

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