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Anonymous by Alex Bershadsky

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The moment I got Alex Bershadsky’s “Anonymous in my hands, I instantly remember how much I had enjoyed his previous CD “Junk” reviewed in the October 2007 issue of Bass Musician Magazine….  So, you can imagine my high expectations for this fine piece of musical artistry, and I wasn’t disappointed!

Anonymous” is a prime example of highly refined, energetic, precisely performed Jazz/Fusion. Alex’s selection of collaborating musicians is perfect as they mesh seamlessly.

Players Include:

Alex Bershadsky – Bass & Vocals

Eugene Maslov – Piano

Shlomi Cohen – Saxophone

Ian Freitor – Keyboards

Justin Mulliens -Trumpet

Eran Asias- Drums & Percussion

Gal Gershovsky- Drums (tracks 3&6)

The attention to musical detail is impeccable. Most of the tracks were written by Alex himself with one traditional piece and even a Nirvana standard. Throughout the tracks, Alex lays down a serious groove but often cuts loose and shows us what makes him one of the very few extraordinary bass soloists around; intricate finger work combined with controlled speed and precision are second to none.

The opening track “Why Don’t You Come and See Me” sets the tone with a funky, complex groove. The sax weaves around the drums and bass with a piano foundation but as the piece progresses everybody gets their chance to strut their stuff on this cut.  This piece is very tight!

Song for Emily” slows things down to a smooth Samba beat. The drums go with an interesting, untraditional tempo that really works on this tune. We are treated to more serious solo work from Alex here.

Falling Angels” has an amazing Bass line that you just have to hear for yourself.

Ma’oz Tzur” brings us a haunting tune with Alex playing by himself. There is a nice use of harmonics and exquisite fretless work using some well-timed looping that draws your attention to this piece.

Smells like Teen Spirit” takes a recognizable tune and converts it into a whole new piece;  take the melody, change the tempo and the feel then sandwich some very expressive playing and you have a whole different ball game.

I have been a fan of Alex Bershadsky’s work since I first heard it. Check out “Anonymous”, you will quickly become a fan too!

Anonymous by Alex Bershadsky available at Amazon.com and iTunes

Visit Alex online at www.alexbershadsky.com

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Album Review: Brian Bromberg, LaFaro

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Album Review: Brian Bromberg, LaFaro

Brian Bromberg, LaFaro…

Scott LaFaro was an extraordinary upright bass player who we lost in 1961 at the age of 25. Even though he was a young bassist he worked with the Bill Evans Trio from 1959 to 1961; he was an exceptional musician and his bass work was lightyears ahead of his time.

Brian Bromberg has teamed up with pianist Tom Zink and drummer Charles Ruggiero to produce a tribute album to this legendary player. We are treated to a dozen tracks (with three bonus tracks on the digital platforms) that were Bill Evans Trio standards. While the original band’s work inspired Brian, this tribute album is not an attempt by the musicians to replicate the music but to organically express themselves on these tunes. When you listen, you may note that it doesn’t sound like LaFaro and it isn’t supposed to.

As I have noted on many of Brian’s previous albums, the bass work (all upright here) is extraordinary and he knows how to get a crystal-clear sound. Every note is pristine and balanced perfectly with the piano and drums. Brian’s approach to recording upright bass should be the golden standard for all upright players. He also handpicked the other members of this trio and they are excellent musicians who really deliver the goods.

If you would like more insight into this album, I can share that in my cover interview with Brian, coming soon.

The projected album release date is April 5, 2024, and will be available at www.brianbromberg.net

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Album Review: Gabriel Espinosa, Bossas and Boleros

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Album Review: Gabriel Espinosa, Bossas and Boleros

Bassist Gabriel Espinosa was inspired by the music he grew up with in Yucatan, Mexico, and now brings us a collection of ten tracks on Bossas and Boleros.

Six of these tunes on Bossas and Boleros are his original compositions. As you might expect from the title, some of these tunes fit in a kind of retro/romantic category whereas others are in a kind of soft Latin jazz vein. Interestingly, Gabriel also found inspiration in current events and translated them into musical interludes.

Gabriel assembled an excellent collection of musicians to bring this album to life and his bass playing is solid and precise but not flashy. His playing compliments the music in a noticeable way but is very balanced in the overall mix. The compositions are intricate and quite lovely with a generous helping of Latin tempos. I especially enjoyed his vocal rendition of “Aqui Estoy Yo” where he sings with just a piano. It is a rare treat to actually hear a bass player’s voice in a tune.

The great thing about this album is it’s universal appeal as it is not all about the bass. Everyone can relate to a collection of beautiful music and it’s excellent execution. This album is perfect to listen to while you enjoy a glass of wine with a loved one as you watch the sunset. Listening made me feel both relaxed and happy and that are feelings we all want to share.

Bossas and Boleros is available on Amazon.com

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Album Review: Fernando Molinari, Reaching Inside

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Album Review: Fernando Molinari, Reaching Inside

Album Review: Fernando Molinari, Reaching Inside…

Bassist Fernando Molinari assembled a team of excellent musicians (including Marco Minnemann on drums) to bring us eight tracks of original, hard-hitting, instrumental rock. Now, even though this music falls in the rock category, it has progressive elements as well as shades of fusion.

This album is high-energy providing a platform for these talented musicians to treat us to the full extent of their abilities. Fernando’s bass playing is flawless and precise and definitely drives each tune with frequent solo sections that give us a clear idea of his skill. Of course, with a tight group like this, the bar is set very high and everybody delivers perfectly.

This is a perfect album to listen to when you want to be pumped up. It would be a great workout set, road trip music, or a fitting background for an action movie. If you want to get your heart pumping, this is the album for you!

Available on Amazon.com

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Album Review: Brad Russell, Metal Improved

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Album Review: Brad Russell, Metal Improved

Brad Russell, Metal Improved…

We have been listening to Brad Russell play bass over the years, and it is quite clear that versatility is at the heart of his talent. Whether it is playing in the pit for a musical or on stage at the NAMM Show, Brad has serious chops. With Metal Improved, he is giving us a sample of what it sounds like when he applies a focused, overdriven, metal approach to a collection of tunes.

Brad has teamed up with hardcore drummers Gregg Bissonette, Jason Furman, and Aquiles Priester to produce seven tracks of high-intensity, calculatedly frenetic, musical wizardry. Three of the tracks are Brad’s original compositions and the others are very recognizable tunes by Billy Sheehan, Edward Van Halen, Chick Corea, and J. S. Bach.

This EP is badass… if Metal is your thing you will want to give it a listen.

Metal Improved available on Amazon.com

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Album Review: Wolfgang Van Halen, Mammoth II

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Album Review: Wolfgang Van Halen, Mammoth II

Album Review: Wolfgang Van Halen, Mammoth II…

Following hot on the tail of Mammoth WVH, Wolfgang Van Halen now brings us Mammoth II, clearly showing us that he has a lot more music in store for us to enjoy.

Wolfgang repeats the amazing act of writing the music and playing all the instruments for the entire album with the exception of one track where there is Wah operation on a solo by Patrick “Uncle Pat” Bertinelli. Without a doubt, Wolfgang Van Halen is the consummate musician with a serious amount of talent to play all the instruments at such a high level; you just have to listen to the music to know he has the goods. Pay attention to the detail in each instrument and you find them impressively balanced and expertly performed. The bass work is tight but I find the drums catching my ear as there is some serious drum work here.

The vocals in this album are excellent and the harmonies are nicely blended as it is all Wolfgang’s voice.

There is a generally energetic, upbeat feel to the music in this album and it is loaded with high-energy rock. I personally tend to overlook lyrics as I get caught up in the music itself but it is clear that Wolfgang has a lot to say and I am guessing that it is cathartic to let these thoughts and feelings out. I am sure that many listeners will identify with the lines that they can relate to and adopt these songs as their own personal anthems.

Mammoth II stands firmly on its exceptional merits and is another great piece of work. Bravo Wolfgang!

Available on Amazon.com

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