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The Right Hand Rasgueo of The Lesson by Rhayn Jooste

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The song/lesson for this month is The Lesson. It’s inspiration is taken from Victor Wooten’s Palmystery album (2008). The key is Bb major; however beginning with G minor, it means we are in Aeolian mode. The technique you are aiming for is to play a percussion accompaniment, taken from flamenco guitar, with your right hand and called rasgueo – while still knocking out a bass line. Your goal is to master the basic pattern and then slowly add in various rhythmic percussive strikes to make it your own. This piece will require a 4 string bass guitar.

DOWNLOAD The Right Hand Rasgueo of The Lesson by Rhayn Jooste

Listen to The Lesson – Backing Track

The main riff is a flamenco style bass line in 6/8 which uses two types of percussive strikes in the right hand. The primer (bar 1) should be used to get yourself acquainted with the off beat rhythmic placement of the double stops and then adding in a descending bass line over a static chord/harmonics in bars 4 -5. Learn to count with the main pattern – master that before moving onto the percussion part. Bar 7 deals with the right hand strike that pushes the strings down into the frets (almost like a slap except it’s with your finger tips). Bar 8 onwards deals with the right hand index (and other fingers) playing across the muted strings in a strumming motion called rasgueo. This may take some time to get right so go slow and concentrate on each part separately. The percussion is open to interpretation.

Things to note off the original are Victor’s strong pocket playing and his use of dynamics. An idea to steal off the record is his perceptive use of right hand slides, string noises and subtle off beat patterns to outline the rhythm in between notes.

Technical bits.

To begin it’s worth saying that to play percussion and still solo a bass line while staying in time is going to be challenging. So a few hints: play the descending bass and double stops while just tapping the rests of the 6/8 beat on the strings. Some of the stretches and finger positions are unorthodox, esp. the arpeggio section at bar 35, which uses barre technique. Make sure your  left hand thumb is directly behind the first finger to execute this properly. This section imitates classical/flamenco guitar where there is a melody with chordal  accompaniment. Aim to get the melody separate and clear. The use of rest strokes in the right hand will aid this. Take this slow and let your left hand get used to the chords, distinction between fatigue and pain is fine so be careful and don’t do permanent damage. The runs are made up of two tetra chords (scale fragments) and are phrased using legato techniques (hammer ons and pull offs) practise these separately and aim for clarity. The tab (and hence the fingering) can be altered. Victor also uses left hand thumb over the top to keep the harmony with these runs. This is not for everybody, hence the reason there are two variations of those runs in the music – the choice is yours.

That aside this technique will not sound authentic without the right sound, think Victor Wooten. His sound is unique and a lot of that is down to his attack on the instrument however the use of active pick ups, and Eq (added treble and bass) will help. For further listening check out Vicente Amigo.

Backing Track.

This is a bass line that grooves and has the possibilities for many extra nuances. The track is made up of Latin percussion stalwarts: claves (sticks), shaker, cajon and udo with claps outlining the full 6/8 beat (with some typical Flamenco off beats added). The primer starts out simply and then adds in more complex right hand movements, listen to the clave to position the 1st right hand strike in time. The main groove starts one bar after the primer and is led in by the claves. Near the end there is an arpeggio section, technically in 2/4, however Victor’s phrasing lends itself to 4/4. Most importantly have fun with the groove and percussion and check out Victor’s Groove Workshop DVD for inspiration.

Gear News

New Gear: Alberto Rigoni Signature Bass, the VPR5 by Gaetano Costanzo!

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Internationally renowned bassist ALBERTO RIGONI (soloist, BAD AS, Vivaldi Metal Project, TwinSpirits, etc.) is proud to announce the release of his signature bass VPR5 made by renowned Italian luthier Gaetano Costanzo!

Alberto Rigoni Signature Bass, the VPR5 by Gaetano Costanzo!

Internationally renowned bassist ALBERTO RIGONI (soloist, BAD AS, Vivaldi Metal Project, TwinSpirits, etc.) is proud to announce the release of his signature bass VPR5 made by renowned Italian luthier Gaetano Costanzo!

The bass is entirely handmade in Italy, without the use of CNC or other machinery, and has rather special features. The VPR is a 5-string bass (but also available as a 4-string) with 30 frets, Seymour Duncan pickups, Music Man Alnico style, passive electronics (volume, tone and a switch to select series/parallel/single-coil mode), alder body, and American maple neck and fingerboard. Gotoh tuners that ensure perfect intonation. The bass is totally painted white (nitro finish) but other colors can be requested. The VPR has a weight of about 2.9 kg and suitable for any genre.

For more information contact Gaetanobass77@gmail.com or visit online at www.instagram.com/gaetanocostanzoluthier or www.facebook.com/GaetanoCostanzoLuthier

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Interview With Bassist Graham Stanush

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Interview With Bassist Graham Stanush

Bassist Graham Stanush…

Return to Dust is keeping Grunge alive and well! They have a new self-titled album that went out on May 3rd, 2024 and will be super busy promoting this project in the near future.

Graham Stanush is the bass powerhouse driving their sound and adding vocals to the mix. Join me as we hear all about Graham’s musical journey, details about the new album, how he gets his sound and their plans for the future.

Visit Online:

linktr.ee/returntodust
instagram.com/returntodustband/
twitter.com/Returntodustbnd
youtube.com/@returntodustband
tiktok.com/@returntodustband

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Bass Videos

Review: CrystalBright Rombo Picks

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Review: CrystalBright Rombo Picks

CrystalBright Rombo Picks

PR Sample

Playing bass with a pick is still a touchy subject in our community. I believe you should be able to use whatever you need to get your sound. Even though I mostly play with my fingers, I like to check out innovative new picks that might have something new to offer, sonically speaking.

Judith and Carlos from Rombo recently contacted me about a new material called CrystalBright that they have been researching for the last 12 months and offered to send some prototype picks. After trying them out, I put together this video with my findings.

For more info check out @rombopicks

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This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @sireusaofficial @ricardosguitars @gullone.bajos @godin_guitars @sandbergguitars @adamovicbasses @bassbros.uk @baumguitars @harleybentonofficial @dingwallguitars

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New Joe Dart Bass From Sterling By Music Man

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Sterling by Music Man introduces the Joe Dart Artist Series Bass (“Joe Dart”), named after and designed in collaboration with the celebrated Vulfpeck bassist.

Above photo credit: JORDAN THIBEAUX

This highly-anticipated model marks the debut of the Dart bass in the Sterling by Music Man lineup, paying homage to the Ernie Ball Music Man original that all funk players know and love. The bass embodies many of the original model’s distinctive features, from its iconic minimalist design to the passive electronics.

Joe Dart Artist Series Bass

The design process prioritized reliability, playability, and accessibility at the forefront. Constructed from the timeless Sterling body, the Dart features a slightly smaller neck profile, offering a clean tone within a comfortable package. The body is crafted from soft maple wood for clarity and warmth while the natural finish emphasizes the simple yet unique look.

Engineered for straightforward performance, this passive bass features a ceramic humbucking bridge pickup and a single ‘toaster’ knob for volume control. Reliable with a classic tone, it’s perfect for playing in the pocket. The Dart is strung with the all-new Ernie Ball Stainless Steel Flatwound Electric Bass Strings for the smoothest feel and a mellow sound.

Joe Dart Artist Series Bass

The Sterling by Music Man Joe Dart Bass is a special “Timed Edition” release, exclusively available for order on the Sterling by Music Man website for just one month. Each bass is made to order, with the window closing on May 31st and shipping starting in November. A dedicated countdown timer will indicate the remaining time for purchase on the product page. Additionally, the back of the headstock will be marked with a “2024 Crop” stamp to commemorate the harvest year for this special, one-of-a-kind release. 

The Joe Dart Bass is priced at $399.99 (MAP) and can be ordered globally at https://sterlingbymusicman.com/products/joe-dart. 

To learn more about Joe Dart, visit the official Vulfpeck artist site here https://www.vulfpeck.com/.


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