Music on Our Radar
“The Diary Of…” by Mike Claiborne
There are few albums by bass players that come along and seem to say “This is who I am, and this is what I do,” opting to focus more on a talent reel than anything else. “The Diary Of…” by Mike Claiborne is one of those few albums, focusing on the musical voice throughout each song and yet still remaining cohesive as you enjoy the album as a whole.
What grabbed me immediately from this album was the space. The arrangements are not cluttered, with each instrument really playing simple and solid parts to accentuate the whole. What this does is create an album where the playing is accessible, sometimes to the point of singing/humming along with the music. It pulls you in and makes you invested in the pieces.
Upon further listenings, what I really appreciated was Mike’s focus. As said previously, a lot of bass albums try to tackle a lot of things. Mike’s album is firmly set in jazz, funk, fusion, r&b and gospel (and if you check out his website at www.mikeclaiborne.com, you’ll know that he can play a LOT more), and that focus lends itself to an album that you can listen to in its entirety. Especially with an album that took around three years to complete (early 2009 to the end of 2011), it would be easy to have some songs that you scratch your head in terms of where they fit. Not here. As Mike has said, “Each tune is like a diary entry for me. I listen to them and can remember what was going on in my life at the time they were written and recorded,” and that honesty lends a hand in its cohesiveness.
One of the great surprises of the album was Claiborne’s arrangement of the Stevie Wonder hit, “Living for the City.” I found myself bobbing my head along with it quickly, even moving along with his melody line. Mike himself has said in regard to this album, “If an idea didn’t sound natural or feel natural to me, I didn’t use it.” This arrangement I felt was the best implementation of that ideal, building the arrangement up and just when you thought it couldn’t get better, everything drops out to just a slick, Marcus Miller-esque melodic slap line. Again, that use of space creates so much more than filling in every nook and cranny with notes and rhythms.
Mike Claiborne’s “The Diary Of…” lives up to its name. It’s a solid picture into Mike’s identity as a bass player, but more importantly a musician with range and depth. Combine that with the musicality and space throughout, and you have a solid album that can easily be enjoyed by everyone, in its entirety on multiple listens.
Bass CDs
Album Review: Brian Bromberg, LaFaro
Brian Bromberg, LaFaro…
Scott LaFaro was an extraordinary upright bass player who we lost in 1961 at the age of 25. Even though he was a young bassist he worked with the Bill Evans Trio from 1959 to 1961; he was an exceptional musician and his bass work was lightyears ahead of his time.
Brian Bromberg has teamed up with pianist Tom Zink and drummer Charles Ruggiero to produce a tribute album to this legendary player. We are treated to a dozen tracks (with three bonus tracks on the digital platforms) that were Bill Evans Trio standards. While the original band’s work inspired Brian, this tribute album is not an attempt by the musicians to replicate the music but to organically express themselves on these tunes. When you listen, you may note that it doesn’t sound like LaFaro and it isn’t supposed to.
As I have noted on many of Brian’s previous albums, the bass work (all upright here) is extraordinary and he knows how to get a crystal-clear sound. Every note is pristine and balanced perfectly with the piano and drums. Brian’s approach to recording upright bass should be the golden standard for all upright players. He also handpicked the other members of this trio and they are excellent musicians who really deliver the goods.
If you would like more insight into this album, I can share that in my cover interview with Brian, coming soon.
The projected album release date is April 5, 2024, and will be available at www.brianbromberg.net
Latest
Album Review: Gabriel Espinosa, Bossas and Boleros
Bassist Gabriel Espinosa was inspired by the music he grew up with in Yucatan, Mexico, and now brings us a collection of ten tracks on Bossas and Boleros.
Six of these tunes on Bossas and Boleros are his original compositions. As you might expect from the title, some of these tunes fit in a kind of retro/romantic category whereas others are in a kind of soft Latin jazz vein. Interestingly, Gabriel also found inspiration in current events and translated them into musical interludes.
Gabriel assembled an excellent collection of musicians to bring this album to life and his bass playing is solid and precise but not flashy. His playing compliments the music in a noticeable way but is very balanced in the overall mix. The compositions are intricate and quite lovely with a generous helping of Latin tempos. I especially enjoyed his vocal rendition of “Aqui Estoy Yo” where he sings with just a piano. It is a rare treat to actually hear a bass player’s voice in a tune.
The great thing about this album is it’s universal appeal as it is not all about the bass. Everyone can relate to a collection of beautiful music and it’s excellent execution. This album is perfect to listen to while you enjoy a glass of wine with a loved one as you watch the sunset. Listening made me feel both relaxed and happy and that are feelings we all want to share.
Bossas and Boleros is available on Amazon.com
Music on Our Radar
Album Review: Fernando Molinari, Reaching Inside
Album Review: Fernando Molinari, Reaching Inside…
Bassist Fernando Molinari assembled a team of excellent musicians (including Marco Minnemann on drums) to bring us eight tracks of original, hard-hitting, instrumental rock. Now, even though this music falls in the rock category, it has progressive elements as well as shades of fusion.
This album is high-energy providing a platform for these talented musicians to treat us to the full extent of their abilities. Fernando’s bass playing is flawless and precise and definitely drives each tune with frequent solo sections that give us a clear idea of his skill. Of course, with a tight group like this, the bar is set very high and everybody delivers perfectly.
This is a perfect album to listen to when you want to be pumped up. It would be a great workout set, road trip music, or a fitting background for an action movie. If you want to get your heart pumping, this is the album for you!
Available on Amazon.com
Latest
Album Review: Brad Russell, Metal Improved
Brad Russell, Metal Improved…
We have been listening to Brad Russell play bass over the years, and it is quite clear that versatility is at the heart of his talent. Whether it is playing in the pit for a musical or on stage at the NAMM Show, Brad has serious chops. With Metal Improved, he is giving us a sample of what it sounds like when he applies a focused, overdriven, metal approach to a collection of tunes.
Brad has teamed up with hardcore drummers Gregg Bissonette, Jason Furman, and Aquiles Priester to produce seven tracks of high-intensity, calculatedly frenetic, musical wizardry. Three of the tracks are Brad’s original compositions and the others are very recognizable tunes by Billy Sheehan, Edward Van Halen, Chick Corea, and J. S. Bach.
This EP is badass… if Metal is your thing you will want to give it a listen.
Metal Improved available on Amazon.com
Music on Our Radar
Album Review: Wolfgang Van Halen, Mammoth II
Album Review: Wolfgang Van Halen, Mammoth II…
Following hot on the tail of Mammoth WVH, Wolfgang Van Halen now brings us Mammoth II, clearly showing us that he has a lot more music in store for us to enjoy.
Wolfgang repeats the amazing act of writing the music and playing all the instruments for the entire album with the exception of one track where there is Wah operation on a solo by Patrick “Uncle Pat” Bertinelli. Without a doubt, Wolfgang Van Halen is the consummate musician with a serious amount of talent to play all the instruments at such a high level; you just have to listen to the music to know he has the goods. Pay attention to the detail in each instrument and you find them impressively balanced and expertly performed. The bass work is tight but I find the drums catching my ear as there is some serious drum work here.
The vocals in this album are excellent and the harmonies are nicely blended as it is all Wolfgang’s voice.
There is a generally energetic, upbeat feel to the music in this album and it is loaded with high-energy rock. I personally tend to overlook lyrics as I get caught up in the music itself but it is clear that Wolfgang has a lot to say and I am guessing that it is cathartic to let these thoughts and feelings out. I am sure that many listeners will identify with the lines that they can relate to and adopt these songs as their own personal anthems.
Mammoth II stands firmly on its exceptional merits and is another great piece of work. Bravo Wolfgang!
Available on Amazon.com
Interview With Bassist Erick “Jesus” Coomes
Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians
Tour Touch Base (Bass) with Ian Allison
New Gear: Spector Woodstock Custom Collection Volume II
