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THE ARISTOCRATS – Featuring Guthrie Govan, Bryan Beller and Marco Minnemann NEW ALBUM “Culture Clash”

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Culture-Clash-Front-Cover-300x274THE ARISTOCRATS – Featuring Guthrie Govan, Bryan Beller and Marco Minnemann NEW ALBUM “Culture Clash”

Fans of instrumental rock/fusion (Jeff Beck, Frank Zappa, Steve Vai, John Scofield, Joe Satriani) and heavy progressive musical excellence (King Crimson, Dream Theater, Queen) – LISTEN UP!

THE ARISTOCRATS, the white-hot rock/fusion instrumental virtuoso power trio featuring celebrated musicians Guthrie Govan (guitar), Bryan Beller (bass) and Marco Minnemann (drums), will release their new album, Culture Clash, on July 16, 2013 via BOING Music.

Culture Clash will be sold in both regular and deluxe editions. The deluxe package will contain a bonus DVD called, “Accept The Mystery: The Making Of The Aristocrats’ Culture Clash”, a 33-minute DVD documentary shot while THE ARISTOCRATS were tracking the album in Nashville, TN between January 15th-21st. Containing both studio footage and exclusive interviews with each member of the band, this is a special behind-the-scenes look at THE ARISTOCRATS that fans have never seen before.
Culture Clash tracklisting:
1. Dance Of The Aristocrats
2. Culture Clash
3. Louisville Stomp
4. Ohhhh Noooo
5. Gaping Head Wound
6. Desert Tornado
7. Cocktail Umbrellas
8. Living The Dream
9. And Finally

The band’s 2011 self-titled instant-classic debut album proved irresistible to fans of guitar-driven instrumental rock (think Vai, Satriani) but ended up crossing over both ways, making inroads with the progressive (Dream Theater) and modern technical metal (Animals As Leaders, Meshuggah, Periphery) crowds alike. That’s not surprising considering the genre-defying panoply of the band’s true influences: Frank Zappa, Jeff Beck, John Scofield, Mahavishnu Orchestra, Rage Against The Machine, Pink Floyd, Queen, King Crimson, The Police, Kraftwerk, Bjork, Return To Forever, and more…a variety of which show up in each band member’s individual compositional style, as they’re all contributing songwriters.

Culture Clash honors the band’s panoramic potpourri of influences, while showing up as a more aggressive, intensely-written album that picks up where the band’s first effort left off – all while retaining a quirky Zappa-influenced refusal to take themselves too seriously. That’s evidenced by the album’s title alone, which derives its name from a sly reference to the Coen Brothers’ film A Serious Man, and doubles as an allusion to the band’s multi-national makeup (Govan is British; Beller is American; Minnemann is German).

“We’ve all been totally blown away by the reaction to the first album, the live album, and just us becoming a band in general. We’re all beyond grateful for that,” states bassist Bryan Beller. “So this record, I feel like, is a response to that amazing response. It’s like, ‘OK, you dug all that crazy stuff on the first one, eh? Well, here, check this out.’ We don’t want to rest on our laurels. We want to push this thing further, as far as we can, wherever that goes.”

Culture Clash proves to be a more adventurous piece of work for the trio, with everything from techno-fusion (“Dance Of The Aristocrats”), to nitro-powered rockabilly (the Ren-and-Stimpy-influenced “Louisville Stomp”), to Mr. Bungle-infused metal (“Living The Dream”), to the rhythmically serpentine rock/fusion-esque title track. The band feels that being joined at the hip for the past two years helped them become a stronger unit, which set them on a more unconventional course.

“All the time we spent together as a band touring, and gigging together and interacting, has made us bolder in terms of the kind of material we’ve dared to write for this album,” adds guitarist Guthrie Govan. “I think there’s some wackier stuff that we maybe wouldn’t have submitted for the first album when we didn’t know each other as well. We didn’t know what kind of craziness we would get away with. So I guess we’re enjoying some of the benefits of having been a real band for longer.”

The members of THE ARISTOCRATS first performed together as a trio at the Anaheim Bass Bash during the winter NAMM show in 2011. After a huge response from fans for the trio to become permanent, the band (named after the infamous dirty joke of the same name) quickly recorded their first album The Aristocrats in 2011, to instant wide acclaim. The band released a live album, Boing, We’ll Do It Live! in 2012. Guitarist Guthrie Govan has been featured on the cover of Guitar Player Magazine and is known for his solo album Erotic Cakes, as well as recent touring work with Steven Wilson, and performing with the band Asia/GPS from 2001-2006. Bassist/solo artist Bryan Beller graced the cover of Bass Player Magazine in late 2012, and is recognized from his work withDethklokSteve VaiJoe Satriani, and Mike Keneally. Drummer Marco Minnemann is a multi-instrumentalist and prolific solo artist/composer, was featured on the cover of Modern Drummer Magazine, and is known for his live work with NecrophagistKreatorAdrian BelewUKZ, and Steven Wilson – as well as his Telly Award-winning DVD Extreme Drumming.
THE ARISTOCRATS recently announced via their social media pages that they will be heading out on tour in July and August for their longest American run to date. The venue tour kicks off in Nashville, TN on July 17th and includes select clinics at schools like the Atlanta Institute of Music, Berklee College of Music, and more.
THE ARISTOCRATS “Culture Clash” U.S. Tour Dates:
7/17 Nashville TN @ Douglas Corner
7/19 Tampa FL @ Brass Mug
7/20 Orlando FL @ West End Trading Company
7/21 Jacksonville FL @ 1904 Music Hall
7/23 Atlanta GA @ Atlanta Institute of Music (clinic/show)
7/24 Atlanta GA @Masquerade (Purgatory Room)
7/25 Charlotte NC @ Tremont Music Hall (Casbah)
7/26 Raleigh NC @ Pour House Music Hall
7/27 Washington DC @ Jammin Java
7/29 Boston MA @ Berklee College of Music (clinic)
7/30 Boston MA @ Berklee Performance Center (concert)
7/31 Wilkes-Barre PA @ River St. Jazz Cafe
8/1 New York City NY @ Highline Ballroom
8/2 Philadelphia PA @ North Star Bar
8/3 Dunellen NJ @ New Jersey Proghouse
8/6 Pittsburgh PA @ Hard Rock Cafe
8/7 Cleveland OH @ Beachland Tavern
8/8 Columbus OH @ Rumba Café
8/9 Cincinnati OH @ Southgate House Revival
8/10 Charleston WV @ Empty Glass
8/12 Detroit MI @ Token Lounge
8/13 Indianapolis IN @ Birdy’s
8/14 Chicago IL @ Reggie’s
8/15 Madison WI @ Brink Lounge
8/16 St. Paul MN @ Station 4
8/17 Omaha NE @ Shamrock’s
8/19 St. Louis MO @ 2720 Cherokee
8/20 Kansas City MO @ The Record Bar
8/21 Tulsa OK @ The Vanguard
8/23 Denton TX @ Dan’s Silverleaf
8/24 Houston TX @ Rudyard’s Pub
8/25 Austin TX @ Saxon Pub
For more information on THE ARISTOCRATS, please visit these websites:

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New Album: Ben Mortiz, MORENO

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New Album: Ben Mortiz, MORENO

The Chilean bassist, producer and sociologist, Ben Mortiz, celebrates the launch of his latest studio work, “MORENO” an album that mixes jazz, soul, and funk following the characteristic Latin style of  Mortiz. The artist completely produced the album under the label “Fallen Lab Records” in the south of Chile.

“MORENO” brings deep and smooth sounds, expressing a sophisticated and elegant Latin vibe. You will find meditative harmonies and joyful melodic voices. The record’s core is the human vibration that Mortiz feels from the Latin American music. The Caribbean rhythms and strong Latin percussions are the musical glue in every song that emerges with the force of the electric bass.

“MORENO” creates a real connection between corporal reactions and mind sensations, always in reference to the originality of Mortiz to fuse modern and classic Latin sounds.

For more information, visit online at danielbenmortiz.com/

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New Album: CATTANEO, Tim Lefebvre, Andrea Lombardini, Hypersphere

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New Album: CATTANEO, Tim Lefebvre, Andrea Lombardini, Hypersphere

CATTANEO, TIM LEFEBVRE AND ANDREA LOMBARDINI PRESENT ‘HYPERSPHERE’ EP
The members of Buñuel, David Bowie’s band and a prominent electronic artist are united and have releases their first collaborative release via Freecom Hub.

Hypersphere is an EP created by CATTANEOTim Lefebvre and Andrea Lombardini. Following their conceptual milestone, a dream team of bass players and multi-instrumentalists created fragments of music, coexisting and complementing each other individually and altogether. Having been playing with CATTANEO since 2016, Andrea Lombardini describes the process of their work as “strong musical connection”. Starting with the fully improvised set featuring drum-machine and pedal effects. “Some of Paolo’s keyboards are homemade and he has very unique sounds” – explains Andrea. Getting Tim Lefebvre to produce the EP, the duo simultaneously started another vehicle of their collaboration.

Moving their work organically, three extraordinary musicians managed to reach an almost-perfect balance between sounds of guitar and bass with electronic instruments. Morphing together, numerous guitar riffs, loops of synthesizers. Dominating electronic sounds get united with a rock take, depicting dark moods and ethereal landscapes. All these elements work in tandem to create something new each time.

Order Hypersprehere here.

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New Campaign: Alberto Rigoni, Nemesis Call – Queens Of Strings

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New Campaign: Alberto Rigoni, Nemesis Call - Queens Of Strings

Italian bass master and composer ALBERTO RIGONI is thrilled to announce his brand new project “Nemesis Call – Queens Of Strings”.

Nemesis Call – Queens Of Strings features a super talented drummer from Japan (TBA) and tons of female guitarists such as SAKI, Giusy Busetto, Alexandra Zerner (TBC) and many many others (TBA). Furthermore, Alberto has also launched a Fundraising Campaign for the project. 20% of the income will be donated to Lega del Filo d’Oro legadelfilodoro.it/it, an Italian association that helps deaf and blind children!

Alberto shares:
“Hello friends and music lovers! I’m Alberto Rigoni, an Italian composer and.. a BASS GUY! Between 2008 and 2024 I released 13 solo albums, spanning from progressive, rock, ambient to funky and experimental music, which also features contributions from musicians such as keyboard wizard Jordan Rudess (Dream Theater) drummer Gavin Harrison (Porcupine Tree) and Marco Minnemann (the Aristocrats), keyboardist Kevin Moore (ex Dream Theater), singer John Jeff Soto (ex  Goran Edman (ex Y. Malmsteen), bassists Nathan East, Stu Hamm (Joe Satriani), Nik West (ex Prince) and many others. I’m also bass player for BAD As, Sunset Groove Society, Kim Bingham, The Italians bands and co-producer of Mistheria’s Vivaldi Metal Project.”

Alberto on the new project Nemesis Call:
“Even if my latest album “Unexpected Lullabies”, dedicated to my newborn Vittoria Parini Rigoni, will be released on June 4th, 2024, when Vittoria came to life I felt the need to compose new music (yes, I really can’t stop!!!!!). This time will be quite challenging because I’m willing to release an instrumental ambient/prog/rock/metal album, that will feature a talented and young drummer (TBA) and tons of female guitarists (that’s why I will call the album “Queens of the Strings”) such as Alexandra Zerner, YOKA and many others (TBA/TBC)). It won’t be easy to manage all such great musicians but I will make it!! Are you ready to face a new prog experience? The album will be released in Digipack CD and in high-quality digital format approximately at the beginning of 2025.”

The Fundraising Campaign:
As an independent artist, Alberto is looking for supporters who can help him reach the budget for the production (recordings, mix, mastering, artwork etc.) of this new album and has started this fundraising campaign that will end successfully on October 15th, 2024.

Get further information about Alberto Rigoni’s new project Nemesis Call Fundraising campaign at albertorigoni.net/nemesiscal

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New Album: Jake Leckie, Planter of Seeds

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Planter of Seeds is bassist/composer Jake Leckie’s third release as a bandleader and explores what beauty can come tomorrow from the seeds we plant today. 

Bassist Jake Leckie and The Guide Trio Unveil New Album Planter of Seeds,
to be released on June 7, 2024

Planter of Seeds is bassist/composer Jake Leckie’s third release as a bandleader and explores what beauty can come tomorrow from the seeds we plant today. 

What are we putting in the ground? What are we building? What is the village we want to bring our children up in? At the core of the ensemble is The Guide Trio, his working band with guitarist Nadav Peled and drummer Beth Goodfellow, who played on Leckie’s second album, The Guide, a rootsy funky acoustic analog folk-jazz recording released on Ropeadope records in 2022. For Planter of Seeds, the ensemble is augmented by Cathlene Pineda (piano), Randal Fisher (tenor saxophone), and Darius Christian (trombone), who infuse freedom and soul into the already tightly established ensemble.

Eight original compositions were pristinely recorded live off the floor of Studio 3 at East West Studios in Hollywood CA, and mastered by A.T. Michael MacDonald. The cover art is by internationally acclaimed visual artist Wayne White. Whereas his previous work has been compared to Charles Mingus, and Keith Jarrett’s American Quartet with Charlie Haden, Leckie’s new collection sits comfortably between the funky odd time signatures of the Dave Holland Quintet and the modern folk-jazz of the Brian Blade Fellowship Band with a respectful nod towards the late 1950s classic recordings of Ahmad Jamal and Miles Davis.

The title track, “Planter of Seeds,” is dedicated to a close family friend, who was originally from Trinidad, and whenever she visited family or friends at their homes, without anyone knowing, she would plant seeds she kept in her pocket in their gardens, so the next season beautiful flowers would pop up. It was a small altruistic anonymous act of kindness that brought just a little more beauty into the world. The rhythm is a tribute to Ahmad Jamal, who we also lost around the same time, and whose theme song Poinciana is about a tree from the Caribbean.

“Big Sur Jade” was written on a trip Leckie took with his wife to Big Sur, CA, and is a celebration of his family and community. This swinging 5/4 blues opens with an unaccompanied bass solo, and gives an opportunity for each of the musicians to share their improvisational voices. “Clear Skies” is a cathartic up-tempo release of collective creative energies in fiery improvisational freedom. “The Aquatic Uncle” features Randal Fisher’s saxophone and is named after an Italo Calvino short story which contemplates if one can embrace the new ways while being in tune with tradition. In ancient times, before a rudder, the Starboard side of the ship was where it was steered from with a steering oar. In this meditative quartet performance, the bass is like the steering oar of the ensemble: it can control the direction of the music, and when things begin to unravel or become unhinged, a simple pedal note keeps everything grounded.

The two trio tunes on the album are proof that the establishment of his consistent working band The Guide Trio has been a fruitful collaboration. “Santa Teresa”, a bouncy samba-blues in ? time, embodies the winding streets and stairways of the bohemian neighborhood in Rio de Janeiro it is named for. The swampy drum feel on “String Song” pays homage to Levon Helm of The Band, a group where you can’t always tell who wrote the song or who the bandleader is, proving that the sum is greater than the individual parts. Early jazz reflected egalitarianism in collective improvisation, and this group dynamic is an expression of that kind of inclusivity and democracy.

“The Daughters of the Moon” rounds out the album, putting book ends on the naturalist themes. This composition is named after magical surrealist Italo Calvino’s short story about consumerism, in which a mythical modern society that values only buying shiny new things throws away the moon like it is a piece of garbage and the daughters of the moon save it and resurrect it. It’s an eco-feminist take on how women are going to save the world. Pineda’s piano outro is a hauntingly beautiful lunar voyage, blinding us with love. Leckie dedicates this song to his daughter: “My hope is that my daughter becomes a daughter of the moon, helping to make the world a more beautiful and verdant place to live.”

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Debut Album: Nate Sabat, Bass Fiddler

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Debut Album: Nate Sabat, Bass Fiddler

In a thrilling solo debut, bassist Nate Sabat combines instrumental virtuosity with a songwriter’s heart on Bass Fiddler

The upright bass and the human voice. Two essential musical instruments, one with roots in 15th century Europe, the other as old as humanity itself. 

On Bass Fiddler (Adhyâropa Records ÂR00057), the debut album from Brooklyn-based singer-songwriter and bass virtuoso Nate Sabat, the scope is narrowed down a bit. Drawing from the rich and thriving tradition of American folk music, Sabat delivers expertly crafted original songs and choice covers with the upright bass as his lone tool for accompaniment. 

The concept was born a decade ago when Sabat began studying with the legendary old-time fiddler Bruce Molsky at Berklee College of Music. “One of Bruce’s specialties is singing and playing fiddle at the same time. The second I heard it I was hooked,” recalls Sabat. “I thought, how can I do this on the bass?” From there, he was off to the races, arranging original and traditional material with Molsky as his guide. “Fast forward to 2020, and I — like so many other musicians — was thinking of how to best spend my time. I sat down with the goal of writing some new songs and arranging some new covers, and an entire record came out.” When the time came to make the album, it was evident that Molsky would be the ideal producer. Sabat asked him if he’d be interested, and luckily he was. “What an inspiration to work with an artist like Nate,” says Molsky. “Right at the beginning, he came to this project with a strong, personal and unique vision. Plus he had the guts to try for a complete and compelling cycle of music with nothing but a bass and a voice. You’ll hear right away that it’s engaging, sometimes serious, sometimes fun, and beautifully thought out from top to bottom.” 

While this record is, at its core, a folk music album, Sabat uses the term broadly. Some tracks lean more rock (‘In the Shade’), some more pop (‘White Marble’, ‘Rabid Thoughts’), some more jazz (‘Fade Away’), but the setting ties them all together. “There’s something inherently folksy about a musician singing songs with their instrument, no matter the influences behind the compositions themselves,” Sabat notes. To be sure, there are plenty of folk songs (‘Louise’ ‘Sometimes’, ‘Eli’) and fiddling (‘Year of the Ox’) to be had here — the folk music fan won’t go hungry. There’s a healthy dose of bluegrass too (‘Orphan Annie’, ‘Lonesome Night’), clean and simple, the way Mr. Bill Monroe intended. 

All in all, this album shines a light on an instrument that often goes overlooked in the folk music world, enveloping the listener in its myriad sounds, textures, and colors. “There’s nothing I love more than playing the upright bass,” exclaims Sabat. “My hope is that listeners take the time to sit with this album front to back — I want them to take in the full scope of the work. I have a feeling they’ll hear something they haven’t heard before.”

Available online at natesabat.bandcamp.com/album/walking-away

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