Bass Videos
Review – Miura K3 DI & Preamp
Miura Guitars U.S.A. recently launched their second pedal offering dedicated to bassists, the K3 DI & Preamp.
This visually colorful follow-up to the visually stark M2 Compressor, shares a common trait with its predecessor: it adds little, to no, color to your natural tone. In short, you plug and play while enjoying a crisp, bright, and slightly more musical sound.
“Many players love the sound of our onboard K3 bass preamp so we designed and built the K3 DI & Preamp as an external pedal so bassists wouldn’t have to remodel their bass to get the Muira sound,” said Hiro Miura, founder of Miura Guitars USA, Inc.
The Preamp
Since the signal coming out of a bass is somewhat anemic, preamps are used to boost the signal before it reaches the amplifier. Bringing the signal up to “line level” allows the bass to work with power amps, mixers, etc. These preamps can be in the bass or in an external device like the Miura K3.
Preamps also lower the impedance, balance the signal, and even color the tone. The catch, however, with preamps is they can add to your bass’ tone. Many bassists will select their preamps to get, or to avoid altogether, that coloring.
“Because the Mid EQ is a pot, rather than a switch, players are able to find their preference seamlessly,” Miura said. “A switch only allows the user to set to a limited range, but the pot enables a wider range of selection.
“The K3’s Hi freq switch also allows the selection of a sound range, a characteristic combination of a single coil pickup and a humbucking pickup. As a result, the noise is extremely restrained, keeping the sound warm, natural, and very clear.”
The DI
One of the critical functions of a DI box is to convert unbalanced high impedance signals to balanced low impedance signals.
“Since our DI uses a full-scale EDCOR transformer, it can not be compared to a simplified DI,” Miura said. “You can think of the K3 as a high-quality DI with supreme sound quality…that comes with a preamp.”
Features
The K3 is a ruggedly-built pedal featuring bright pink and gold graphics. The features include:
- VOLUME: Controls the volume of OUT and DI OUT.
- BASS: Controls the low range (20Hz Peak).
- MIDDLE: Controls the mid-range. The frequency of the mid-range can be adjusted by MID FREQ.
- MID FREQ: Sets the zone of the mid-range to change. The range of the zone is 160Hz to 4kHz.
- TREBLE: Controls the high range. The frequency of the high range can be adjusted by the HI FREQ switch.
- GAIN: Controls the gain width (10dB to 22dB) of the sound signal coming through.
- G-LIFT: ON/OFF switch for the ground lift.
- PAD: Decreases the signal of LINE OUT and DI OUT by -15dB.
- EQ: ON/OFF switch for the EQ parts.
- LOOP: Switches the flow of signal of Effect Loop IN/OUT.
- HI FREQ: Switches the zone of TREBLE to 12kHz or 18kHz.
- DC 9V: DC 9V, over 150mA, center minus.
- LINE IN/OUT: ¼”
- EFFECT LOOP SWITCH: The signal connected to this IN/OUT can be switched ON/OFF by LOOP.
- DI OUT: XLR out.
The Miura is currently in limited production with a suggested retail price of $379.99 and can be purchased from authorized Miura Guitars USA, Inc. retailers.
Bass Player Health
Right Hand Technique Strategies with Dr. Randy Kertz
This month, we discuss right-hand techniques to minimize injury while playing bass.
Dr. Randall Kertz is the author of The Bassist’s Complete Guide to Injury Management, Prevention and Better Health. Click here to get your copy today!

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Bass Videos
Interview With Bassist Adam Russell
Adam Russell, bassist for Story of the Year, hasn’t slowed down for a second.
With the band’s latest album A.R.S.O.N. dropping on February 13, 2026, they’ve not only delivered new music but also pushed their creativity further through a series of visually striking videos, several of which Adam himself co-directed and edited.
In this interview, we dive into the making of the new record, explore how Adam shapes his signature bass sound, and get the inside scoop on the band’s upcoming Camp Screamo Tour with Silverstein and Origami Angel.
Here’s Adam Russell.
Photo: Ryan Stephens
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Bass Videos
Interview With Bassist Tim Neilsen
Get ready for a conversation with one of Southern rock’s enduring forces, Tim Neilsen. For over 35 years, Drivin N Cryin has been delivering a powerful blend of grit, melody, and heart, and they’re not slowing down anytime soon. With their brand-new album “Crushing Flowers” set to drop on April 10th, the band is gearing up for another exciting chapter.
At the core of that signature sound is bassist Tim Nielsen, whose driving grooves have helped define the band’s identity and earned them a place in the Georgia Music Hall of Fame.
In this interview, we sit down with Tim to talk about the new album, the secrets behind his unmistakable tone, and what lies ahead for Drivin N Cryin.
Here is Tim Nielsen.
Photos: Chris Neilsen, Carlton Freeman, Ted Lanthangue, and courtesy Tim Neilsen
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Bass CDs
New Music: Oteil Burbridge & Lamar Williams Jr. New Single, Hush
Oteil Burbridge & Lamar Williams Jr. Champion Love Over Hate in New Single “Hush” | New Album ‘The Offering’ Out May 1.
Bassist Oteil Burbridge and vocalist Lamar Williams Jr. continue the rollout of their forthcoming collaborative album The Offering, with the release of its second single, “Hush”. A slow-burning Southern soul meditation rooted in love, peace, and emotional clarity, the track is a centerpiece on the album with a potent, thematic statement, in Williams’ words to “block out all of that nonsense” and “remember that there is more love in the world than hate.” The full-length album arrives May 1 via Flóki Studios, recorded on Iceland’s northern coast and produced by drummer, engineer, and Soulive co-founder Alan Evans.
While much of The Offering grew out of Burbridge’s banjo-based writing, “Hush” emerged from he and Williams’ shaping a deliberate sonic vision. Burbridge says they were “trying to capture a more old school Memphis, Macon, Muscle Shoals vibe,” leaning into a Southern soul feel that fits Williams’s phrasing. The end result is a song that is unhurried with a deep pocket that allows the groove and the song’s message breathe and stand at the forefront.
The album features an all-star lineup of drummer John Morgan Kimock, percussionist Weedie Braimah, organist Melvin Seals of the Jerry Garcia Band, pianist and violinist Jason Crosby, guitarists Tom Guarna and Jaden Lehman — musicians whose overlapping histories connect the Allman Brothers Band, Dead & Company, the Jerry Garcia Band, Soulive, and West African percussion traditions.
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Bass Videos
Interview With Bassist Virginia Franks
When I heard that American Vanity, formerly known as Burn the Jukebox, was gearing up to release a new album this summer, it felt like the perfect moment to catch up with bassist and vocalist Virginia Franks.
With a fresh name unveiled just this past January and a clear shift in musical direction, the band is entering an exciting new chapter, one defined by both sonic evolution and a deeper, more focused message.
In this conversation, Virginia opens up about the inspiration behind the upcoming record, how she crafts her distinctive bass tone, what fans can expect from their upcoming tour, and where she sees both herself and the band heading next.
Join me as we dive into it all.
Here is Virginia Franks.
Photo, Devin Kasparian
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