Features
Scot Bihlman Talks New Album, Featuring Guest Star dUg Pinnick and More
Get to Know Scot Bihlman…
Meet Emmy award-winning musician and songwriter, Scot Bihlman, an industry vet whose mile-long resume includes stints with John Fogerty, Trey Anastasio (phish), Ted Nugent, BB King, Ray Charles, Dido, Hank Williams Jr., Al Cooper, Buddy Guy, Kenny Olsen (Kid Rock), and Jack Tempchin (Eagles), to name a few. Bihlman will soon be releasing his new solo record; a powerful culmination of his expansive musical experiences that will feature such guest stars as bassist, dUg Pinnick (King’s X), who also played with Bihlman in his other project, Grinder Blues, and Ron Meyer of Utah-based Black Sheep Brothers. Read on to learn more about this world-class musician, and what it was like sharing the stage with some of rock music’s biggest stars.
Alexx Calise: Your new album was recorded in Indiana, Utah and Los Angeles. What was the reasoning for recording in all of those different locales?
Scot Bihlman: Geographically, it has been a bit of a challenge. However, with modern technology and the right guys at the helm, we are achieving the prime directive. Miles Fulwider (Indiana) and Andrew Glasmacher (Utah) handle all the recording, mixing, and filming as the project develops. As I am in Los Angeles, I’m fortunate to have access to unique opportunities.
It gives us all a chance to access different options like different players and sounds which in turn brings a unique dynamic to the project.
How different is your solo project musically from Bihlman Brothers and Grinder Blues?
Musically speaking, my solo project is a lot different in regard to the traditional recording process. I am making a conscious effort to avoid overtones of past projects. Which is tricky! Doing lead vocals, rhythm guitar, and drums collectively bring different flavors and dynamics to these songs.
Also, working with like-minded people has definitely afforded me the opportunity to get musically experimental.
Over the years I have collaborated with many producers and musicians which in turn has a tendency to detour you from your original vision. However, with this project, I’ve had carte blanche to go down avenues with alternate tunings, effects, and structures that would not have been possible in past projects. For this, I am very grateful!
You played with your sibling, Jeff in the Emmy award-winning Bihlman Brothers and Grinder Blues. Can we expect to hear his playing on your new solo record as well?
No, my brother will not be making an appearance on this release. Thank you for asking!
dUg Pinnick of King’s X, who also played in Grinder Blues with you will be making an appearance on the new record as well. Did you kind of give him the reigns when it came to laying down his bass parts, or did you have a specific direction in mind when it came to the track?
Oh yeah! dUg is the groove master and needs no direction from me. You kinda just give him the track and go have a cocktail. The end.
How did you two initially become acquainted?
Actually, my loooong time buddy and musicians Institute Colleague, Ray Luzier called me as he was having a barbecue in LA. I showed up, and it was a fantastic display of awesome people. dUg and I started talking about a blues project, and something he was wanting to add to his massive musical lineage. Me? I just wanted to play with dUg Pinnick! So, with dUg’s deep understanding of soul and the history I had under my belt in the blues, things started coming together to birth Grinder Blues!
Will you be distributing this release independently, or will this album also be under the Sony/Megaforce umbrella?
I am talking with Megaforce now and enjoy our relationship. There is a plan in place technically for singles. Honestly, I’m not sure locking in a whole album with one label is a business plan for the future. It also effects film/TV music placements where I have had success, and Music supervisors are usually not too hip on being signed. However, if Megaforce and I work some tracks together and it’s beneficial for us both, then let’s roll!
You’ve had the opportunity to play or record with the likes of John Fogerty, Hank Williams Jr., and a number of iconic artists. Did any of them ever offer any words of wisdom that may have forced a change in perspective for you as a musician, or even influenced your career trajectory?
I have been fortunate enough to work with a lot of my heroes, and it’s been an incredible journey. Obviously, growing up listening to Creedence Clearwater revival and getting to work with John Fogerty was a surreal experience.
That session really taught me a lot. Being on an album with Trey Anastasio and Al Cooper was cool, and the jam on Son Seals song “funky Bitch” totally captured the essence of the track. Actually, not to go down a rabbit hole of different experiences, but I would have to say by far BB KING had the biggest impact on me both musically and spiritually. What a beautiful human on all levels. If you go to www.bihlmanbros.com there is a live recording of Mr.King calling us out on stage. Bless you, kind sir!
When can we expect your new solo album?
Technically, we are just brushing up on a few things and mixing 10 tracks. We already have two videos done for the tracks “Tooth and Nail” and “Lay Your Burden Down.” I am hoping for a summer/fall release 2020.
We’ve all obviously taken some serious hits as musicians due to the pandemic, especially because we can’t play live on a traditional stage for the foreseeable future. What have you been doing creatively to keep yourself sane during this time?
Always playing guitar along with riding my motorcycle. I’m a big motorcycle enthusiast! I have a 2001 Harley Davidson Dyna wide glide that has been totally tricked out over the years. It’s my church, therapy and muse all in one. I get most my creative ideas musically while riding – guitar Riffs, lyrics, structures, sounds, artwork etc… I would say it’s my biggest writing tool and definitely keeps me sane. It also works really well with social distancing, and right now the road is wide open!
Do you think the music industry will come back the same way after the pandemic?
That’s a great question, and I would have to say not for a long time. The music business has been evolving and reinventing itself every year, and most musicians are just trying to keep up. Now with this worldwide pandemic, it makes it even harder for us to make a living, and thespians of all walks of life are hurting. I would say keep your chops up and hope for the best. Stay healthy and stay strong.
Have you noticed any cool new music-related innovations online while in lockdown?
Musically, it seems there are always new, mind blowing innovations happening regardless of a pandemic. I am sure the nerds are getting ready to blow our minds even further with all this frustration and time on their hands. I love nerds, man so bring it on please!
I see you’re also an actor. What types of roles do you generally like to play? What might we have seen you in?
Indeed! I do dabble with the craft, and it’s nothing to take lightly like anything else you strive to master. Touring and being out of town over the years makes it hard to be readily available. In short, I do what I can when I can and have a patient agent. I’ve done two national commercials (The NFL network, and Burger King) along with a lot of print add work for Ducati, Volkswagen, Harley Davidson etc… I am always studying the craft, and It’s a fun journey!
Do you plan to tour the new record as soon as things go back to “normal,” so to speak? If so, will you just be performing solo, or will you be bringing some other musicians along for the ride?
I am planning on touring, and I will be putting together a touring band. Solo gigs are great, and I have always loved that kind of intimate setting. I am sure you’ll be seeing me in many different forms throughout this process, so keep your ear to the road!
To find out more about Scot, or to see some of the upcoming “sneak peeks” be sure to follow Scot Bihlman on Instagram @scotbihlman. You can also visit scotbihlman.com!
Readers have been fans of the composer, bass player, and Bass Musician contributor Alberto Rigoni for some time now.
In this interview, we had the opportunity to hear directly from Alberto about his love of music and a project near and dear to his heart, “Unexpected Lullabies”…
Could you tell our readers what makes your band different from other artists?
In 2005, I felt the urge to write original music. My first track was “Trying to Forget,” an instrumental piece with multiple bass layers (rhythm, solo, and arrangement), similar to the Twin Peaks soundtrack. When I played it for a few people, they really liked it, and I decided to continue composing based on my instinct and ear without adhering to any specific genre. In 2007, I released “Something Different” with Lion Music. The title says it all! Since then, I’ve released many solo albums, each different from the others, ranging from ambient to prog, fusion, jazz, and new age. I am very eclectic!
How did you get involved in this crazy world of music?
As a child, I listened to the music my parents enjoyed: my dad loved classical music, while my mom was into Pink Floyd, Genesis, Duran Duran, etc. These influences left a significant mark on my life. However, the turning point came at 15 when a drummer friend played me “A Change of Seasons” by Dream Theater, which was a shock! From that moment, I decided to play bass and cover Dream Theater songs, which I did for many years with my cover band, Ascra, until it disbanded in 2004. After that, I joined TwinSpirits (prog rock) led by multi-instrumentalist Daniele Liverani. Since then, I haven’t played any more covers!
Who are your musical inspirations, and what inspired the album and the songs?
My roots are in progressive rock metal, with influences from bands like Dream Theater, Symphony X, and many others. However, I listen to all genres and try to keep an open mind, which helps me compose original music. On bass, I was significantly inspired by Michael Manring and Randy Coven (bassist of Ark, Steve Vai, etc.). But I don’t have a real idol; I just follow my own path without compromise.
What are your interests outside of music?
Living in Italy, I love good food and wine! Beyond that, I have a deep interest in art in general and history, not just of my country. I enjoy spending time with friends, skiing, biking, and walking in nature. This is how I spend my free time. The rest of my time is devoted to music and my family!
Tell us about the new album.
It is definitely an out-of-the-box album. When I found out last year that I was going to have a baby girl, I decided to compose a sort of lullaby album, but I didn’t want to cover already famous lullabies. So, I started composing new tunes with the goal of creating an album that was half-sweet and half-hard rock. I did include some covers like “Strangers in the Night” by Frank Sinatra, sung by Goran Edman, former lead singer of Malmsteen. It’s not exactly a lullaby, but I felt the lyrics fit the album, as does the instrumental version of “Fly Me to The Moon.” There are also tracks with just bass and piano (Nenia) or two basses (Vicky). It was definitely an interesting creative process!
What is the difference between the new album and your previous releases, and will there be any new material from your other outfit called BAD AS?
BAD AS is essentially a metal band with several influences including prog. My solo genre is quite different, although there are some metal songs on a few albums. It’s always difficult for me to categorize my music… let’s say it’s a mix of prog, ambient, fusion, and new age.
Where was the album recorded, who produced it, and how long did the process take?
I produced my last album entirely by myself, including mixing and mastering. Unlike other albums I’ve produced within a few months, this one took much longer, perhaps because I was very busy or maybe because I wanted it to be perfect for my daughter, who is now three months old. In any case, I am satisfied. Once again, I did something different from my previous albums.
What is the highlight of the album for you and why?
My favorite song is the first track titled “Vittoria,” named after my daughter. It’s the intro to the record and isn’t very long, but the melody stuck in my head. Another standout track is the instrumental version of “Fly Me to The Moon” by Frank Sinatra, where I used fretless bass. The first part is sweet, the second part definitely rocks!
How are the live shows going, and what are you and the band hoping to achieve?
With BAD AS, this year we shared the stage with David Ellefson’s (former Megadeth bassist) band and talented young singer Dino Jelusik (White Snake). We plan to continue performing all over Europe!
What’s in store for the future?
I am working on an instrumental project called Nemesis Call, a progressive shred prog metal album with various influences. It will feature guest appearances from famous musicians like drummers Mike Terrana and Thomas Lang, as well as young talents like Japanese guitarist Keiji from Zero (19), 14-year-old Indian drummer Sajan Young, and guitarists Alexandra Zerner and Alexandra Lioness, Hellena Pandora. It’s scheduled for release at the end of the year or early 2025. As an independent artist, I have launched a fundraising campaign with exclusive pledges at www.albertorigoni.net/nemesiscall. And no, I am not begging; the album will be released anyway!
What formats is the release available in?
Unexpected Lullabies is available both as a Digipack CD and on streaming platforms.
What is the official album release date?
June 4th, 2024.
Thanks for this interview Bass Musician Magazine and for the continued support to my career!
Visit Online:
www.albertorigoni.net
www.youtube.com/albertorigoni
albertorigoni.bandcamp.com
www.instagram.com/albertorigonibassplayer
www.facebook.com/albertorigonimusic
www.tiktok.com/@albertorigonibassist
CD Track Listing:
1. Vittoria
2. Fly Me to the Moon
3. Azzurra
4. Dancing with Tears in My Eyes (feat. John Jeff Touch)
5. Out of Fear
6. Veni Laeatitia (feat. Alexandra Zerner)
7. Nenia
8. Slap Lullaby (feat. Karl Clews)
9. Saga
10. Vicky (feat. Michael Manring)
11. Ocean Travelers (feat. Vitalij Kuprij)
12. Strangers in the Night (feat. Göran Edman)
13. Peaceful
14. Un uomo che voga (feat. Eleonora Damiano)
Band Line-Up:
- Tommaso Ermolli arrangements on “Vittoria”
- Sefi Carmel on “Fly Me to the Moon” (Cover) (except for the keyboard solo by Alessandro Bertoni)
- Piano and keyboards by Alessandro Bertoni on “Azzurra”
- Leonardo Caverzan, guitars, and John Jeff Touch, vocals on “Dancing with Tears in my Eyes” (Cover)
- T. Ermolli keys on “Out of Fear”
- Alexandra Zerner everything on “Veni Laetitia”
- Daniele Bof piano on “Nenia”
- Karl Clews, piccolo bass on “Slap Lullaby”
- Jonas Erixon vocals and guitars on “Saga”
- Michael Manring bass on “Vicky”
- Vitalij Kuprij, keyboards and piano, and Josh Sapna, guitars, on “Ocean Traveler”
- Göran Edman, vocals, Emiliano Tessitore, guitars, Emiliano Bonini, drums, on “Strangers in the Night” (Cover) everything by Alberto Rigoni and vocals by Federica “Faith”
- Sciamanna on “Peaceful”
- T. Ermolli, guitars, and Eleonora Damiano, vocals, on “Un uomo che voga All drums programmed by Alberto Rigoni
If you are an electric bass player, this is an exciting time to be alive as this relatively new instrument evolves around us. Some creative individuals have taken an active role in this evolution and made giant leaps in their own direction. Lee Barker is one of these inventive people having created the Barker Bass.
Fortunately, Lee is also an excellent writer (among so many talents) and has recently released his book “Plausible Gumption, The Road Between a Christmas Toolbox and The Barker Bass”. This book is a very fun read for everyone and shares a ton of details about Lee’s life in general, his experiences as a musician, a radio host, and a luthier. Now I am fortunate to have the great opportunity to gain even more insights into this renaissance man with this video interview.
Plausible Gumption, The Road Between a Christmas Toolbox and The Barker Bass is available online at Amazon.com
Interview and photo courtesy of Holly Bergantino of Bergantino Audio Systems
With an expansive live show and touring, Mt. Joy bassist Michael Byrnes shares his experiences with the joyful, high-energy band!
Michael Byrnes has kept quite a busy touring schedule for the past few years with his band, Mt. Joy. With a philosophy of trial and error, he’s developed quite the routines for touring, learning musical instruments, and finding the right sound. While on the road, we were fortunate to have him share his thoughts on his music, history, and path as a musician/composer.
Let’s start from the very beginning, like all good stories. What first drew
you to music as well as the bass?
My parents required my sister and I to play an instrument. I started on piano and really didn’t like it so when I wanted to quit my parents made me switch to another instrument and I chose drums. Then as I got older and started forming bands there were never any bass players. When I turned 17 I bought a bass and started getting lessons. I think with drums I loved music and I loved the idea of playing music but when I started playing bass I really got lost in it. I was completely hooked.
Can you tell us where you learned about music, singing, and composing?
A bit from teachers and school but honestly I learned the most from just going out and trying it. I still feel like most of the time I don’t know what I am doing but I do know that if I try things I will learn.
What other instruments do you play?
A bit of drums but that’s it. For composing I play a lot of things but I fake it till I make and what I can’t fake I will ask a friend!
I know you are also a composer for film and video. Can you share more
about this with us?
Pretty new to it at the moment. It is weirdly similar to the role of a bass player in the band. You are using music to emphasize and lift up the storyline. Which I feel I do with the bass in a band setting. Kind of putting my efforts into lifting the song and the other musicians on it.
Everybody loves talking about gear. How do you achieve your “fat” sound?
I just tinker till it’s fat lol. Right now solid-state amps have been helping me get there a little quicker than tube amps. That’s why I have been using the Bergantino Forté HP2 – Otherwise I have to say the cliche because it is true…. It’s in the hands.
Describe your playing style(s), tone, strengths and/or areas that you’d like
to explore on the bass.
I like to think of myself as a pretty catchy bass player. I need to ask my bandmates to confirm! But I think when improvising and writing bass parts I always am trying to sneak little earworms into the music. I want to explore 5-string more!
Who are your influences?
I can’t not mention James Jamerson. Where would any of us be if it wasn’t for him? A lesser-known bassist who had a huge effect on me is Ben Kenney. He is the second bassist in the band Incubus and his playing on the Crow Left the Murder album completely opened me up to the type of bass playing I aspire towards. When I first started playing I was really just listening to a lot of virtuosic bassists. I was loving that but I couldn’t see myself realistically playing like that. It wasn’t from a place of self-doubt I just deep down knew that wasn’t me. Ben has no problem shredding but I was struck by how much he would influence the song through smaller movements and reharmonizing underneath the band. His playing isn’t really in your face but from within the music, he could move mountains. That’s how I want to play.
What was the first bass you had? Do you still have it?
A MIM Fender Jazz and I do still have it. It’s in my studio as we speak. I rarely use it these days but I would never get rid of it.
(Every bass player’s favorite part of an interview and a read!) Tell us about
your favorite bass or basses. 🙂
I guess I would need to say that MIM Jazz bass even though I don’t play it much. I feel connected to that one. Otherwise, I have been playing lots of great amazing basses through the years. I have a Serek that I always have with me on the road (shout out Jake). Also have a 70’s Mustang that 8 times out of 10 times is what I use on recordings. Otherwise, I am always switching it up. I find that after a while the road I just cycle basses in and out. Even if I cycle out a P bass for another P bass.
What led you to Bergantino Audio Systems?
My friend and former roommate Edison is a monster bassist and he would gig with a cab of yours all the time years ago. Then when I was shopping for a solid state amp the Bergantino Forté HP2 kept popping up. Then I saw Justin Meldal Johnsen using it on tour with St. Vincent and I thought alright I’ll give it a try!
Can you share a little bit with us about your experience with the Bergantino
forte HP amplifier? I know you had this out on tour in 2023 and I am pretty
certain the forte HP has been to more countries than I have.
It has been great! I had been touring with a 70’s SVT which was great but from room to room, it was a little inconsistent. I really was picky with the type of power that we had on stage. After a while, I thought maybe it is time to just retire this to the studio. So I got that Forte because I had heard that it isn’t too far of a leap from a tube amp tone-wise. Plus I knew our crew would be much happier loading a small solid state amp over against the 60 lbs of SVT. It has sounded great and has really remained pretty much the same from night to night. Sometimes I catch myself hitting the bright switch depending on the room and occasionally I will use the drive on it.
You have recently added the new Berg NXT410-C speaker cabinet to your
arsenal. Thoughts so far?
It has sounded great in the studio. I haven’t gotten a chance to take it on the road with us but I am excited to put it through the paces!
You have been touring like a madman all over the world for the past few
years. Any touring advice for other musicians/bass players? And can I go to Dublin, Ireland with you all??
Exercise! That’s probably the number one thing I can say. Exercise is what keeps me sane on the road and helps me regulate the ups and downs of it. Please come to Dublin! I can put you on the guest list!
It’s a cool story on how the Mt. Joy band has grown so quickly! Tell us
more about Mt. Joy, how it started, where the name comes from, who the
members are and a little bit about this great group?
Our singer and guitarist knew each other in high school and have made music together off and on since. Once they both found themselves living in LA they decided to record a couple songs and put out a Craigslist ad looking for a bassist. At the time I had just moved to LA and was looking for anyone to play with. We linked up and we recorded what would become the first Mt. Joy songs in my house with my friend Caleb producing. Caleb has since produced our third album and is working on our fourth with us now. Once those songs came out we needed to form a full band to be able to do live shows. I knew our drummer from gigging around LA and a mutual friend of all of us recommended Jackie. From then on we’ve been on the road and in the studio. Even through Covid.
Describe the music style of Mt. Joy for me.
Folk Rock with Jam influences
What are your favorite songs to perform?
Always changing but right now it is ‘Let Loose’
What else do you love to do besides bass?
Exercise!
I always throw in a question about food. What is your favorite food?
I love a good chocolate croissant.
Follow Michael Byrnes:
Instagram: @mikeyblaster
Follow Mt. Joy Band:
Instagram: https://www.instagram.com/mtjoyband
Facebook: https://www.facebook.com/mtjoyband
I am sure many of you are very familiar with Mark Egan as we have been following him and his music for many years now. The last time we chatted was in 2020.
Mark teamed up with drummer Shawn Pelton and guitarist Shane Theriot to produce a new album, “Cross Currents” released on March 8th, 2024. I have been listening to this album in its entirety and it is simply superb (See my review).
Now, I am excited to hear about this project from Mark himself and share this conversation with our bass community in Bass Musician Magazine.
Photo courtesy of Mark Egan
Visit Online:
markegan.com
markegan.bandcamp.com
Apple Music
Amazon Music
Bassist Adam Sullivan…
Hailing from Minnesota since 2012, By the Thousands has produced some serious Technical Metal/Deathcore music. Following their recent EP “The Decent”s release, I have the great opportunity to chat with bassist Adam Sullivan.
Join me as we hear about Adam’s musical Journey, his Influences, how he gets his sound, and the band’s plans for the future
Photo, Laura Baker
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