Gear News
BITE Custom Bass for Robbie Williams XXV World Tour
In July 2023, Austrian custom bass builder BITE Guitars was asked to build a bass for the ongoing Robbie Williams XXV world tour, matching the stage design of Robbie’s own paintings.
BITE was aiming at handing over the bass backstage to Robbie’s long-time bassist, writer and producer Jerry Meehan at their show in Zurich, Switzerland, one month down the road. Quite the challenge, knowing that otherwise it would take BITE six months to build such an elaborate bass.

BITE still managed to complete it in record time and meet the target. When BITE delivered the bass before the show, Jerry, Robbie and everyone else were highly delighted, passing it around and turning it over and over to examine the 360° hand-painted artwork.



Jerry, whose studio Wendyhouse Productions is a prominent hub in the UK music industry, has also worked with Ed Sheeran, Dua Lipa, Rihanna, Rita Ora, Adele, Stevie Wonder and many others. He was so satisfied with the tone and feel of the bass that he wanted to play it on stage that very evening which meant that sound engineering and videowall film crew of a precisely attuned multi-million dollar show had to be adjusted and redirected in a last-minute effort. Jerry gave the bass a big fat kiss in front of the huge crowd and continues to play it on the tour, even to songs not initially planned.
The bass: BITE Punch 34″, BITE 1000mV passive high-output split coil pickup, alder body, hard maple neck, roasted black locust fretboard with pearl block inlays & binding, 360° hand-painted body artwork by Oscar movie scenic painter, artwork sealed under high-gloss poly clearcoat, matched headstock.
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The Robbie Williams XXV World Tour: Bringing his high-octane shows to cities and festivals around the world, the tour is a joyous celebration of Robbie’s 25 years as a solo artist following the release of his album, ‘XXV’, which features many of his greatest hits and fan favourites from across his solo career.
robbiewilliams.com/
Gear News
Gear News: Neural DSP Darkglass Ultimate
Neural DSP Introduces Darkglass® Ultimate – Expanding the Iconic Darkglass Sound into a Complete Creative Platform for Bass…
Neural DSP announced Darkglass Ultimate, a revamped plugin that brings the iconic Darkglass sound into a complete, studio-ready bass rig. Available as a free update for existing Darkglass Ultra users, it builds on Darkglass Ultra by combining Darkglass’ defining tones with a full signal chain and creative tools, enabling players to move from initial idea to finished, record-ready sounds all within one plugin.
The Darkglass sound has defined modern bass tone for more than a decade, with its powerful low end, clarity, and unmistakable character. Neural DSP first brought that sound into the digital domain in 2018, capturing the essence of the B7K Ultra and Vintage Ultra preamps inside a plugin. With this release, Darkglass Ultra evolves into a creative platform for bass – extending beyond preamp modeling into a signal chain designed for modern bass workflows.
“With Darkglass Ultimate, we’re expanding the Darkglass sound into something more comprehensive,” said François Barrillon, Lead Product Manager – Plugins, Neural DSP. “For many players, that sound has been a reliable starting point – something they shape around and build on. This release brings more of that process into the same place, so you can experiment, refine, and carry a sound further without stepping outside of it – while preserving the clarity, power, and character that define Darkglass.”
The Darkglass Sound, Fully Unleashed
At the core of Darkglass Ultimate are the B7K Ultra and Vintage Ultra – two circuits that have shaped modern bass tone.
The B7K Ultra delivers a tight, aggressive drive with controlled low end and clear articulation, while the Vintage Ultra introduces a warmer, more rounded character inspired by classic tube amplification. Together, they offer a wide tonal range that remains consistent, responsive, and immediately usable in a mix.
Surrounding the B7K Ultra and Vintage Ultra is a signal chain designed to support the entire process of tone creation:
- Pre-effects including compressor, auto-wah, octaver, and fuzz for shaping dynamics and character
- Post-effects such as chorus and delay
- Darkglass cabinet simulations including DG210C 2×10 and DG810ES 8×10 with flexible microphone positioning
- A 9-band graphic EQ designed specifically for shaping bass tone
- Integrated tools including transpose, tuner, metronome, and a curated selection of production-ready presets
This extends the Darkglass sound beyond the B7K Ultra and Vintage Ultra into an all-in-one bass toolkit – combining its defining tones with the tools needed to shape, refine, and bring sounds to completion.
“Darkglass Ultimate represents how we continue to build on what players already know and love,” said Douglas Castro, CEO and Co-Founder of Neural DSP. “We’ve taken the core Darkglass tones and expanded them into a more complete setup, bringing more of the signal chain within a single environment and making the process of shaping and developing a sound more fluid – so players can spend less time managing their tone and more time creating with it.”
To learn more and purchase Darkglass Ultimate, visit neuraldsp.com/darkglass-ultimate. A 14-day free trial is available.
Gear News
Gear News: Darkglass Expands Anagram Platform with Anagram Marketplace
Darkglass® Electronics announces the launch of the Anagram Marketplace, a significant expansion of its Anagram™ bass platform, introducing a growing ecosystem of third-party plugins and tools. Designed to extend the capabilities of Anagram beyond its original feature set, the Anagram Marketplace enables users to access, share, and integrate new sounds and processing tools while opening the platform to trusted developers, engineers, producers, and sound designers. By bridging the gap between studio-based workflows and real-world performance environments, the Anagram Marketplace positions Anagram as an evolving platform shaped by its user community.
Think of it like an App Store. Building on Anagram’s core processing architecture, including its hexacore processor and 32-bit/48kHz audio engine, the Anagram Marketplace expands the system’s functional scope by enabling support for external plugins that were previously limited to desktop environments. At the time of launch, the Anagram Marketplace has already partnered with some established plug-in developers like Nembrini Audio, Bogren Digital, and DoGood Sounds.
The Anagram Marketplace complements Anagram’s existing blocks-based architecture, where users can construct signal chains in series or parallel configurations. With the addition of partner-developed plugins and processing blocks, users gain access to an expanding library of tools that can be incorporated into their existing signal paths. This approach extends the platform’s flexibility over time, allowing workflows and signal chains to evolve as new tools and ideas are introduced.
From a user experience perspective, the Anagram Marketplace integrates into the broader Anagram ecosystem, where its high-resolution touch display and control modes – Preset, Scene, and Stomp -continue to provide direct access to signal chains and parameter control. As new plugins and blocks become available, users can incorporate them into familiar control structures without disrupting established workflows, supporting a streamlined approach to exploration and implementation.
The introduction of the Anagram Marketplace also reinforces Anagram’s integration with the wider Darkglass ecosystem. Alongside access to partner-created plugins, Darkglass will continue to deliver free software updates, including new blocks, features, and ongoing performance improvements. Together, these updates and the Anagram Marketplace ecosystem create a platform that continuously expands, ensuring users have access to new tools and capabilities without requiring added hardware.
In practical use, the Anagram Marketplace enables musicians, producers, and content creators to extend their setups with new processing tools while keeping a consistent workflow across studio, rehearsal, and live environments. By enabling access to a broader range of plugins and community-driven development, the platform supports faster iteration, expanded creative options, and a more connected approach to sound design and performance.
The Anagram Marketplace is available now to Anagram users. For more information, visit www.darkglass.com.
Gear News
Gear News: Future Impact V4.5 Upgrade Adds 99 DX7 FM Gig-ready Presets & More
The Future Impact V4 and V4 VIP are already incredibly versatile bass synth pedals –designed for players rather than programmers. The V4.5 upgrade offers even greater value while retaining the same simplicity of operation. Some of the new features include:
• 99 DX7 FM song-ready presets have been added to the existing 99 Virtual Analogue presets library
• Setlist Mode to easily program a performance list without a computer
• Zero Latency has been added as a third mode to the existing Speed and Accuracy modes
The FM library draws heavily from iconic ‘80s and ‘90s recordings made with the Yamaha DX7 bass: “Take on Me,” “Smooth Criminal,” “Take My Breath Away,” “Broken Wings,” and many more. There are also funky bass, smooth bass, double bass, Stratocaster emulation, and a selection of classic DX7 sounds —church organ, tubular bells, pan pipe, and harmonica, to name a few.
You can also explore the tens of thousands of other FM patches out in the world and upload them using the 4.5 Editor software for Windows or Mac. The only caveat is to not to get too lost down that rabbit trail!
While fully loaded with presets galore, you can still add and edit your own so you’re not locked into someone else’s palette choices.
In addition to producing synthesizer sounds such as basses, leads, and pads, the Future Impact can also function as an octaver, chorus, flanger, phaser, distortion, envelope filter, traditional wah-wah, tremolo, reverb, etc. Plus, there’s a built-in tuner. With so much functionality, you can potentially replace an entire pedalboard of dedicated single-effect pedals.
The Future Impact is brought to you by Andras Szalay, the original designer of the legendary Akai Deep Impact pedal. It is the world’s fastest and most reliable tracking platform for professionals and hobbyists alike.
For full details, head over here: www.panda-audio.com/future-impact-v4-vip
For an overview and sound samples: www.youtube.com/watch?v=pLJSdy3Wf8c
Exclusive U.S. distribution by Tech 21 USA, Inc.
Gear News
New Gear: MESA/Boogie Subway+ Bass DI Preamp II
MESA/Boogie unveils the new Subway®+ Bass DI Preamp II, a compact, full-featured follow-up to its highly acclaimed first-generation Subway bass preamp pedals. Consolidating the strengths of the original two preamp models into a single, streamlined unit, the Subway+ Bass DI Preamp II adds smart refinements that give bassists all the tone-shaping tools they need to capture the sound, feel, and response that have made the Subway Series market leaders in premium bass tone. The new Subway+ Bass DI Preamp II is now available worldwide at authorized MESA/Boogie dealers, at Gibson Garage locations, and at www.mesaboogie.com.
Building on the foundation laid by the celebrated Subway® D 800™, Subway® D 800+, and Subway® D350 preamps, the new model delivers world-class?class MESA bass tone in a format that is approximately 40% smaller than the previous Subway+ design. The result is a road-ready, studio-savvy preamp that’s equally at home on a tight pedalboard, a desktop, or riding along as a micro-sized gig-bag solution.
Designed for power without complexity, the Subway+ Bass DI Preamp II features an extended-range JFET preamp that plays beautifully with both active and passive instruments, plus an Input Mute footswitch for silent tuning. A Deep switch adds roundness and low-end weight, while a Bright switch lends bite and top-end sparkle. MESA’s award-winning variable Hi-Pass Filter (30 Hz–150 Hz) removes headroom, robbing subsonic content so players can precisely tune their low end to the musical style, ensemble, or venue.
Independent Gain, Boost (footswitchable with dedicated level control), and Master Volume controls unlock a wide palette—from warm, rounded cleans to mix-ready drive. The Variable Voicing control sweeps the overall character from a flatter, modern response to a more vintage-inspired contour by intelligently adjusting multiple frequency regions with a single knob. For deeper sculpting, a fully active 4-band Baxandall EQ provides ±12 dB of Bass, Low Mid, High Mid, and Treble, with sweepable Low-Mid (150 Hz–1.8 kHz) and High-Mid (300 Hz–5 kHz) frequency controls for surgical precision.
Flexible connectivity makes the Subway+ Bass DI Preamp II a natural fit for practice, stage, and studio. Aux In and Headphone Out allow players to blend a media source with their bass for quiet, on-the-go rehearsal. The Preamp Output supports ¼” (6.35 mm) TS unbalanced or ¼” (6.35 mm) TRS fully balanced connections and delivers ample level to drive any pro audio power amp. A mic-level balanced XLR DI with Pre/Post EQ and Ground Lift routes iconic MESA tone directly to front-of-house, monitors, or recording interfaces with ease.
With its ideal mix of compact size—just 2.25” (57 mm) H × 6” (152 mm) W × 4.25” (108 mm) D—light weight, 9–18 VDC (either polarity) power flexibility, and stellar tonal control, the Subway+ Bass DI Preamp II is a powerful solution for silent or live practice, studio sessions, and touring. Whether feeding PA and/or backline in small to midsize venues or standing by as a trusted emergency rig, it brings unmistakable MESA authority to any bass setup.
Gear News
Gear News: Trace Elliot Achieves Balance with New Transformer DI
Trace Elliot® debuts the new Transformer DI. Designed for all musical instrument applications, using a new proprietary transformer design, the DI converts between balanced and unbalanced signals at a perfect 1-to-1 ratio with audiophile quality and total transparency. With a frequency response between 14Hz and 80kHz, this unit is essential for five-string bassists, other drop-tuned instruments, and artists wanting the sound of their instruments uncolored by the PA interface. The new transformer DI is now available worldwide via online and local retailers.
A transformer DI (direct-interface) box is a 100% passive impedance conversion device that converts unbalanced signals into balanced signals for direct connection to mixing consoles and recording devices. The Trace Elliot Transformer DI sets itself apart from active DI boxes by providing a pristine signal path that will never suffer clipping or distortion between the source and the balanced input. Furthermore, it outperforms other passive DI boxes by its ability to do so far beyond the range of human hearing. By balancing the signal, the transformer DI reduces noise and interference while keeping signal integrity. Its durable die-cast enclosure and high-quality parts provide steady signal performance for both live and studio environments.
With individual ¼” and XLR jacks for both inputs and outputs, and a recessed GROUND LIFT button, this unit is an essential must-have for any professional musician or audio engineer.
For more information, please visit www.traceelliot.com
Retail: $229.99 USD
