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Boss Katana-210 Bass Amplifier Review

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A. review of the Boss Katana-210 Bass Amplifier…

If you’re looking for the ultimate bass tone, look no further than the Boss Katana-210 Bass Amplifier. As a bassist, finding the right amp to match your style and preferences can be a journey, but the Katana-210 might just be your final destination. In this review, I’ll look into what makes this amplifier a true powerhouse for bassists of all genres. I used the Boss Katana-210 Bass Amplifier on quite a few gigs with no issues and was extremely pleased.

After unboxing the Katana-210, I couldn’t help but admire its sleek and robust design. The amp’s construction is very durable and built great for the road. The front panel features a control layout with well-lit knobs and a clear display, making it easy to dial in your desired tones even in dimly lit venues. One of the standout features is its abundance of tones you can get. With a power-packed 160 watts of output and a 2×10 custom speaker configuration, this amp delivers sound quality across a wide range of frequencies. Whether you’re laying down groovy funk lines, thunderous rock bass, or exploring the depths of a fretless bass, it handles it all with grace, or like me, using it with the Church choir and on country gigs!

The Katana-210 has a ton of tone-shaping options. The onboard EQ is highly responsive, allowing you to sculpt your sound precisely to your liking. From booming lows to sparkling highs, it’s all at your fingertips. The built-in effects, including compression and overdrive, are tastefully designed and add a layer of versatility that sets this amplifier apart. Need connectivity? Boss has it with the Katana-210. The amp has plenty of useful inputs and outputs. The auxiliary input lets you jam along with your favorite tracks, while the headphone output lets you practice quietly without disturbing others around you.  The effects loop is a nice touch, giving you the option to integrate your pedalboard seamlessly. The Katana-210 also offers MIDI compatibility, which opens up a lot of possibilities for MIDI-controlled effects and switching. This is a feature that a few bassists may like when looking to expand their tone even further.

In summary, the Boss Katana-210 Bass Amplifier is a great amp in the world of bass amplification. Its many tones and connectivity options make it a great choice for both gigging and recording bassists. With this amplifier, Boss has once again proven why they are a trusted name in the world of musical electronics. Don’t miss the opportunity to experience the thunderous roar of the Katana-210—it’s a game-changer for your bass rig.

For more information, visit online at boss.info/global/products/katana-210_bass/

Bass Videos

Interview With Bassist Erick “Jesus” Coomes

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Interview With Bassist Erick Jesus Coomes

Bassist Erick “Jesus” Coomes…

It is always great to meet a super busy bassist who simply exudes a love for music and his instrument. Erick “Jesus” Coomes fits this description exactly. Hailing from Southern California, “Jesus” co-founded and plays bass for Lettuce and has found his groove playing with numerous other musicians.

Join us as we hear of his musical journey, how he gets his sound, his ongoing projects, and his plans for the future.

Photo, Bob Forte

Visit Online

www.lettucefunk.com
IG @jesuscsuperstar
FB@jesuscoomes
FB @lettucefunk

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Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians

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WORKING-CLASS ZEROS With Steve Rosati and Shawn Cav

Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians

These stories from the front are with real-life, day-to-day musicians who deal with work life and gigging and how they make it work out. Each month, topics may include… the kind of gigs you get, the money, dealing with less-than-ideal rooms, as well as the gear you need to get the job done… and the list goes on from there.” – Steve the Bass Guy and Shawn Cav

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Tour Touch Base (Bass) with Ian Allison

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Tour Touch Base (Bass) with Ian Allison

Ian Allison Bassist extreme

Most recently Ian has spent the last seven years touring nationally as part of Eric Hutchinson and The Believers, sharing stages with acts like Kelly Clarkson, Pentatonix, Rachel Platten, Matt Nathanson, Phillip Phillips, and Cory Wong playing venues such as Radio City Music Hall, The Staples Center and The Xcel Center in St. Paul, MN.

I had a chance to meet up with him at the Sellersville Theater in Eastern Pennsylvania to catch up on everything bass. Visit online at ianmartinallison.com/

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New Gear: Spector Woodstock Custom Collection Volume II

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New Gear: Spector Woodstock Custom Collection Volume II

Spector Launches Woodstock Custom Collection Volume II…

Spector Musical Instruments expands their celebrated Woodstock Custom Collection with the Volume II series – a breathtaking series of 12 handcrafted, one-of-a-kind bass guitars, each one masterfully designed by members of the Spector team. Crafted in the Spector USA Custom Shop in Woodstock, New York, these works of art go beyond musical instruments and expand the boundaries of Spector Bass design.

Spector’s iconic design lays the foundation for the Volume II collection. Each bass showcases a unique vision, including the selection of tonewoods, electronics, captivating finishes, and intricate design details. The collection highlights Spector’s commitment to craftsmanship and artistry and the individual people and stories that make up the team.

“The Woodstock Custom Collection was such a huge success, and we had so much fun with it that we couldn’t wait to do it again,” said John Stippell, Director – Korg Bass Division. “With Volume II, we’re expanding on everything we learned from the first collection, as well as pushing our design and Custom Shop team even further. These basses are a testament to the inspiring talent, creativity, and skill of every person on the Spector team. I’m excited for all of these basses and love how they tell the unique stories of all involved.”

Visit online at spectorbass.com/

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New Gear: The Dingwall John Taylor Signature Model

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New Gear: The Dingwall John Taylor Signature Model

Dingwall John Taylor Signature Model…

After playing a limited edition Dingwall live with Duran Duran, John Taylor has launched his
Dingwall Guitars production model, loaded with a Rupert Neve Designs preamp and
Rio-inspired graphics.

Dingwall’s major launch for 2023 was the limited edition Rio Dream Bass, featuring an
innovative Rupert Neve Designs onboard preamp. A year later, the range has been bolstered
with the Canadian company now offering unlimited access to its continued collaboration with
John Taylor of Duran Duran.

Dingwall CEO Sheldon Dingwall says the basses are a response to Taylor’s upfront bass style.
“John’s bass playing with Duran Duran really imprinted on me how a bass should fit into a band mix. The combination of tastefully busy syncopation, his punchy tone, and tight performance immediately drew my ear. His basslines have always had a special combination of energy and elegance.”

The John Taylor Signature model follows the formula of the limited edition Rio Dream Bass,
combining a lightweight Nyatoh body with three neodymium pickups to produce what Dingwall deems “wonderful playability and tones that display a rare clarity and refinement.” The JT Signature model also updates the Rio Dream Bass with a range of new colors; Metallic Black, Primrose, Cranberry and Seafoam Green, as well as a new 5-string variant.

Other specs include a bolt-on Maple neck, a Pau Ferro multi-scale fingerboard with the ‘Rio Eye’ inlaid at the 12th fret, and Dingwall’s new ‘Minimalist’ bridge. The headstock sports lightweight tuners and a Rio-inspired graphic that complements the body stripes, designed by longtime Duran Duran collaborator, Patty Palazzo.

Finally, an onboard preamp designed and configured in collaboration with Rupert Neve Designs, whose studio consoles have long represented the pinnacle of high-end audio engineering, promises a clear voice that balances punch and sustain. “Duran’s breakthrough single, the title track from 1982’s Rio, was originally recorded on a Neve console, so the history was already there,” says Sheldon. “But the team at Rupert Neve Designs absolutely nailed the tone.”

Like the Rio Dream Bass, the JT Signature has also been configured to Taylor’s own personal
specifications. “It all started when I was in Toronto about six years ago,” says Taylor. “A friend
showed me a Dingwall bass on his phone. I loved how it looked and immediately said to my
tech, ‘You’ve got to reach out to these guys!’”

For further information on the range options, head to dingwallguitars.com

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