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New Album: Mark Egan, Cross Currents

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New Album: Mark Egan, Cross Currents

Bassist Mark Egan to release “Cross Currents” with Shawn Pelton and Shane Theriot – Release Date: March 7th, 2024…

After five decades of touring and recording as an in-demand sideman and leader in his own right, acclaimed bassist Mark Egan has finally released an album that encapsulates his myriad of musical influences in one all-encompassing package. “In many ways this is a new production sound for me,” said the bassist who studied privately with Jaco Pastorius during the mid ‘70s while attending the University of Florida before becoming a charter member of The Pat Metheny Group. “My early influences are from playing r&b, soul and rock before becoming indoctrinated into jazz in the Miami years.

This trio record explores those rootsy R&B funk-rock grooves coupled with my jazz and world sensibilities and utilizes the various fretted and fretless basses that I’ve worked with over the years. It’s a culmination of the many worlds of my experiences and is the reason that it’s titled Cross Currents.”

Completing this potent trio with Egan are drummer Shawn Pelton (a 30-year veteran of the Saturday Night Live band and first-call New York City studio player who has recorded with everyone from Bob Dylan, Rod Stewart and Bruce Springsteen to Elton John, Billy Joel, Van Morrison, Sheryl Crow, David Byrne, Pink and Luciano Pavarotti) and Louisiana-born guitarist Shane Theriot (musical director for Hall & Oates who has also recorded and/or performed with The Neville Brothers, Dr. John, Boz Scaggs, Allen Toussaint, Rickie Lee Jones, Willie Nelson and Todd Rundgren).

Together they cut a wide stylistic swath on Cross Currents, from funk (‘Homebrew’, ‘Pocket Call’) to ambient (‘Big Sky’) to swamp rock (‘Gulf Stream’), second-line (‘Ponchatrain’) and ballads (the Jimi Hendrix flavored ‘Sand Castles’ and the moody ‘Roll With It’) with allusions to Cajun (‘Nonc Rodell’) and Indian Raga (‘Eastern Blue’).

Recorded at Power Station New England in Waterford, CT (a perfect replica of the storied New York City recording studio where Bruce Springsteen, Paul Simon, David Bowie, Madonna, Sting, Bob Dylan, John Lennon, Stevie Ray Vaughan, John Mayer recorded iconic albums), Cross Currents is Egan’s most versatile and ambitious offering to date. While his past outings as a leader, like 2006’s As We Speak, 2010’s Truth Be Told, 2014’s About Now and Direction Home, 2018’s Dreaming Spirits and 2020’s Electric Blue, have been primarily organic trio and duo affairs, Cross Currents is a power trio with orchestrated layers of rhythms and textures by the participants.

“The intent of this recording was to capture the interplay and energy of the trio and orchestrate it by adding additional guitars, bass and percussion to enhance what the songs were calling for.

Everyone had so many great ideas for orchestrating and arranging the material. The record has electric and acoustic guitar as well as bass and percussion overdubs. We wanted to make atmospheric pads to create a backdrop for us to improvise over. Once I had decided on recording this trio format I spent nine months of composing and arranging the compositions. Shane and Shawn also spent a lot of time conceptualizing and contributing songs. We had three days to record and orchestrate the eleven compositions so the preproduction allowed us to have the time to be creative in the studio and focus on the group interplay and soloing.”

For Egan, interplay and soloing means digging down on his fretted bass

groove lines to lock with the rhythm section and using his fretless electric bass for his signature singing sound that has graced his own recordings since 1985’s groundbreaking and decidedly bass-centric Mosaic. That quality comes across throughout Cross Currents and is particularly evident with him carrying the melody on tunes like ‘Gulf Stream’, ‘Big Sky’, ‘Pocket Call’ and the title track or by his uncommonly lyrical improvising on tunes like ‘Ponchatrain’, ‘Homebrew’, ‘Sunflower’ and ‘Eastern Blue’.

The bassist had high praise for his comrades Shawn and Shane on Cross Currents. “They both came very prepared for the sessions. I had sent them demos along with arrangements with suggestions for solo sections and overdub possibilities, and we rehearsed one day before going into the studio to work things out. Shane and Shawn both brought so much to the table and did their homework by creating and practicing grooves, melodies and instrument choices as well as coming up with great orchestration ideas. They are both so fundamentally strong in everything they do that it made the recording process creative and a lot of fun.”

Egan had previously recorded with Theriot on the bassist’s 2018 album, Dreaming Spirits, an Indian flavored trio project with tabla player/percussionist Arjun Bruggeman. “I loved Shane’s contribution on Dreaming Spirits and thought he would be a perfect fit for the trio on Cross Currents. And though Shawn and I have played together on many sessions in New York over the years, he had never played on any of my records before.”

The three players had actually first established some chemistry on a show backing NYC poet Frank Messina back in pre-pandemic times. “This was late 2019, before the COVID shut down,” Egan recalled. “Frank asked me to recommend people for this show that he was performing in New York City and I recommended Shane and Shawn. There was no rehearsal but just a very loose structure to it all with a lot of improvisation. Frank gave us a lot of room to improvise and play off of his poetry. At one point that evening we were playing trio — just Shane, Shawn and myself. That was the ‘light bulb moment’ for me, when I thought, this is very happening. I want to record a project with this trio. In the fall of 2022 I was in touch with Shane and Shawn about recording a trio project and I started writing songs for the group. Shane also sent me a few of his songs that inspired me to write others in a similar style. We co-wrote ‘Big Sky’ as Shane sent me the song as a demo with acoustic guitar chords and a groove and I wrote a melody and added an extended section for his acoustic guitar solo. Shane also contributed ‘Ponchatrain’, ‘Sunflower’ and ‘Homebrew’. Shawn contributed ‘Nonc Rodell’ which is a tribute to his uncle.

‘Nonc Rodell’ showcases Shawn as a world class groove drummer as well as the depth of his creative drumming abilities. Shawn pre recorded his tracks at his studio with his drums, squeezebox (accordion), and added tenor guitar parts as well. We brought those tracks into Power Station New England studio and Shane and I added guitars and basses on top of Shawn’s prerecorded tracks. It’s a very creative track that features Shawn’s amazing drumming and I love it.”

An in-demand New York City studio musician who has played on multi-gold and platinum-selling recordings by Sting, Arcadia, Marc Cohn, GRP Christmas, Mecano and Joan Osborne, Egan has also recorded with a wide variety of artists from pop stars like Roger Daltry, Sophie B. Hawkins, Marianne Faithfull, Judy Collins, Cyndi Lauper and Art Garfunkel to jazz notables like David Sanborn, John McLaughlin, John Abercrombie, Randy Brecker, Gato Barbieri, Freddy Cole, Pat Martino, Jim Hall, Joe Beck, Mark Murphy and Larry Coryell. A member of the Gil Evans Orchestra for 13 years, he has 14 albums as a leader to his credit and another 10 as a co-leader of Elements, the fusion band he formed in 1982 with his Pat Metheny Group bandmate, drummer Danny Gottlieb.

And now Cross Currents, on his own Wavetone label, may be his crowning achievement to date as Egan continues to push the boundaries of his creativity.

For more information visit markegan.com

Bass CDs

New Album: Ben Mortiz, MORENO

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New Album: Ben Mortiz, MORENO

The Chilean bassist, producer and sociologist, Ben Mortiz, celebrates the launch of his latest studio work, “MORENO” an album that mixes jazz, soul, and funk following the characteristic Latin style of  Mortiz. The artist completely produced the album under the label “Fallen Lab Records” in the south of Chile.

“MORENO” brings deep and smooth sounds, expressing a sophisticated and elegant Latin vibe. You will find meditative harmonies and joyful melodic voices. The record’s core is the human vibration that Mortiz feels from the Latin American music. The Caribbean rhythms and strong Latin percussions are the musical glue in every song that emerges with the force of the electric bass.

“MORENO” creates a real connection between corporal reactions and mind sensations, always in reference to the originality of Mortiz to fuse modern and classic Latin sounds.

For more information, visit online at danielbenmortiz.com/

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New Album: CATTANEO, Tim Lefebvre, Andrea Lombardini, Hypersphere

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New Album: CATTANEO, Tim Lefebvre, Andrea Lombardini, Hypersphere

CATTANEO, TIM LEFEBVRE AND ANDREA LOMBARDINI PRESENT ‘HYPERSPHERE’ EP
The members of Buñuel, David Bowie’s band and a prominent electronic artist are united and have releases their first collaborative release via Freecom Hub.

Hypersphere is an EP created by CATTANEOTim Lefebvre and Andrea Lombardini. Following their conceptual milestone, a dream team of bass players and multi-instrumentalists created fragments of music, coexisting and complementing each other individually and altogether. Having been playing with CATTANEO since 2016, Andrea Lombardini describes the process of their work as “strong musical connection”. Starting with the fully improvised set featuring drum-machine and pedal effects. “Some of Paolo’s keyboards are homemade and he has very unique sounds” – explains Andrea. Getting Tim Lefebvre to produce the EP, the duo simultaneously started another vehicle of their collaboration.

Moving their work organically, three extraordinary musicians managed to reach an almost-perfect balance between sounds of guitar and bass with electronic instruments. Morphing together, numerous guitar riffs, loops of synthesizers. Dominating electronic sounds get united with a rock take, depicting dark moods and ethereal landscapes. All these elements work in tandem to create something new each time.

Order Hypersprehere here.

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New Campaign: Alberto Rigoni, Nemesis Call – Queens Of Strings

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New Campaign: Alberto Rigoni, Nemesis Call - Queens Of Strings

Italian bass master and composer ALBERTO RIGONI is thrilled to announce his brand new project “Nemesis Call – Queens Of Strings”.

Nemesis Call – Queens Of Strings features a super talented drummer from Japan (TBA) and tons of female guitarists such as SAKI, Giusy Busetto, Alexandra Zerner (TBC) and many many others (TBA). Furthermore, Alberto has also launched a Fundraising Campaign for the project. 20% of the income will be donated to Lega del Filo d’Oro legadelfilodoro.it/it, an Italian association that helps deaf and blind children!

Alberto shares:
“Hello friends and music lovers! I’m Alberto Rigoni, an Italian composer and.. a BASS GUY! Between 2008 and 2024 I released 13 solo albums, spanning from progressive, rock, ambient to funky and experimental music, which also features contributions from musicians such as keyboard wizard Jordan Rudess (Dream Theater) drummer Gavin Harrison (Porcupine Tree) and Marco Minnemann (the Aristocrats), keyboardist Kevin Moore (ex Dream Theater), singer John Jeff Soto (ex  Goran Edman (ex Y. Malmsteen), bassists Nathan East, Stu Hamm (Joe Satriani), Nik West (ex Prince) and many others. I’m also bass player for BAD As, Sunset Groove Society, Kim Bingham, The Italians bands and co-producer of Mistheria’s Vivaldi Metal Project.”

Alberto on the new project Nemesis Call:
“Even if my latest album “Unexpected Lullabies”, dedicated to my newborn Vittoria Parini Rigoni, will be released on June 4th, 2024, when Vittoria came to life I felt the need to compose new music (yes, I really can’t stop!!!!!). This time will be quite challenging because I’m willing to release an instrumental ambient/prog/rock/metal album, that will feature a talented and young drummer (TBA) and tons of female guitarists (that’s why I will call the album “Queens of the Strings”) such as Alexandra Zerner, YOKA and many others (TBA/TBC)). It won’t be easy to manage all such great musicians but I will make it!! Are you ready to face a new prog experience? The album will be released in Digipack CD and in high-quality digital format approximately at the beginning of 2025.”

The Fundraising Campaign:
As an independent artist, Alberto is looking for supporters who can help him reach the budget for the production (recordings, mix, mastering, artwork etc.) of this new album and has started this fundraising campaign that will end successfully on October 15th, 2024.

Get further information about Alberto Rigoni’s new project Nemesis Call Fundraising campaign at albertorigoni.net/nemesiscal

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New Album: Jake Leckie, Planter of Seeds

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Planter of Seeds is bassist/composer Jake Leckie’s third release as a bandleader and explores what beauty can come tomorrow from the seeds we plant today. 

Bassist Jake Leckie and The Guide Trio Unveil New Album Planter of Seeds,
to be released on June 7, 2024

Planter of Seeds is bassist/composer Jake Leckie’s third release as a bandleader and explores what beauty can come tomorrow from the seeds we plant today. 

What are we putting in the ground? What are we building? What is the village we want to bring our children up in? At the core of the ensemble is The Guide Trio, his working band with guitarist Nadav Peled and drummer Beth Goodfellow, who played on Leckie’s second album, The Guide, a rootsy funky acoustic analog folk-jazz recording released on Ropeadope records in 2022. For Planter of Seeds, the ensemble is augmented by Cathlene Pineda (piano), Randal Fisher (tenor saxophone), and Darius Christian (trombone), who infuse freedom and soul into the already tightly established ensemble.

Eight original compositions were pristinely recorded live off the floor of Studio 3 at East West Studios in Hollywood CA, and mastered by A.T. Michael MacDonald. The cover art is by internationally acclaimed visual artist Wayne White. Whereas his previous work has been compared to Charles Mingus, and Keith Jarrett’s American Quartet with Charlie Haden, Leckie’s new collection sits comfortably between the funky odd time signatures of the Dave Holland Quintet and the modern folk-jazz of the Brian Blade Fellowship Band with a respectful nod towards the late 1950s classic recordings of Ahmad Jamal and Miles Davis.

The title track, “Planter of Seeds,” is dedicated to a close family friend, who was originally from Trinidad, and whenever she visited family or friends at their homes, without anyone knowing, she would plant seeds she kept in her pocket in their gardens, so the next season beautiful flowers would pop up. It was a small altruistic anonymous act of kindness that brought just a little more beauty into the world. The rhythm is a tribute to Ahmad Jamal, who we also lost around the same time, and whose theme song Poinciana is about a tree from the Caribbean.

“Big Sur Jade” was written on a trip Leckie took with his wife to Big Sur, CA, and is a celebration of his family and community. This swinging 5/4 blues opens with an unaccompanied bass solo, and gives an opportunity for each of the musicians to share their improvisational voices. “Clear Skies” is a cathartic up-tempo release of collective creative energies in fiery improvisational freedom. “The Aquatic Uncle” features Randal Fisher’s saxophone and is named after an Italo Calvino short story which contemplates if one can embrace the new ways while being in tune with tradition. In ancient times, before a rudder, the Starboard side of the ship was where it was steered from with a steering oar. In this meditative quartet performance, the bass is like the steering oar of the ensemble: it can control the direction of the music, and when things begin to unravel or become unhinged, a simple pedal note keeps everything grounded.

The two trio tunes on the album are proof that the establishment of his consistent working band The Guide Trio has been a fruitful collaboration. “Santa Teresa”, a bouncy samba-blues in ? time, embodies the winding streets and stairways of the bohemian neighborhood in Rio de Janeiro it is named for. The swampy drum feel on “String Song” pays homage to Levon Helm of The Band, a group where you can’t always tell who wrote the song or who the bandleader is, proving that the sum is greater than the individual parts. Early jazz reflected egalitarianism in collective improvisation, and this group dynamic is an expression of that kind of inclusivity and democracy.

“The Daughters of the Moon” rounds out the album, putting book ends on the naturalist themes. This composition is named after magical surrealist Italo Calvino’s short story about consumerism, in which a mythical modern society that values only buying shiny new things throws away the moon like it is a piece of garbage and the daughters of the moon save it and resurrect it. It’s an eco-feminist take on how women are going to save the world. Pineda’s piano outro is a hauntingly beautiful lunar voyage, blinding us with love. Leckie dedicates this song to his daughter: “My hope is that my daughter becomes a daughter of the moon, helping to make the world a more beautiful and verdant place to live.”

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Debut Album: Nate Sabat, Bass Fiddler

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Debut Album: Nate Sabat, Bass Fiddler

In a thrilling solo debut, bassist Nate Sabat combines instrumental virtuosity with a songwriter’s heart on Bass Fiddler

The upright bass and the human voice. Two essential musical instruments, one with roots in 15th century Europe, the other as old as humanity itself. 

On Bass Fiddler (Adhyâropa Records ÂR00057), the debut album from Brooklyn-based singer-songwriter and bass virtuoso Nate Sabat, the scope is narrowed down a bit. Drawing from the rich and thriving tradition of American folk music, Sabat delivers expertly crafted original songs and choice covers with the upright bass as his lone tool for accompaniment. 

The concept was born a decade ago when Sabat began studying with the legendary old-time fiddler Bruce Molsky at Berklee College of Music. “One of Bruce’s specialties is singing and playing fiddle at the same time. The second I heard it I was hooked,” recalls Sabat. “I thought, how can I do this on the bass?” From there, he was off to the races, arranging original and traditional material with Molsky as his guide. “Fast forward to 2020, and I — like so many other musicians — was thinking of how to best spend my time. I sat down with the goal of writing some new songs and arranging some new covers, and an entire record came out.” When the time came to make the album, it was evident that Molsky would be the ideal producer. Sabat asked him if he’d be interested, and luckily he was. “What an inspiration to work with an artist like Nate,” says Molsky. “Right at the beginning, he came to this project with a strong, personal and unique vision. Plus he had the guts to try for a complete and compelling cycle of music with nothing but a bass and a voice. You’ll hear right away that it’s engaging, sometimes serious, sometimes fun, and beautifully thought out from top to bottom.” 

While this record is, at its core, a folk music album, Sabat uses the term broadly. Some tracks lean more rock (‘In the Shade’), some more pop (‘White Marble’, ‘Rabid Thoughts’), some more jazz (‘Fade Away’), but the setting ties them all together. “There’s something inherently folksy about a musician singing songs with their instrument, no matter the influences behind the compositions themselves,” Sabat notes. To be sure, there are plenty of folk songs (‘Louise’ ‘Sometimes’, ‘Eli’) and fiddling (‘Year of the Ox’) to be had here — the folk music fan won’t go hungry. There’s a healthy dose of bluegrass too (‘Orphan Annie’, ‘Lonesome Night’), clean and simple, the way Mr. Bill Monroe intended. 

All in all, this album shines a light on an instrument that often goes overlooked in the folk music world, enveloping the listener in its myriad sounds, textures, and colors. “There’s nothing I love more than playing the upright bass,” exclaims Sabat. “My hope is that listeners take the time to sit with this album front to back — I want them to take in the full scope of the work. I have a feeling they’ll hear something they haven’t heard before.”

Available online at natesabat.bandcamp.com/album/walking-away

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