Music on Our Radar
This Is What Happened by Amanda Ruzza
This Is What Happened by Amanda Ruzza… It is a great pleasure to get the opportunity to listen to a talented upcoming bassist’s first album. “This Is What Happened” is Amanda Ruzza’s debut CD and it is impressive!
Amanda currently hails from New York City. Born in Sao Paolo, Brazil with Chilean and Italian roots, she got an early start on bass at age 12. Amanda has clearly applied herself over the years and has excelled academically and practically, accumulating a wealth of experience performing with an impressive list of musicians.
This debut CD has five original pieces composed by Amanda herself and she did the arrangements on the other two. The flavor of the CD is a delicious mix of funk, jazz and South American rhythms. The percussion is tight and often simply insane! (In a good way). The rest of the ensemble is highly proficient and the overall blend is highly smooth and polished.
Lets look at the line up:
Amanda Ruzza / electric bass
Mauricio Zottarelli / drums and percussion
Alex Nolan / electric and acoustic guitars
Mamiko Watanabe / Rhodes
Cliff Korman / Piano
David Binney / alto and soprano sax
Lucas Pino / tenor and soprano sax
Chris Stover / trombone
We should take a closer look at some of my favorite cuts.
“Larry and I,” the opening tune starts out with some sweet funk and gets us hooked right away. Just when you think you have it figured out, the Bossa tempo kicks in and the Brazilian sun shines right through. There is ample opportunity for each musician to provide us with a sample of their talent and cut loose. Amanda does her soloing running her sound through a pedal giving it a unique twist; This girl has some serious chops!
“Pagao” transports us to Brazil and gives a good dose of “Old school”Chorinho. Intricate and precise this is the kind of music my aunt brought home for me to hear when I was a kid. Trombone and bass match note-for-note and lay down a core melody; Add soprano sax and the feel is complete. Amanda solos without any effects here and her sound is clean and flawless. If this piece doesn’t make you want to stand up and dance, I don’t know what will!
“Costanera” is what I would call a “Joropo”. This tempo keeps surfacing in CD’s I review from around the world, most lately from Madagascar and Argentina and everyone calls it something different. Anyway you describe this tempo, it is upbeat and makes me think of horses galloping across the plains. The music that rides this beat is perfect and paints a melodic picture of wide-open spaces.
“Pimenta no Choro” brings us some classy Samba! Amada carries this tune with a smooth flow of melodic lines that synch with the intense percussive element (great job Mauricio). Cliff Korman’s piano work and Lucas Pino’s sax bring this tune home with style.
Ok, I think you get the idea here. Amanda Ruzza is a veritable bass powerhouse and you should listen to this CD so you can be blown away right now and watch her excel in the future, which I predict will be very bright!
This Is What Happened by Amanda Ruzza available at Amazon.com and on iTunes
Bass CDs
Album Review: Brian Bromberg, LaFaro
Brian Bromberg, LaFaro…
Scott LaFaro was an extraordinary upright bass player who we lost in 1961 at the age of 25. Even though he was a young bassist he worked with the Bill Evans Trio from 1959 to 1961; he was an exceptional musician and his bass work was lightyears ahead of his time.
Brian Bromberg has teamed up with pianist Tom Zink and drummer Charles Ruggiero to produce a tribute album to this legendary player. We are treated to a dozen tracks (with three bonus tracks on the digital platforms) that were Bill Evans Trio standards. While the original band’s work inspired Brian, this tribute album is not an attempt by the musicians to replicate the music but to organically express themselves on these tunes. When you listen, you may note that it doesn’t sound like LaFaro and it isn’t supposed to.
As I have noted on many of Brian’s previous albums, the bass work (all upright here) is extraordinary and he knows how to get a crystal-clear sound. Every note is pristine and balanced perfectly with the piano and drums. Brian’s approach to recording upright bass should be the golden standard for all upright players. He also handpicked the other members of this trio and they are excellent musicians who really deliver the goods.
If you would like more insight into this album, I can share that in my cover interview with Brian, coming soon.
The projected album release date is April 5, 2024, and will be available at www.brianbromberg.net
Latest
Album Review: Gabriel Espinosa, Bossas and Boleros
Bassist Gabriel Espinosa was inspired by the music he grew up with in Yucatan, Mexico, and now brings us a collection of ten tracks on Bossas and Boleros.
Six of these tunes on Bossas and Boleros are his original compositions. As you might expect from the title, some of these tunes fit in a kind of retro/romantic category whereas others are in a kind of soft Latin jazz vein. Interestingly, Gabriel also found inspiration in current events and translated them into musical interludes.
Gabriel assembled an excellent collection of musicians to bring this album to life and his bass playing is solid and precise but not flashy. His playing compliments the music in a noticeable way but is very balanced in the overall mix. The compositions are intricate and quite lovely with a generous helping of Latin tempos. I especially enjoyed his vocal rendition of “Aqui Estoy Yo” where he sings with just a piano. It is a rare treat to actually hear a bass player’s voice in a tune.
The great thing about this album is it’s universal appeal as it is not all about the bass. Everyone can relate to a collection of beautiful music and it’s excellent execution. This album is perfect to listen to while you enjoy a glass of wine with a loved one as you watch the sunset. Listening made me feel both relaxed and happy and that are feelings we all want to share.
Bossas and Boleros is available on Amazon.com
Music on Our Radar
Album Review: Fernando Molinari, Reaching Inside
Album Review: Fernando Molinari, Reaching Inside…
Bassist Fernando Molinari assembled a team of excellent musicians (including Marco Minnemann on drums) to bring us eight tracks of original, hard-hitting, instrumental rock. Now, even though this music falls in the rock category, it has progressive elements as well as shades of fusion.
This album is high-energy providing a platform for these talented musicians to treat us to the full extent of their abilities. Fernando’s bass playing is flawless and precise and definitely drives each tune with frequent solo sections that give us a clear idea of his skill. Of course, with a tight group like this, the bar is set very high and everybody delivers perfectly.
This is a perfect album to listen to when you want to be pumped up. It would be a great workout set, road trip music, or a fitting background for an action movie. If you want to get your heart pumping, this is the album for you!
Available on Amazon.com
Latest
Album Review: Brad Russell, Metal Improved
Brad Russell, Metal Improved…
We have been listening to Brad Russell play bass over the years, and it is quite clear that versatility is at the heart of his talent. Whether it is playing in the pit for a musical or on stage at the NAMM Show, Brad has serious chops. With Metal Improved, he is giving us a sample of what it sounds like when he applies a focused, overdriven, metal approach to a collection of tunes.
Brad has teamed up with hardcore drummers Gregg Bissonette, Jason Furman, and Aquiles Priester to produce seven tracks of high-intensity, calculatedly frenetic, musical wizardry. Three of the tracks are Brad’s original compositions and the others are very recognizable tunes by Billy Sheehan, Edward Van Halen, Chick Corea, and J. S. Bach.
This EP is badass… if Metal is your thing you will want to give it a listen.
Metal Improved available on Amazon.com
Music on Our Radar
Album Review: Wolfgang Van Halen, Mammoth II
Album Review: Wolfgang Van Halen, Mammoth II…
Following hot on the tail of Mammoth WVH, Wolfgang Van Halen now brings us Mammoth II, clearly showing us that he has a lot more music in store for us to enjoy.
Wolfgang repeats the amazing act of writing the music and playing all the instruments for the entire album with the exception of one track where there is Wah operation on a solo by Patrick “Uncle Pat” Bertinelli. Without a doubt, Wolfgang Van Halen is the consummate musician with a serious amount of talent to play all the instruments at such a high level; you just have to listen to the music to know he has the goods. Pay attention to the detail in each instrument and you find them impressively balanced and expertly performed. The bass work is tight but I find the drums catching my ear as there is some serious drum work here.
The vocals in this album are excellent and the harmonies are nicely blended as it is all Wolfgang’s voice.
There is a generally energetic, upbeat feel to the music in this album and it is loaded with high-energy rock. I personally tend to overlook lyrics as I get caught up in the music itself but it is clear that Wolfgang has a lot to say and I am guessing that it is cathartic to let these thoughts and feelings out. I am sure that many listeners will identify with the lines that they can relate to and adopt these songs as their own personal anthems.
Mammoth II stands firmly on its exceptional merits and is another great piece of work. Bravo Wolfgang!
Available on Amazon.com
Preparing for Performance with Dr. Randy Kertz
Interview With Bassist Erick “Jesus” Coomes
Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians
Tour Touch Base (Bass) with Ian Allison
