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Bass Books

The Bass Players Guide to Scales & Modes by Stuart Clayton – A Review by Rhayn Jooste

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This is a review of the iPad version of a book The Bass Players Guide to Scales & Modes written by Stuart Clayton and published by Bassline Publishing in 2012. It is slick, well thought out, with a clean design, utilizing the iPad’s many innovations, such as multi gesture, indexing of pages and its ability to embed multi media within the pages. The book’s content was inspired by Clayton’s teaching for the Brighton Institute of Music in the UK, and it does exactly what it says on the tin, and more.
The production of this book is current, distinct and on the iPad ver. 3 is nothing short of breathe taking. The pictures and illustrations are crisp, the video is inspiring and the layout of the notation is clear. The pages can be pinched closed or zoomed in with the merest touch of your fingers with absolutely no latency or lag. The notation and copy is large enough to read, and Clayton has kindly tabbed out all examples. There is the ability to add notes and highlight sentences or sections. This not only aids learning but allows for a more personal interactive approach to utilising this book on the iPad. Also included is a handy flash study cards section, so you can test yourself or your students on the terminology found in the glossary.
Each chapter progresses on from the next, starting with the humble C major scale and its mode, then moving into more advanced topics such as harmonic and melodic minor, diminished and whole tone scales, as well as favourites such as the pentatonic and blues scale. He covers arpeggios, how to pattern scales, play through the cycle of fives and most importantly how to utilise all this knowledge musically. This is all not only based on Clayton’s teaching but also on how he was taught himself. If you have ever seen his playing you will instantly see that this education has paid dividends.
The book’s subject matter is well laid out, each chapter beginning with a concise introduction of the topic covered which moves swiftly into the practical aspect with examples and then into musical utilisation in the form of licks. A variety of genres and musical situations are covered. The book’s strength really starts here. Gone are the days of learning from books with either a cassette or a CD attached which had a miscellanea of tracks, examples and backing tracks to help you. 
 No longer will you need to search through to find the example you’re working on, hold the page open and then grab your instrument. Each example on this version, that has music, has a player embedded in the page. So you can set the iPad up, read the dots, play the main track and then jam along to the back track. All with a couple of pushes and never having left your chair. Its real strength is in the ability to add notes and highlight text as you go. This insures that what you learn is retained in the manner in which you first read and understood it. The iPad’s ability to be packed and carted around with you means all of this is available to be poured over wherever you are. A handy thing if you travel a lot.
This book has been considered in its design and its presentation of the content, from the opening video to the musical examples, each chapter advances from the next. The prose is succinct and set out clearly, with concise and relevant illustrations and examples. However it is not for beginners, and Clayton himself stresses this in the introduction. To really get the most from these “essential tools” you need the basics of music theory in place, you also really need to know your fretboard inside out, as there are no boxes or geometry in sight. However Clayton stresses that his method is a “more thorough and musical way of learning scales, modes and arpeggios”.
If you are looking to complete your knowledge of scales and modes and want a more musically based syllabus, then this iPad book is for you. It has been written as a “complete guide” to the topic and so even professionals will find something of use within its pages. Its design and ethos are the perfect tool for teaching this sometimes arcane topic and has been well grounded in musical applications. A perfect tool to add to any iBook library.

Bass Books

Interview With Barker Bass’s Inventor and Writer Lee Barker

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Interview With Barker Bass's Inventor and Writer Lee Barker

If you are an electric bass player, this is an exciting time to be alive as this relatively new instrument evolves around us. Some creative individuals have taken an active role in this evolution and made giant leaps in their own direction. Lee Barker is one of these inventive people having created the Barker Bass. 

Fortunately, Lee is also an excellent writer (among so many talents) and has recently released his book “Plausible Gumption, The Road Between a Christmas Toolbox and The Barker Bass”. This book is a very fun read for everyone and shares a ton of details about Lee’s life in general, his experiences as a musician, a radio host, and a luthier. Now I am fortunate to have the great opportunity to gain even more insights into this renaissance man with this video interview.

Plausible Gumption, The Road Between a Christmas Toolbox and The Barker Bass is available online at Amazon.com 

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Bass Books

Ultimate Look at Electric Basses from 1930 to Today

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The Bass Space: Profiles of Classic Electric Basses.

The definitive book for lovers of the low-end. Willie G. Moseley, Senior Writer for Vintage Guitar Magazine, profiles more than 100 historic and unique electric bass models from such makers as Alembic, Danelectro, Fender, Gibson, Gretsch, Guild, Hamer, Kramer, Rickenbacker, and many others.

Rare and legendary instruments, from the earliest attempts at amplified basses in the mid-1930s to the cutting-edge instruments of today, are presented in more than 250 color and period photos.

The main feature of this book is the exclusive coverage of historic and one-of-a-kind basses owned and played by such famed musicians as: Bill Black (Elvis Presley), Tim Bogert (Vanilla Fudge), Mark Egan (Pat Metheny Group), John Entwistle (The Who), Paul Goddard (Atlanta Rhythm Section), Bruce Hall (REO Speedwagon), Greg Lake (Emerson, Lake & Palmer), Benjamin Orr (The Cars), Tom Petersson (Cheap Trick), Carl Radle (Derek and the Dominos), Gene Simmons (Kiss), Steve Wariner, and others.

The Bass Space: Profiles of Classic Electric Basses is available online at Amazon.com

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Bass Books

Review: The Bastard Instrument, A Cultural History of the Electric Bass by Brian F Wright 

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Review: The Bastard Instrument, A Cultural History of the Electric Bass by Brian F Wright 

I was intrigued when The Bastard Instrument showed up on my desk… let’s dig in!

When we dive into the history of our beloved instrument, the bass, we find roots that go back as far as the 15th century. This instrument was a member of the violin family and was for the longest time, an acoustic instrument. As the years passed and music changed, there was a need for the instrument to evolve and the electric bass was born.

Comparatively, the electric bass is a relatively new instrument with its earliest appearances dating back to the 1930s and it is exciting to be an electric bass player while this history unfolds around us. Fortunately for us and future generations to come, Professor Brian F. Wright has taken on the herculean task of documenting the trajectory of the electric bass with this excellent book.

The Bastard Instrument presents an extraordinary amount of fine details about the instrument itself, the development of the amplification to handle its output, the pioneers that dared play it, the rapidly evolving music that flourished because of its presence and so much more. 

When I first started reading this book, I noticed that it felt a tad academic, like a textbook (it might be one someday) or a doctoral thesis, but to present all this information accurately, this approach is more than appropriate. Another detail that might be a bit of a spoiler is that the book only gets us up to the late ’60s. I was left wanting more as we know that so much has happened in the bass world since that time frame; I hope there is another volume in the works to get us up to the present!

All in all, “The Bastard Instrument, A Cultural History of the Electric Bass” is a must-read for all of us who play electric bass and understand its essential place in music.

I found that there was a lot that I already knew but also quite a bit that I was unaware of. I believe that to know and understand where you are, you must know the history of exactly how you got here.

Highly recommended.

The Bastard Instrument is available at Amazon.com (beginning July 2024)

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Bass Books

Review: The Bassist’s Complete Guide to Injury Management, Prevention and Better Health

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Review: The Bassist’s Complete Guide to Injury Management, Prevention and Better Health

The Bassist’s Complete Guide to Injury Management, Prevention and Better Health

I have often thought that it would be great if the doctors who delivered us as newborn babies provided us with a user manual to help us navigate through life in the best way possible. Now Dr. Randall Kertz, D.C. has produced a manual specifically designed to address the many possible afflictions plaguing us bass players.

Many of you will remember volumes 1 & 2 of this book and our first review in 2007. The new complete guide combines the two volumes and features over 20 pages of new material including interviews, techniques, and conditions.

If you play bass, you can read this book cover to cover and walk away with a ton of relevant and helpful knowledge. Another option is to search out issues relevant to you specifically (I found quite a few of my own with helpful options). This is possible because the book is very nicely organized into six chapters that address Pain, Conditions, Techniques, Road Issues, Inspirational Q&A with some of the biggest names in the bass community (too many to list here) and finally How to get relief.

All said, this book is essential if you play either electric or upright bass to the point where they should issue you one when you get that first bass in your hands.

Lastly,  if you have this book and you have specific questions, Dr. Kertz is readily available through his website, www.drkertz.com. As if that was not enough, he has a wealth of knowledge you can find right here on our website at bassmusicianmagazine.com/author/randallkertz

Get this book… Live long and play bass well into the years! Available on Amazon.com

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Bass Books

The Bassist’s Complete Guide to Injury Management, Prevention & Better Health

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The Bassist’s Complete Guide to Injury Management, Prevention & Better Health

The Bassist’s Complete Guide to Injury Management, Prevention & Better Health is now available!

A compilation of Volumes 1 & 2 of the acclaimed Bassist’s Guide with 20+ pages of new interviews, techniques, and conditions, The Complete Guide puts everything in one convenient place.

Available at Amazon.com and from our friends at Bassline Publishing

Follow Dr. Kertz’s Bass Player Health at Bass Musician Magazine

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