Latest
IK Syntronik now available for iPad
September 20, 2017 – IK Multimedia is pleased to announce that Syntronik™, the legendary synth powerhouse, is now available for iPad® on the App Store®.
Syntronik offers the largest and best-sounding collection of classic synthesizers in a virtual instrument for iPad to date. This is thanks to a unique combination of the most advanced sampling techniques with a new hybrid sample and modeling synthesis engine, an arsenal of high-quality modeled effects and innovative instrument features that raise the bar for flexibility and sound quality.
Syntronik for iPad includes 17 amazing Synths covering a wide selection from 38 of the most iconic to ultra-rare classic synthesizers of all time:
99 – Based on the Yamaha SY99
Blau – Classic sounds of the PPG Wave 2.3
Bully – Iconic bass sounds of the Moog Taurus I, II and 3
DCO-X – Based on the Roland JX-3P, JX-8P and JX-10 classic synths
Galaxy – Iconic sounds of the Alesis Andromeda
Harpy 260 – Classic sounds of the ARP 2600
J-8 – Iconic sounds of the Roland Jupiter 4, 6 and 8
J-60 – Based on the Juno 60, including analog modeled chorus
Minimod – Based on the Minimoog, Modular and Voyager synths
Noir – Based on the Moog Prodigy, Micromoog and Multimoog
OXa – Classic sounds of the Oberheim OB-X and OB-Xa
Polymorph – Based on the Polymoog, Opus 3, Rogue, and Concertmate MG-1
Pro-V – Classic sounds of the Prophet-5 and Prophet-10
SAM – Iconic sounds of the Oberheim SEM synthesizer
String Box – Based on ARP, Elka, Hohner, and Roland string machines
T-03 – Iconic bass sounds of the Roland TB-303
V-80 – Classic sounds of the Yamaha CS-80, GX-1 and CS-01
Each of the 38 synths in Syntronik for iPad was meticulously multi-sampled using the most advanced techniques available to capture the “DNA” of the hardware and accurately reproduce the real sound of the classic synthesizers. Adding even greater realism, IK’s proprietary DRIFT™ technology varies the phase, color and pitch of the sampled oscillators in a subtle fashion to keep them moving just like real analog oscillators.
The unique hybrid synthesis engine in Syntronik for iPad provides ultimate sonic authenticity thanks to its modeled filter section built by IK, the company that pioneered virtual circuit modeling. Syntronik offers 7 filter types including 4 of the best sounding analog filters of all time: the Moog transistor ladder, Roland’s IR3109 chip, the famous Curtis CEM3320 chip and the Oberheim SEM state variable filter. Also included is a Classic low-pass filter and powerful digital filters like Formant and Phase. Plus, all 7 filters can be selected within each Synth, enabling users to mix and match them – like using an Oberheim filter with Moog oscillators – for unique combinations never heard before.
Syntronik for iPad lets users forge, mangle and shape sounds in all possible ways thank to 37 professional effects ranging from dynamic processors to amps, filters, EQ’s, modulation effects, reverbs and more. 5 effects can be simultaneously inserted on every instrument via an attractive “lunchbox-style” interface that allows for immediate visualization and editing of every parameter from a single screen.
The 17 powerful Synths in Syntronik for iPad are easily recognizable by their elegant interfaces with consistent controls for ease of use. Sounds can be loaded into 4-part layered “Multis” with each part containing its own instrument, key splits, arpeggiator and dedicated 5-slot effect section for ultimate sound design flexibility. With 1200 stellar sounding instrument presets, 200 carefully programmed Multis, (available in the full version or with all 17 synths), and 129 compelling arpeggios, Syntronik provides an inspiration factory covering any genre or style of music.
Pricing and availability
Syntronik is now available for free on the App Store and includes 25 instrument sounds from 17 synths. Please download it on the App Store.
Syntronik Full offers a more comprehensive experience with introductory pricing of $39.99, available as an in-app purchase.
Individual synths are also available via in-app purchase for just $9.99 each. For more information, please visit:www.ikmultimedia.com/syntronikios
For audio and video demos of Syntronik, please visit:
www.ikmultimedia.com/syntronikios/video
www.ikmultimedia.com/syntronikios/audio
Check out our top 10 favorite basses on Instagram this week…
Click to follow Bass Musician on Instagram @bassmusicianmag
FEATURED @kilianduartebass @meridian_guitars @adamovicbasses @marleaux_bassguitars @jcrluthier @sandbergguitars @ibanezuk_official @dingwallguitars @torzalguitars @ariaguitars
Check out our top 10 favorite basses on Instagram this week…
Click to follow Bass Musician on Instagram @bassmusicianmag
FEATURED @bacchusguitars @franz.bassguitars @mendesluthieria @ramabass.ok @meridian_guitars @adamovicbasses @shukerbassguitars @fantabass.it @andys_vintage_guitars @valdesbasses
Check out our top 10 favorite basses on Instagram this week…
Click to follow Bass Musician on Instagram @bassmusicianmag
FEATURED @murraykuun_guitars @ja.guitars @combe_luthier @overloadguitars @kevinhidebass @franz.bassguitars @indra_guitars @petercrowdesign @baboomin_bass @jcrluthier
Check out our top 10 favorite basses on Instagram this week…
Click to follow Bass Musician on Instagram @bassmusicianmag
FEATURED @sandbergguitars @benevolent_basses @rayriendeau @olintobass @wonkorbasses @bite.guitars @adamovicbasses @maruszczyk_instruments @skervesenguitars @ramabass.ok
Photo: Self-portrait by Melissa Auf Der Maur
Melissa Auf Der Maur is a Canadian bassist who played with Tinker, Hole, and The Smashing Pumpkins. She released her own work and is a photographer with photos published in Nylon, Bust, and National Geographic. She released her ‘90s Rock Memoir “Even The Good Girls Will Cry” on 17 March 2026.
KB: Did you always want to be a singer-musician growing up?
I’ve played music my whole life. In school, I played trumpet and sang in a children’s choir, so music was always within me. My mother was the first female disc jockey on the Montreal airwaves; her record collection played a huge role in my inspiration and love of music.
KB: When did you start playing bass, and why this instrument?
When I was 19, the early 90s music explosion began to percolate in tiny clubs around the world. I was lucky to be a ticket girl at Montreal’s underground music club. In one year, I saw Hole, Sonic Youth, Smashing Pumpkins, White Zombie, and The Breeders – all had female bass players. That’s when the seed was planted. By the age of 22, I was the bass player of Hole.
KB: Which brands of basses have you used in your career, and which one are you using now?
The first bass that I learned on was a vintage Squier Precision. Hole was sponsored by Fender guitars, so I upgraded to Fender Custom Shop Precisions. That is all I play, but I have a cool vintage 8-string Greco that I use on recordings to thicken up guitar parts.
KB: What equipment do you use or have you used with your basses?
Ampeg SVT amps and cabinets, a couple of Sans-Amp pedals, and that is it.
KB: How did you become a member of Hole, and what is your fondest memory of that time?
Billy Corgan of the Smashing Pumpkins was helping scout a replacement for (RIP) Kristen Pfaff, Hole’s bass player. My band, Tinker, opened for them on the Siamese Dream tour, so Billy had seen me play and could vouch for me. Courtney trusted her talented friend, and that was it. I initially said “no thank you” due to my commitment to my photographic studies and the drama and chaos surrounding the band during the “Live Through This” album release. Courtney took it as a good sign that I said no, so convinced me to reconsider, and soon after, I accepted their invitation, in the name of helping put females in the male-dominated landscape of rock music. My fondest memory is every show we played as a mostly female band, symbolizing what a woman could do in a rock band. Every show had a purpose: get more women to play music.
KB: You are a photographer as well. What makes a great picture? Do you shoot in color or b/w?
I started shooting photographs at age 15. Initially only shot black & white and worked in the art school darkroom. In university, I took a color photography course, and shifted mostly and forever to that, because it was easier to process film on the road when I joined a rock band. I experimented with many cameras, point and shoots, manual, polaroids, medium format, and vintage finds. The trick to a good photograph is to shoot many and all the time – the magic is in the edit and selection process.
KB: Are there artists you would love to collaborate with or wish you had?
??I’ve been lucky to collaborate with some of my favorite musicians in my career. I would still love to collaborate with a new generation heavy electronic artist on an analog bass, heavy electronic drums, and synths collaboration project. Take me out of my usual zone, merging the past and future: my love of 80s dark new wave and new artists exploring that genre. It was very futuristic back then, and we are now, after all, living in the future. I am in the mood to play bass to heavy beats I want to dance to.
KB: What are your 7 favorite bass lines in music across all genres? And why these 7?
“Mountain Song” – Jane’s Addiction (love a rambling, rolling bass line – feels like the ocean waves)
“Black Top – Helmet” (was the first bass line I taught myself)
“Gold Dust Woman” – Hole from “The Crow 2” Soundtrack (it was my first bass line contribution to the band)
“Get Ready” – The Temptations (Motown just feels so good, because of the bass)
“Lucretia My Reflection” – Sisters of Mercy (makes me want to hit the dance floor and play bass simultaneously)
“Be My Druidess” – Type O Negative (full chord bass playing at its best by iconic, demonic, Peter Steele, RIP)
“Romantic Rights” – Death from Above (1979 – unique distorted overdriven tone, combined dance rhythm and melodic intelligence, all in one shot – also! Shout out to a bass & drum only band, which is awesome, and we should have more of, but the bass player needs to be a killer to fill that role.
KB: What are you currently up to?
Releasing my ‘90s Rock Memoir “EVEN THE GOOD GIRLS WILL CRY”. Visceral healing process, it was to get it out of me and write it, but I suspect the real magic will begin by putting it into the world and reflecting with others on what the magic of the ‘90s was all about. Powerful music decade that carried us into what is now a brave new world of digital corporate weirdness – may the past shed a light on our future. That’s my hope for this book release and tour.
Visit online:
Official Website
Facebook
Instagram
YouTube
Spotify