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The Bass Players of James Brown: Bass Videos With Mark von Bergen

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James Brown was the Godfather of Soul and Soul Brother No. 1. While everyone in his band contributed to his unique sound, it was the bass players – OK, and the drummers – who provided the foundation of the funk. William “Bootsy” Collins, who has been featured here before, is the most well-known of those who held the bass chair in the various incarnations of Mr. Brown’s band. But others contributed mightily as well, including “Sweet” Charles Sherrell, Bernard Odum, Tim Drummond, and Fred Thomas.

There are two excellent instructional books that feature Mr. Brown’s bassists: Glenn Letsch, “James Brown: A Step-By-Step Breakdown of the Styles and Techniques of James Brown’s Bassists” (Hal Leonard, 2009), and Allan “Dr. Licks” Slutsky and Chuck Silverman, “The Funkmasters: The Great James Brown Rhythm Sections: 1960-1973” (Manhattan Music, 1996). These books break down the bass parts of some of Mr. Brown’s most famous songs, including “Cold Sweat (Bernard Odum on bass) , “Licking-Stick Licking- Stick” (Tim Drummond), “Get Up (I Feel Like Being) a Sex Machine” (Bootsy Collins), “Give it Up or Turnit a Loose” (Bootsy), “Soul Power” (Bootsy again), “There It Is” (Fred Thomas), and “I Don’t Want Nobody to Give Me Nothing” (Charles Sherrell). We highly recommend both books.

Bootsy Collins

Bootsy joined Mr. Brown’s band when he was a mere 18 and left less than a year later. In that short period of time, he revolutionized the funk. Here he is seen playing in Paris in 1971 at the Olympia in Paris. This concert was released on CD as “Love Power Peace.” Everything is perfectly executed on this tune, but note in particular at 3:42 when the band turns on a dime, segueing from “Brother Rapp” into “Ain’t It Funky Now,” and then at 7:21 when Bootsy takes a short solo that was inexplicably – and inexcusably – edited out of the recording. You can feel the platform shoes under your feet as you listen to Bootsy’s ingenious, heavily syncopated lines. Many feel that this is as good as it ever got.

Bernard Odum

Bernard was with the band from 1956 to 1969 when he left over a pay dispute and other issues, opening the door for Bootsy’s arrival. He played on such hits as “It’s a Man’s Man’s Man’s World” (1964), “I Got You (I Feel Good)” (1965), and “Cold Sweat” (1967). Here he is heard playing “I Can’t Stand It” in 1968, including a solo at 0:45. Tim Drummond, who later became Bob Dylan’s long-time bassist, played on the original recording.

Fred Thomas

Fred held the the bass chair in Mr. Brown’s band for more than 30 years, sometimes playing with a second bass player. In this video, the band plays a medley of “Get Involved” and “Soul Power.” It is difficult to identify the bass player but it is likely Fred.

Dance Lesson from the Man Himself

Here is a very special treat: a rare dance lesson from Mr. Brown himself. In case you have forgotten how to do the Boogaloo, the Funky Chicken, the Mashed Potatoes, the Robot, or the James Brown, check this out.

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Bass Player Health

Preparing for Performance with Dr. Randy Kertz

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Dr Randal Kertz - Bass Player Health - Oct 2022

Preparing for Performance…

This month we discuss how to prepare for a performance and easy strategies that go a long way.

Dr. Randall Kertz is the author of The Bassist’s Complete Guide to Injury Management, Prevention and Better Health. Click here to get your copy today!

The Bassist’s Complete Guide to Injury Management, Prevention & Better Health

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Bass Videos

Interview With Bassist Erick “Jesus” Coomes

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Interview With Bassist Erick Jesus Coomes

Bassist Erick “Jesus” Coomes…

It is always great to meet a super busy bassist who simply exudes a love for music and his instrument. Erick “Jesus” Coomes fits this description exactly. Hailing from Southern California, “Jesus” co-founded and plays bass for Lettuce and has found his groove playing with numerous other musicians.

Join us as we hear of his musical journey, how he gets his sound, his ongoing projects, and his plans for the future.

Photo, Bob Forte

Visit Online

www.lettucefunk.com
IG @jesuscsuperstar
FB@jesuscoomes
FB @lettucefunk

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Bass Videos

Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians

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WORKING-CLASS ZEROS With Steve Rosati and Shawn Cav

Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians

These stories from the front are with real-life, day-to-day musicians who deal with work life and gigging and how they make it work out. Each month, topics may include… the kind of gigs you get, the money, dealing with less-than-ideal rooms, as well as the gear you need to get the job done… and the list goes on from there.” – Steve the Bass Guy and Shawn Cav

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Bass Videos

Tour Touch Base (Bass) with Ian Allison

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Tour Touch Base (Bass) with Ian Allison

Ian Allison Bassist extreme

Most recently Ian has spent the last seven years touring nationally as part of Eric Hutchinson and The Believers, sharing stages with acts like Kelly Clarkson, Pentatonix, Rachel Platten, Matt Nathanson, Phillip Phillips, and Cory Wong playing venues such as Radio City Music Hall, The Staples Center and The Xcel Center in St. Paul, MN.

I had a chance to meet up with him at the Sellersville Theater in Eastern Pennsylvania to catch up on everything bass. Visit online at ianmartinallison.com/

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Bass Videos

New Gear: Spector Woodstock Custom Collection Volume II

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New Gear: Spector Woodstock Custom Collection Volume II

Spector Launches Woodstock Custom Collection Volume II…

Spector Musical Instruments expands their celebrated Woodstock Custom Collection with the Volume II series – a breathtaking series of 12 handcrafted, one-of-a-kind bass guitars, each one masterfully designed by members of the Spector team. Crafted in the Spector USA Custom Shop in Woodstock, New York, these works of art go beyond musical instruments and expand the boundaries of Spector Bass design.

Spector’s iconic design lays the foundation for the Volume II collection. Each bass showcases a unique vision, including the selection of tonewoods, electronics, captivating finishes, and intricate design details. The collection highlights Spector’s commitment to craftsmanship and artistry and the individual people and stories that make up the team.

“The Woodstock Custom Collection was such a huge success, and we had so much fun with it that we couldn’t wait to do it again,” said John Stippell, Director – Korg Bass Division. “With Volume II, we’re expanding on everything we learned from the first collection, as well as pushing our design and Custom Shop team even further. These basses are a testament to the inspiring talent, creativity, and skill of every person on the Spector team. I’m excited for all of these basses and love how they tell the unique stories of all involved.”

Visit online at spectorbass.com/

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