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New Power-Prog Trio Bang Tower Featuring Former Brand X Bass Legend Percy Jones to be Released
One of the most highly anticipated CD releases of 2010 is about to see the light much to the elation of the music press and fans across the globe. Bang Tower is a progressive musical alliance featuring legendary bassist Percy Jones, who is best known for his work with Brand X, a band that also featured Genesis legend Phil Collins. Along with Jones, the power-prog trio also includes Grammy winning guitarist/engineer/producer Neil Citron. Walter Garces, who also performs with ’60s psychedelic marvels The Electric Prunes, rounds off the trio with his skillful drumming. Work on their maiden voyage ‘Casting Shadows’, produced by Neil Citron (who also engineered, mixed and mastered) and Jon Pomplin (Declassified Records), was recently completed and the album is slated for release by Declassified Records on September 28, 2010. With Percy’s unmistakable fretless bass sound percolating next to Walter’s harmonic cannons and implements of percussive wonder, an edgy yet incredibly dreamy, otherworldly texture becomes prominent throughout the mix. Neil’s unique guitar work takes full advantage of this partnership by blending gorgeous chordal interludes, amazing melodic passages interlaced with scathingly insane soloing. The key element in this “trio of masters” music can be best described with one word; rapport. Though Jones, Garces and Citron are all virtuosos in their own right, it’s quite evident that these players are enthusiastically enjoying the crafting of this music whether together in a top studio like Entourage in LA, or remotely via their own studios, Casting Shadows promises to be a most auspicious first-outing for a band simply known as… “Bang Tower”. “The basic idea was to play music we wanted to play, and have a good time doing it,” says Walter Garces. “It’s a group effort musically,” adds Percy Jones. “I probably had a bit more input on the initial tracks and Neil had a bit more on the real time recordings, but it averages out to be about the same really. Walter was involved since the beginning.”

Fretless electric bassist Percy Jones has carved out his place in progressive rock and jazz fusion during his longstanding affiliation with the bands Brand X and Tunnels and is considered to be one of the greatest bass players in the world by Bass Player magazine. A native of Wales, Mr. Jones began his career as a notable bass player with the Liverpool Scene, and the Scaffold in the U.K. He is also a founding member of BRAND X, a pioneer jazz-rock fusion outfit, working alongside John Goodsall, Robin Lumley and Phil Collins of Genesis. He has several compact discs out of his own projects, including the band Tunnels, and 2 solo releases. Percy has also collaborated with numerous other musicians in performances and sessions; Brian Eno, Suzanne Vega, Bill Frisell, Roy Harper, Richard Barbieri, Nova, Project Lo, Sarah Pillow and Bobby Previte, just to name a few. He has toured extensively in the United States, Europe and Japan as a solo artist as well as a bass player in various bands. Percy proudly endorses Ibanez Bass Guitars, Euphonic Audio Amplifiers, Eventide Effects and DR Strings.
NEIL CITRON – GUITARS
If you’ve seen the films “That Thing You Do” or “My Big Fat Greek Wedding,” listened to rock-guitar virtuoso Steve Vai, heard recent recordings by the legendary Yardbirds, or appreciated the talents of internationally renowned drummers Greg Bissonette, Virgil Donati or Mike Mangini, then you may already be familiar with the wealth of musical projects Neil Citron has worked on. In 2002, he received a Grammy Award in the Best Pop Instrumental Album category for engineering “No Substitutions: Live in Osaka” by Larry Carlton and Steve Lukather. Also in 2002, Citron released a solo album of guitar instrumentals, “Absolute,” (Favored Nations) and is currently finishing a second album for the label. Citron has written more than 50 songs for Chrysalis publishing, and Citron continues his prolific composing career. As a guitar player, Citron has worked on many recordings of artists from all over the world. On these projects, Citron performed on acoustic and electric guitars, as well as providing background vocals when needed. Dedicated to anything he pursues, Citron holds a sixth-degree black belt in several Korean martial arts — tae kwon-do, hapkido and sib pal gi (Korean kung fu) — as well as a third-degree black belt in tang soo do, in which he trained with actor Chuck Norris.
WALTER GARCES – PERCUSSION
Native New York Drummer, Walter moved to Los Angeles in the mid 80’s, where after only a few months he met guitarist Neil Citron. This meeting would lead to a friendship of many years but also a bonding through music, and Martial arts. They would collaborate on many projects over the years including 2 of Neil’s solo records, film projects “That Thing You Do” with Tom Hanks, and also many bands, and sessions for other artists. Walter also appeared as drummer and percussionist on the recent Electric Prunes release “Feedback. Walter continues to perform live and tour with the Prunes. .He has also worked with many other great bands and artists, The Blues Image, Pete Taylor (Quatermass/The Pirates), Ronnie Drayton (Patti Labelle) Neil Turbin (Anthrax) Paul Shortino (Quiet Riot), John Goodsall (Brand X), and Tony Franklin (The Firm/Blue Murder) among others. Walter also maintains a full schedule of drum students. His own comprehensive course of study includes Latin, jazz, rock, 4-way coordination, left-hand development exercises and rigorous hand development, as well as independence on the drum set, mechanics, computers and electronics. In addition to his accomplishments as a musician, Walter has honed his discipline and control by obtaining a black belt in Go-Ju-Ryu and running marathons. Walter proudly endorses Premier Drums, Regal-Tip Drumsticks and Paiste cymbals.
Bang Tower’s ‘Casting Shadows’ will be available on September 28, 2010 through CD Baby, Declassified Records and the band’s official website www.BangTower.com (soon through iTunes and Amazon)
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Features
Melissa Auf Der Maur: Music, Bass, Gear, Hole, New Memoir, and More…
Photo: Self-portrait by Melissa Auf Der Maur
Melissa Auf Der Maur is a Canadian bassist who played with Tinker, Hole, and The Smashing Pumpkins. She released her own work and is a photographer with photos published in Nylon, Bust, and National Geographic. She released her ‘90s Rock Memoir “Even The Good Girls Will Cry” on 17 March 2026.
KB: Did you always want to be a singer-musician growing up?
I’ve played music my whole life. In school, I played trumpet and sang in a children’s choir, so music was always within me. My mother was the first female disc jockey on the Montreal airwaves; her record collection played a huge role in my inspiration and love of music.
KB: When did you start playing bass, and why this instrument?
When I was 19, the early 90s music explosion began to percolate in tiny clubs around the world. I was lucky to be a ticket girl at Montreal’s underground music club. In one year, I saw Hole, Sonic Youth, Smashing Pumpkins, White Zombie, and The Breeders – all had female bass players. That’s when the seed was planted. By the age of 22, I was the bass player of Hole.
KB: Which brands of basses have you used in your career, and which one are you using now?
The first bass that I learned on was a vintage Squier Precision. Hole was sponsored by Fender guitars, so I upgraded to Fender Custom Shop Precisions. That is all I play, but I have a cool vintage 8-string Greco that I use on recordings to thicken up guitar parts.
KB: What equipment do you use or have you used with your basses?
Ampeg SVT amps and cabinets, a couple of Sans-Amp pedals, and that is it.
KB: How did you become a member of Hole, and what is your fondest memory of that time?
Billy Corgan of the Smashing Pumpkins was helping scout a replacement for (RIP) Kristen Pfaff, Hole’s bass player. My band, Tinker, opened for them on the Siamese Dream tour, so Billy had seen me play and could vouch for me. Courtney trusted her talented friend, and that was it. I initially said “no thank you” due to my commitment to my photographic studies and the drama and chaos surrounding the band during the “Live Through This” album release. Courtney took it as a good sign that I said no, so convinced me to reconsider, and soon after, I accepted their invitation, in the name of helping put females in the male-dominated landscape of rock music. My fondest memory is every show we played as a mostly female band, symbolizing what a woman could do in a rock band. Every show had a purpose: get more women to play music.
KB: You are a photographer as well. What makes a great picture? Do you shoot in color or b/w?
I started shooting photographs at age 15. Initially only shot black & white and worked in the art school darkroom. In university, I took a color photography course, and shifted mostly and forever to that, because it was easier to process film on the road when I joined a rock band. I experimented with many cameras, point and shoots, manual, polaroids, medium format, and vintage finds. The trick to a good photograph is to shoot many and all the time – the magic is in the edit and selection process.
KB: Are there artists you would love to collaborate with or wish you had?
??I’ve been lucky to collaborate with some of my favorite musicians in my career. I would still love to collaborate with a new generation heavy electronic artist on an analog bass, heavy electronic drums, and synths collaboration project. Take me out of my usual zone, merging the past and future: my love of 80s dark new wave and new artists exploring that genre. It was very futuristic back then, and we are now, after all, living in the future. I am in the mood to play bass to heavy beats I want to dance to.
KB: What are your 7 favorite bass lines in music across all genres? And why these 7?
“Mountain Song” – Jane’s Addiction (love a rambling, rolling bass line – feels like the ocean waves)
“Black Top – Helmet” (was the first bass line I taught myself)
“Gold Dust Woman” – Hole from “The Crow 2” Soundtrack (it was my first bass line contribution to the band)
“Get Ready” – The Temptations (Motown just feels so good, because of the bass)
“Lucretia My Reflection” – Sisters of Mercy (makes me want to hit the dance floor and play bass simultaneously)
“Be My Druidess” – Type O Negative (full chord bass playing at its best by iconic, demonic, Peter Steele, RIP)
“Romantic Rights” – Death from Above (1979 – unique distorted overdriven tone, combined dance rhythm and melodic intelligence, all in one shot – also! Shout out to a bass & drum only band, which is awesome, and we should have more of, but the bass player needs to be a killer to fill that role.
KB: What are you currently up to?
Releasing my ‘90s Rock Memoir “EVEN THE GOOD GIRLS WILL CRY”. Visceral healing process, it was to get it out of me and write it, but I suspect the real magic will begin by putting it into the world and reflecting with others on what the magic of the ‘90s was all about. Powerful music decade that carried us into what is now a brave new world of digital corporate weirdness – may the past shed a light on our future. That’s my hope for this book release and tour.
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