Bass Videos
‘Hustle’… Artist Update with Bassist Jon Von Boehm
Bassist Jon Von Boehm on his new album ‘Hustle’, featuring Aly Cutter.
On ‘Hustle’, expect the unexpected, in my opinion, should really be the name of the latest release from Bassist Jon Von Boehm; of course, I like the name “Hustle” just as much.
On this album, Jon isn’t afraid to take things outside the box. Being true to himself and his musicianship, he plays what he feels. So many folks put music and musicians into categories, which isn’t fair; musicians should be able to express themselves the way they feel, and that is what Jon has done on this release and he has done it extremely well.
As my friend Andy Poynter states, “Jon Von Boehm has not only taken the brave steps to release an EP in these tough times for any musician but he has also taken a dramatic change to the style we all know and love. The Masterful Bass is still there but his collaboration with Aly Cutter really works”.
On ‘Hustle’, Jon only uses bass, while you may find that hard to believe, that’s what it is.
Jon is a master at creating some of the coolest soundscapes with bass that I have ever heard, and these soundscapes are abundant and extremely well done. I can’t recall any bassists doing what Jon has done on this release. Are there bass-only releases only out there? Sure, there are a multitude of them, but I can’t recall any of them going to the extreme that Jon has with ‘Hustle’.
On top of doing all the bass, Jon has done all the drum and percussion programming. Enter Aly Cutter, a vocalist with a beautiful, angelic voice to add even more spice to an already, well, I am just going to say it, a magnificent work of art.
I got to sit down with Jon to talk about the new album and a favorite subject, gear…
My only disappointment with ‘Hustle’ is that it only has six tracks, being honest here, I want more.
From the smooth funk groove of “Bet You Can’t”, to the great grooving feel of “Spotlight” with Aly just adding more here with the feel of her performance on this one and right after the breakdown, that funky slap-groove we all know that Jon does very well. Let’s not forget “What You Need”, which has a very fitting tapping section, and “Maiden Fair”, which kind of reminds me a little of smooth Jazz. I have to say it, if I had to pick a favorite, which was hard to do, it would have to be “Spotlight”, which has a nice melodic bass solo (after all, it is a solo bass release – lol).
Jon Von Boehm always leaves me wanting more from him with his releases and we never will know what his next one will be, but I already expect the unexpected and I know Jon can deliver in that aspect. Who knows, maybe the next one will be a metal release! (hint hint)
You can check out Jon Von Boehm and Aly Cutter on: Spotify, Apple Music, iTunes, Amazon, Pandora, Deezer, Tidal, iHeartRadio, ClaroMusica, Saavn, Boomplay, Anghami, KKBox, NetEase, Tencent, Triller, Yandex Music, MediaNet and Shazam.
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alycuttermusic.com
June 2019: Interview with Bassist Jon Von Boehm
Oteil Burbridge & Lamar Williams Jr. Champion Love Over Hate in New Single “Hush” | New Album ‘The Offering’ Out May 1.
Bassist Oteil Burbridge and vocalist Lamar Williams Jr. continue the rollout of their forthcoming collaborative album The Offering, with the release of its second single, “Hush”. A slow-burning Southern soul meditation rooted in love, peace, and emotional clarity, the track is a centerpiece on the album with a potent, thematic statement, in Williams’ words to “block out all of that nonsense” and “remember that there is more love in the world than hate.” The full-length album arrives May 1 via Flóki Studios, recorded on Iceland’s northern coast and produced by drummer, engineer, and Soulive co-founder Alan Evans.
While much of The Offering grew out of Burbridge’s banjo-based writing, “Hush” emerged from he and Williams’ shaping a deliberate sonic vision. Burbridge says they were “trying to capture a more old school Memphis, Macon, Muscle Shoals vibe,” leaning into a Southern soul feel that fits Williams’s phrasing. The end result is a song that is unhurried with a deep pocket that allows the groove and the song’s message breathe and stand at the forefront.
The album features an all-star lineup of drummer John Morgan Kimock, percussionist Weedie Braimah, organist Melvin Seals of the Jerry Garcia Band, pianist and violinist Jason Crosby, guitarists Tom Guarna and Jaden Lehman — musicians whose overlapping histories connect the Allman Brothers Band, Dead & Company, the Jerry Garcia Band, Soulive, and West African percussion traditions.
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When I heard that American Vanity, formerly known as Burn the Jukebox, was gearing up to release a new album this summer, it felt like the perfect moment to catch up with bassist and vocalist Virginia Franks.
With a fresh name unveiled just this past January and a clear shift in musical direction, the band is entering an exciting new chapter, one defined by both sonic evolution and a deeper, more focused message.
In this conversation, Virginia opens up about the inspiration behind the upcoming record, how she crafts her distinctive bass tone, what fans can expect from their upcoming tour, and where she sees both herself and the band heading next.
Join me as we dive into it all.
Here is Virginia Franks.
Photo, Devin Kasparian
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For decades, we’ve had the privilege of following the remarkable career of Nathan East, listening closely to his albums, tracking his milestones with Yamaha Instruments, and watching his evolving partnership with Laney Amplification with great interest. Along the way, we’ve talked gear, tone, and technique, while hearing his unmistakable musical “voice” woven into the work of more iconic artists than we could possibly list.
Today, we’re thrilled to reconnect with this true giant of the bass world following the release of a very special new album, Father Son, produced by Nathan alongside his son, Noah East. It’s a deeply personal project that showcases not only extraordinary musicianship but also a powerful family bond.
Join us as we dive into the making of this outstanding record, explore the new Laney Nathan East Signature Bass Preamp, and look ahead to what the future holds for one of music’s most respected and influential bassists.
Here is the one and only… Mr. Nathan East.
Photos, John Abbott @johnabbottphoto
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Disclaimer: This bass strap was kindly provided by Italia Leather Straps for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
I’ve spent years searching for the perfect wide bass strap, something that delivers both comfort and durability without compromising on style. That search ended nearly two decades ago when I discovered Italia Leather Straps.
Handcrafted in the USA from premium Italian leather, Italia Straps offers an impressive range of straps for both bass and guitar players. What immediately stood out to me was the exceptional craftsmanship; every detail, from stitching to material selection, reflects a commitment to quality. These aren’t just accessories… they’re long-term investments for serious musicians.
After more than 19 years of consistent use with my original strap, I can confidently speak to its longevity and comfort. Even under the demands of extended performances, the support provided by a 4” wide strap makes a noticeable difference.
In this review, I’m taking a closer look at the 4” Elite Series Leather Backed Bass Strap, now available in a sleek new Slate Black finish. It’s a refined addition to an already outstanding lineup, combining aesthetic appeal with the same trusted performance.
For more information, visit www.italiastraps.com.
Since 2012, Tom Doyle has been holding down the low end for UK alt-rock heavyweights Don Broco, helping to shape the band’s groove-driven, genre-blurring sound into one of the most distinctive in modern British rock. With thunderous tone, razor-sharp precision, and an instinct for hooks that hit just as hard as the riffs, Doyle has become a crucial force behind the band’s ever-evolving sonic identity.
As Don Broco gear up to unleash their highly anticipated new album, Nightmare Tripping, this feels like the perfect moment to dive into the mind of the man anchoring the chaos. From his musical roots and influences to the gear and techniques that craft his signature sound, Doyle opens up about the journey so far and what lies ahead.
Join me as we explore Tom’s evolution as a musician, the creative process behind Nightmare Tripping, and his vision for the future in a band that refuses to stand still.
Here is Tom Doyle.
Photos by Ton Pullen