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New Gear: Mariana… The Next Evolution of Moog Bass 

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New Gear: Mariana... The Next Evolution of Moog Bass 

Moog Debuts New Bass Synthesizer for iOS, macOS & Windows – Dive deep into Mariana, the next evolution of Moog bass.

Mariana is a powerful new synthesizer is now available at software.moogmusic.com and inside the App Store. 

Born from the depths of Moog Music’s legacy in bass synthesis, Mariana breathes new life into electronic sound design techniques for the modern player or producer. 

A powerful creative companion, Mariana is designed for intuitive audio layering and processing, merging the soul of Moog bass with user-friendly technology for all digital creators. Optimized for vibrant bass sounds, Mariana invites users to dial in tones that span genres, easily form modulation pathways to create complex timbres, and sculpt distinct sounds that sit perfectly in any mix with built-in effects and compression. 

Mariana: The Next Evolution of Moog Bass 

Mariana is a dual-layer synthesizer, allowing you to mix together two completely different synthesizer sounds that can dynamically complement each other or be played duophonically. Each layer is built around two oscillators with precise and inventive controls to make your bass tone punch through a mix and stand out from the rest, with a sub-oscillator adding even more low-end weight. Two resonant Moog filters and a third filter specifically for the sub-oscillator let you shape your sound, adding warmth while rolling off high frequencies or pushing up the resonance for added bite. With stereo oscillators and crossover filter functionality, Mariana is optimized for quickly fine-tuning stereo content while simultaneously preserving a powerful mono bass foundation. 

Warm tube, tape, and overdrive saturation and a tight compressor add heaviness and glue to your bass lines while an illuminating real-time metering section lets you monitor your sounds and dial them in to a professional standard. Flexible built-in delay and chorus effects operate on separate layers and can expand the stereo image of your sounds while preserving a solid mono signal with high-pass filters. Whether designing your own bass tones from scratch or using one of the 200 included presets as a starting point, Mariana is an accessible and versatile tool for any modern production environment. And although Mariana is optimized for bass, it is fully capable of producing strong leads, punchy percussion, and multidimensional effects, making it possible to craft an entire song using this single instrument. 

Mariana’s intuitive user interface is designed for quick and efficient workflow while being fully equipped with three LFOs, three envelopes, and two random generators per layer. Combined with a creative and extremely deep modulation editor, Mariana excels at in-depth sound design and sounds that dynamically evolve over time. Nearly every parameter of Mariana can be modulated internally via MIDI, MPE, and virtual CV to build an interconnected ecosystem right in your DAW. With an optimized resizable user interface, expressive on-screen keyboard for iPad and standalone desktop versions, and seamless integration into any DAW (digital audio workstation), Mariana is the most accessible way to add the unmistakable Moog bass sound to your productions. 

Get started with Mariana here.

Exploring Mariana’s Key Sound Design Features Mariana includes all the tools necessary for creating deep, pulsating, professional bass sounds and more. Tone layering, parallel filtering, cross-over control, doubling and detune, compression, dynamic saturation, and surgical stereo placement are all built into Mariana for streamlined, recallable access to your favorite bass chain—without needing to load up additional processors. 

Modern Moog Bass: Mariana pulls from the lineage of classic Moog bass instruments (Minimoog Model D, Minitaur) to deliver a new bass synthesizer with cutting-edge features for sculpting powerful bass lines. 

Dual Layers: Two separate synthesizer layers allow for complementary sound stacks or independent duophonic playing that can be mixed together. 

Deep Modulation: A vast array of modulation sources, destinations, controllers, and functions with a deep mod matrix editor allow for complex modulation of nearly every parameter of Mariana. 

Intuitive Interface: A beautiful, resizable, and user-friendly interface gives you effortless control over your bass sounds. 

Metering and Compression: Built-in effects, compression, and metering let you add punch to your bass sounds and dial them in to a professional standard. 

Interconnectivity: Mariana can interact with the Moogerfooger Effects Plug-ins via virtual CV, creating a modular Moog ecosystem right in your DAW. 

Flexibility: Mariana can be used as a plug-in within your DAW, as a standalone app you can control via MIDI without the need for a DAW, and as an iPad app with an expressive on-screen keyboard controller. 

Preset Library: A vast library of presets covering a wide range of musical styles and genres provides a starting point for users to dive right into musical creation—or transform stock presets into something completely unique. 

For more about Mariana, visit Moog’s software website at software.moogmusic.com

Moog’s History of Bass Synthesis in Electronic Music 

Synthesized bass has transformed the way we hear and enjoy music for the better part of the last century. 

Spanning genres and styles, Moog has been synonymous with electronic bass since the 1960s. Bernie Worrell’s Model D revolutionized funk music and paved the way for West Coast hip-hop. Giorgio Moroder’s use of Moog bass to craft “I Feel Love” by Donna Summer brought with it a defining moment in disco. Rush’s Geddy Lee established the archetypal sound of prog rock with the help of Model D and Taurus. Synthesized bass has been a fixture of Trent Reznor’s sound (solo and with Nine Inch Nails), thanks in large part to his personal connection with the Minimoog Voyager. 

Bass has been the foundation for the sound and power of Moog instruments for decades. In a new video narrated by actor, writer, producer, and comedian H. Jon Benjamin, Moog invites you to journey through moments of the past and into the future of bass with a soundtrack built using all sounds from Mariana. 

Watch the video here!

Experience the Sounds of Mariana 

Whether using Mariana on iOS, macOS, or Windows, any player of any experience level can get started with the instrument by exploring its 200 included presets. 

Spanning genres and styles suitable for any creator, these sounds were professionally designed by Moog’s in-house Product team and electronic artists like Kyle Hall, Erin Barra, Bad Snacks, and Lisa Bella Donna. 

Listen to a selection of these sounds here.

Free Guided Tutorial Videos 

Moog has teamed up with Thavius Beck, an experienced digital educational content creator, to demonstrate the depth and dynamic features of Mariana for users new to sound design in the software space. In this hour-long deep dive, Thavius breaks down specific aspects of the synth while making a full song exclusively using Mariana. This tutorial will provide Mariana users with a clear overview of the instrument, what makes it unique, how to approach sound design, and tips to build a complete track with this new synthesizer. Watch the video on Moog’s YouTube. Plus, Moog debuts four new guided walkthroughs to its informative Demo Library series on YouTube. Each demonstration highlights a unique way to use Mariana as either a standalone instrument or within a multi-effects environment inside commonly used DAWs like Ableton. Visit the Moog Demo Library to watch

Developing a Modern Moog Bass Synthesizer 

Moog Music has long been a pioneer in electronic bass, from the iconic Minimoog Model D to the Taurus Bass Pedals, Sub Phatty, and Minitaur. Mariana continues this tradition in the form of a groundbreaking software synthesizer for iOS, MacOS, and Windows. 

Following the success of last year’s Moogerfooger Effects Plug-ins release, the Product team at Moog in Asheville, NC, has been hard at work on the next great-sounding Moog software synthesizer. Moog’s small group of software engineers brought this vision to life working closely alongside in-house industrial design, branding, and product experts to ensure Mariana looks, sounds, and behaves with the quality and character of every bass-forward Moog instrument before it. 

Optimized for vibrant bass sound, Mariana is a powerful tool for artists and musicians across all genres and workflows. Explore this instrument here

Limited-Time Introductory Pricing: Mariana Is Now 50% Off 

Mariana is now available to download and explore on Moog’s website, through the App Store, and with trusted Moog partners worldwide. For a limited time, Mariana is only $14.99 USD (regularly $29.99) for iOS mobile devices and $49 USD (regularly $99) for macOS/Windows use. 

To get started, visit software.moogmusic.com

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Gear News: Darkglass Expands Anagram Platform with Anagram Marketplace

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Darkglass Expands Anagram Platform with Anagram Marketplace

Darkglass® Electronics announces the launch of the Anagram Marketplace, a significant expansion of its Anagram™ bass platform, introducing a growing ecosystem of third-party plugins and tools. Designed to extend the capabilities of Anagram beyond its original feature set, the Anagram Marketplace enables users to access, share, and integrate new sounds and processing tools while opening the platform to trusted developers, engineers, producers, and sound designers. By bridging the gap between studio-based workflows and real-world performance environments, the Anagram Marketplace positions Anagram as an evolving platform shaped by its user community.

Think of it like an App Store. Building on Anagram’s core processing architecture, including its hexacore processor and 32-bit/48kHz audio engine, the Anagram Marketplace expands the system’s functional scope by enabling support for external plugins that were previously limited to desktop environments. At the time of launch, the Anagram Marketplace has already partnered with some established plug-in developers like Nembrini Audio, Bogren Digital, and DoGood Sounds.

The Anagram Marketplace complements Anagram’s existing blocks-based architecture, where users can construct signal chains in series or parallel configurations. With the addition of partner-developed plugins and processing blocks, users gain access to an expanding library of tools that can be incorporated into their existing signal paths. This approach extends the platform’s flexibility over time, allowing workflows and signal chains to evolve as new tools and ideas are introduced.

From a user experience perspective, the Anagram Marketplace integrates into the broader Anagram ecosystem, where its high-resolution touch display and control modes – Preset, Scene, and Stomp -continue to provide direct access to signal chains and parameter control. As new plugins and blocks become available, users can incorporate them into familiar control structures without disrupting established workflows, supporting a streamlined approach to exploration and implementation.

The introduction of the Anagram Marketplace also reinforces Anagram’s integration with the wider Darkglass ecosystem. Alongside access to partner-created plugins, Darkglass will continue to deliver free software updates, including new blocks, features, and ongoing performance improvements. Together, these updates and the Anagram Marketplace ecosystem create a platform that continuously expands, ensuring users have access to new tools and capabilities without requiring added hardware.

In practical use, the Anagram Marketplace enables musicians, producers, and content creators to extend their setups with new processing tools while keeping a consistent workflow across studio, rehearsal, and live environments. By enabling access to a broader range of plugins and community-driven development, the platform supports faster iteration, expanded creative options, and a more connected approach to sound design and performance.

The Anagram Marketplace is available now to Anagram users. For more information, visit www.darkglass.com.

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Gear News: Future Impact V4.5 Upgrade Adds 99 DX7 FM Gig-ready Presets & More

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Gear News: Future Impact V4.5 Upgrade Adds 99 DX7 FM Gig-ready Presets & More

The Future Impact V4 and V4 VIP are already incredibly versatile bass synth pedals –designed for players rather than programmers. The V4.5 upgrade offers even greater value while retaining the same simplicity of operation. Some of the new features include:

•  99 DX7 FM song-ready presets have been added to the existing 99 Virtual Analogue presets library

•  Setlist Mode to easily program a performance list without a computer

•  Zero Latency has been added as a third mode to the existing Speed and Accuracy modes

The FM library draws heavily from iconic ‘80s and ‘90s recordings made with the Yamaha DX7 bass: “Take on Me,” “Smooth Criminal,” “Take My Breath Away,” “Broken Wings,” and many more. There are also funky bass, smooth bass, double bass, Stratocaster emulation, and a selection of classic DX7 sounds —church organ, tubular bells, pan pipe, and harmonica, to name a few. 

You can also explore the tens of thousands of other FM patches out in the world and upload them using the 4.5 Editor software for Windows or Mac. The only caveat is to not to get too lost down that rabbit trail! 

While fully loaded with presets galore, you can still add and edit your own so you’re not locked into someone else’s palette choices.

In addition to producing synthesizer sounds such as basses, leads, and pads, the Future Impact can also function as an octaver, chorus, flanger, phaser, distortion, envelope filter, traditional wah-wah, tremolo, reverb, etc. Plus, there’s a built-in tuner. With so much functionality, you can potentially replace an entire pedalboard of dedicated single-effect pedals. 

The Future Impact is brought to you by Andras Szalay, the original designer of the legendary Akai Deep Impact pedal. It is the world’s fastest and most reliable tracking platform for professionals and hobbyists alike.

For full details, head over here: www.panda-audio.com/future-impact-v4-vip

For an overview and sound samples:  www.youtube.com/watch?v=pLJSdy3Wf8c

Exclusive U.S. distribution by Tech 21 USA, Inc. 

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New Gear: MESA/Boogie Subway+ Bass DI Preamp II

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New Gear: MESA/Boogie Subway+ Bass DI?Preamp II

MESA/Boogie unveils the new Subway®+ Bass DI Preamp II, a compact, full-featured follow-up to its highly acclaimed first-generation Subway bass preamp pedals. Consolidating the strengths of the original two preamp models into a single, streamlined unit, the Subway+ Bass DI Preamp II adds smart refinements that give bassists all the tone-shaping tools they need to capture the sound, feel, and response that have made the Subway Series market leaders in premium bass tone. The new Subway+ Bass DI Preamp II is now available worldwide at authorized MESA/Boogie dealers, at Gibson Garage locations, and at www.mesaboogie.com.

Building on the foundation laid by the celebrated Subway® D 800™, Subway® D 800+, and Subway® D350 preamps, the new model delivers world-class?class MESA bass tone in a format that is approximately 40% smaller than the previous Subway+ design. The result is a road-ready, studio-savvy preamp that’s equally at home on a tight pedalboard, a desktop, or riding along as a micro-sized gig-bag solution.

Designed for power without complexity, the Subway+ Bass DI Preamp II features an extended-range JFET preamp that plays beautifully with both active and passive instruments, plus an Input Mute footswitch for silent tuning. A Deep switch adds roundness and low-end weight, while a Bright switch lends bite and top-end sparkle. MESA’s award-winning variable Hi-Pass Filter (30 Hz–150 Hz) removes headroom, robbing subsonic content so players can precisely tune their low end to the musical style, ensemble, or venue.

Independent Gain, Boost (footswitchable with dedicated level control), and Master Volume controls unlock a wide palette—from warm, rounded cleans to mix-ready drive. The Variable Voicing control sweeps the overall character from a flatter, modern response to a more vintage-inspired contour by intelligently adjusting multiple frequency regions with a single knob. For deeper sculpting, a fully active 4-band Baxandall EQ provides ±12 dB of Bass, Low Mid, High Mid, and Treble, with sweepable Low-Mid (150 Hz–1.8 kHz) and High-Mid (300 Hz–5 kHz) frequency controls for surgical precision.

Flexible connectivity makes the Subway+ Bass DI Preamp II a natural fit for practice, stage, and studio. Aux In and Headphone Out allow players to blend a media source with their bass for quiet, on-the-go rehearsal. The Preamp Output supports ¼” (6.35 mm) TS unbalanced or ¼” (6.35 mm) TRS fully balanced connections and delivers ample level to drive any pro audio power amp. A mic-level balanced XLR DI with Pre/Post EQ and Ground Lift routes iconic MESA tone directly to front-of-house, monitors, or recording interfaces with ease.

With its ideal mix of compact size—just 2.25” (57 mm) H × 6” (152 mm) W × 4.25” (108 mm) D—light weight, 9–18 VDC (either polarity) power flexibility, and stellar tonal control, the Subway+ Bass DI Preamp II is a powerful solution for silent or live practice, studio sessions, and touring. Whether feeding PA and/or backline in small to midsize venues or standing by as a trusted emergency rig, it brings unmistakable MESA authority to any bass setup.

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Gear News: Trace Elliot Achieves Balance with New Transformer DI

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Gear News: Trace Elliot Achieves Balance with New Transformer DI

Trace Elliot® debuts the new Transformer DI. Designed for all musical instrument applications, using a new proprietary transformer design, the DI converts between balanced and unbalanced signals at a perfect 1-to-1 ratio with audiophile quality and total transparency. With a frequency response between 14Hz and 80kHz, this unit is essential for five-string bassists, other drop-tuned instruments, and artists wanting the sound of their instruments uncolored by the PA interface. The new transformer DI is now available worldwide via online and local retailers.

A transformer DI (direct-interface) box is a 100% passive impedance conversion device that converts unbalanced signals into balanced signals for direct connection to mixing consoles and recording devices. The Trace Elliot Transformer DI sets itself apart from active DI boxes by providing a pristine signal path that will never suffer clipping or distortion between the source and the balanced input. Furthermore, it outperforms other passive DI boxes by its ability to do so far beyond the range of human hearing. By balancing the signal, the transformer DI reduces noise and interference while keeping signal integrity. Its durable die-cast enclosure and high-quality parts provide steady signal performance for both live and studio environments.

With individual ¼” and XLR jacks for both inputs and outputs, and a recessed GROUND LIFT button, this unit is an essential must-have for any professional musician or audio engineer.

For more information, please visit www.traceelliot.com

Retail: $229.99 USD

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Gear News: Fender Unveils Highly Anticipated Vintera III Series

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Gear News: Fender Unveils Highly Anticipated Vintera III Series

Fender Musical Instruments Corporation (FMIC) today announced the launch of the Vintera III Series, the next evolution of its acclaimed vintage-inspired lineup. Reimagined from the ground up, the highly anticipated range delivers meticulously crafted instruments that capture the defining sounds, aesthetics and feel of the early, mid and late ’50s, ’60s and ’70s.

Designed for players seeking true vintage character, the Vintera III series introduces an all-new philosophy: a targeted focus on iconic moments in Fender history. This “greatest hits” approach highlights some of the most celebrated specifications from the company’s golden eras, giving musicians access to some of the most revered tones ever produced.

This refined direction marks a significant evolution from previous Vintera collections – while earlier generations drew broadly from generations of production, the Vintera III Series narrows its focus to distinct, era-defining designs, allowing Fender to achieve a new level of historical accuracy and authenticity. Every instrument in the range reflects painstaking attention to detail – from period-correct aesthetics and colours, to carefully recreated neck construction and pickups – faithfully capturing the look, feel and sonic character of legendary vintage Fender models.

“With the Vintera III Series, we set out to capture the defining moments that shaped Fender’s legacy,” said Max Gutnik, Chief Product Officer at Fender. “Rather than broadly representing entire decades, we focused on the most iconic specifications that players continue to seek out today. By zeroing in on these historic designs – from era-correct pickups and neck profiles to period-accurate aesthetics – we’re giving today’s musicians an authentic connection to the instruments that helped define modern music.”

To ensure era-accurate tone, Fender’s engineers revisited the company’s original archives, developing vintage-style pickups matched to each period. Players will experience the warm, rounded character of Alnico II and the punch and clarity of Alnico V designs.

The Vintera III Series also faithfully recreates Fender’s historic neck profiles, from the substantial V and D shapes of the mid and late ’50s to the comfortable medium C profiles of the early ’60s and the slimmer C shapes that defined the late ’60s and early ’70s. Each model is completed with era-specific headstocks, decals, fingerboard inlays, stamps and finishes, delivering an instrument that feels as authentic as it sounds.

With Vintera III, Fender brings the spirit of its most influential eras to a new generation of players – offering a lineup that celebrates the instruments, tones and innovations that helped shape modern music.

Models include: 

  • Vintera® III Late ‘50s Stratocaster® 
  • Limited Edition Vintera® III Late ‘50s Stratocaster®
  • Vintera® III Early ‘60s Stratocaster® 
  • Vintera® III Late ‘60s Stratocaster® 
  • Limited Edition Vintera® III Early ‘60s Custom Telecaster®
  • Vintera® III Late ‘50s Telecaster® 
  • Vintera® III Mid ‘60s Telecaster® 
  • Vintera® III Mid ‘60s Jazzmaster®
  • Vintera® III Mid ‘60s Jaguar® 
  • Vintera® III Mid ‘60s Mustang® 
  • Vintera® III Early ‘60s Jazz Bass®
  • Vintera® III Early ‘70s Jazz Bass®
  • Vintera® III Late ‘60s Precision Bass® 
  • Vintera® III Early ‘60s Bass VI

For more information, visit fender.com

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