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IK Syntronik now available for iPad
September 20, 2017 – IK Multimedia is pleased to announce that Syntronik™, the legendary synth powerhouse, is now available for iPad® on the App Store®.
Syntronik offers the largest and best-sounding collection of classic synthesizers in a virtual instrument for iPad to date. This is thanks to a unique combination of the most advanced sampling techniques with a new hybrid sample and modeling synthesis engine, an arsenal of high-quality modeled effects and innovative instrument features that raise the bar for flexibility and sound quality.
Syntronik for iPad includes 17 amazing Synths covering a wide selection from 38 of the most iconic to ultra-rare classic synthesizers of all time:
99 – Based on the Yamaha SY99
Blau – Classic sounds of the PPG Wave 2.3
Bully – Iconic bass sounds of the Moog Taurus I, II and 3
DCO-X – Based on the Roland JX-3P, JX-8P and JX-10 classic synths
Galaxy – Iconic sounds of the Alesis Andromeda
Harpy 260 – Classic sounds of the ARP 2600
J-8 – Iconic sounds of the Roland Jupiter 4, 6 and 8
J-60 – Based on the Juno 60, including analog modeled chorus
Minimod – Based on the Minimoog, Modular and Voyager synths
Noir – Based on the Moog Prodigy, Micromoog and Multimoog
OXa – Classic sounds of the Oberheim OB-X and OB-Xa
Polymorph – Based on the Polymoog, Opus 3, Rogue, and Concertmate MG-1
Pro-V – Classic sounds of the Prophet-5 and Prophet-10
SAM – Iconic sounds of the Oberheim SEM synthesizer
String Box – Based on ARP, Elka, Hohner, and Roland string machines
T-03 – Iconic bass sounds of the Roland TB-303
V-80 – Classic sounds of the Yamaha CS-80, GX-1 and CS-01
Each of the 38 synths in Syntronik for iPad was meticulously multi-sampled using the most advanced techniques available to capture the “DNA” of the hardware and accurately reproduce the real sound of the classic synthesizers. Adding even greater realism, IK’s proprietary DRIFT™ technology varies the phase, color and pitch of the sampled oscillators in a subtle fashion to keep them moving just like real analog oscillators.
The unique hybrid synthesis engine in Syntronik for iPad provides ultimate sonic authenticity thanks to its modeled filter section built by IK, the company that pioneered virtual circuit modeling. Syntronik offers 7 filter types including 4 of the best sounding analog filters of all time: the Moog transistor ladder, Roland’s IR3109 chip, the famous Curtis CEM3320 chip and the Oberheim SEM state variable filter. Also included is a Classic low-pass filter and powerful digital filters like Formant and Phase. Plus, all 7 filters can be selected within each Synth, enabling users to mix and match them – like using an Oberheim filter with Moog oscillators – for unique combinations never heard before.
Syntronik for iPad lets users forge, mangle and shape sounds in all possible ways thank to 37 professional effects ranging from dynamic processors to amps, filters, EQ’s, modulation effects, reverbs and more. 5 effects can be simultaneously inserted on every instrument via an attractive “lunchbox-style” interface that allows for immediate visualization and editing of every parameter from a single screen.
The 17 powerful Synths in Syntronik for iPad are easily recognizable by their elegant interfaces with consistent controls for ease of use. Sounds can be loaded into 4-part layered “Multis” with each part containing its own instrument, key splits, arpeggiator and dedicated 5-slot effect section for ultimate sound design flexibility. With 1200 stellar sounding instrument presets, 200 carefully programmed Multis, (available in the full version or with all 17 synths), and 129 compelling arpeggios, Syntronik provides an inspiration factory covering any genre or style of music.
Pricing and availability
Syntronik is now available for free on the App Store and includes 25 instrument sounds from 17 synths. Please download it on the App Store.
Syntronik Full offers a more comprehensive experience with introductory pricing of $39.99, available as an in-app purchase.
Individual synths are also available via in-app purchase for just $9.99 each. For more information, please visit:www.ikmultimedia.com/syntronikios
For audio and video demos of Syntronik, please visit:
www.ikmultimedia.com/syntronikios/video
www.ikmultimedia.com/syntronikios/audio
Bass Player Health
Preparing for Performance with Dr. Randy Kertz
Preparing for Performance…
This month we discuss how to prepare for a performance and easy strategies that go a long way.
Dr. Randall Kertz is the author of The Bassist’s Complete Guide to Injury Management, Prevention and Better Health. Click here to get your copy today!
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Gear Reviews
The Frank Brocklehurst 6-String Fretless Bass Build
A few months ago, my Ken Bebensee 6-string fretted bass needed some TLC. You know, the one rocking those Pink Neon strings! I scoured my Connecticut neighborhood for a top-notch luthier and got pointed to Frank Brocklehurst, F Brock Music. He swung by my place, scooped up the bass, and boom, returned it the next day, good as new. Not only that, he showed up with a custom 5-string fretted bass that blew me away. I couldn’t resist asking if he could whip up a 6-string fretless for me.
Alright, let’s break down the process here. We’ve got our raw materials: Mahogany, Maple, and Holly. Fun fact – the Mahogany and Maple have been chilling in the wood vault for a solid 13 years. Frank is serious about his wood; they buy it, stash it away, and keep an eye on it to make sure it’s stable.
First up, they’re tackling the Mahogany. Frank glues it together, then lets it sit for a few days to let everything settle and the glue to fully dry. After that, it’s onto the thickness planer and sander to get it nice and flat for the CNC machine. The CNC machine’s the real star here – it’s gonna carve out the body chambers and volume control cavity like a pro.
While the Mahogany’s doing its thing, Frank goes onto the neck core. Three pieces of quartersawn maple are coming together for this bad boy. Quartersawn means the grain’s going vertical. He is also sneaking in some graphite rods under the fingerboard for stability and to avoid any dead spots. The truss rod is going to be two-way adjustable, and the CNC machine’s doing its magic to make sure everything’s just right.
Now, onto the design phase. Frank uses CAD software to plan out the body shape, neck pocket, chambering, and those cool f-holes. I had this idea for trapezoid F-holes, just to do something different. The CAD software also helps us map out the neck shape, graphite channels, and truss-rod channel with pinpoint accuracy.
Once everything’s planned out, it’s CNC time again. Frank cuts out the body outline, neck pocket, and the trapezoid F-holes. Then it’s a mix of hand sanding and power tools to get that neck just how we like it. Oh, and those f holes? We’re going for trapezoids of different sizes – gotta keep things interesting.
Next step: gluing that neck into the pocket with some old-school hide glue. It’s got great tonal transfer and can be taken apart later if needed. Then it’s onto hand-carving that neck-body transition.
For the custom-made bridge, Frank uses brass for definition and Ebony for tonal transfer and that warm, woody sound.
BTW, for tunes, Frank went with Hipshot Ultralights with a D Tuner on the low B. This way I can drop to a low A which is a wonderful tone particularly if you are doing any demolition around your house!
Now it’s time for the side dots. Typically, on most basses, these dots sit right in the middle of the frets. But with this bass, they’re placed around the 1st, 3rd, 5th, 7th, 9th, and 12th frets.
Frank’s got his pickup hookup. Since the pickup he was building wasn’t ready, he popped in a Nordstrand blade to give it a whirl.
It sounded good, but I was itching for that single-coil vibe! And speaking of pickups, Frank showed me the Holly cover he was cutting to match, along with all the pink wire – talk about attention to detail!
A couple of things, while it is important for me to go passive, it is equally important for me to just go with a volume knob. Tone knobs are really just low-pass filters and the less in the way of a pure sound for me, the better.
Finally, it’s string time! As usual, I went for the DR Pink Neon strings. Hey, I even have matching pink Cons…Both low tops and high!
Once we’ve got everything tuned up and settled, we’ll give it a day or two and then tweak that truss rod as needed. And voila, we’ve got ourselves a custom-made bass ready to rock and roll.
I want to thank Frank Brocklehurst for creating this 6 string beast for me.
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Interview With Bassist Erick “Jesus” Coomes
Bassist Erick “Jesus” Coomes…
It is always great to meet a super busy bassist who simply exudes a love for music and his instrument. Erick “Jesus” Coomes fits this description exactly. Hailing from Southern California, “Jesus” co-founded and plays bass for Lettuce and has found his groove playing with numerous other musicians.
Join us as we hear of his musical journey, how he gets his sound, his ongoing projects, and his plans for the future.
Photo, Bob Forte
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www.lettucefunk.com
IG @jesuscsuperstar
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Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians
Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians
“These stories from the front are with real-life, day-to-day musicians who deal with work life and gigging and how they make it work out. Each month, topics may include… the kind of gigs you get, the money, dealing with less-than-ideal rooms, as well as the gear you need to get the job done… and the list goes on from there.” – Steve the Bass Guy and Shawn Cav