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  King’s X Sign with InsideOutsideMusic/Sony Music

  ByBass Musician May 5, 2022May 5, 2022
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  Album Review: Fourplay 30th Anniversary Edition

  ByEditor, Raul Amador May 2, 2022April 19, 2022
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  King Crimson Alum Trey Gunn Emerges As A 21St Century Renaissance Man: May 2022 Issue

  ByDavid C Gross May 1, 2022May 1, 2022
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  Interview With Triumph Bassist Mike Levine

  ByEditor, Raul Amador April 25, 2022March 31, 2022
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  Album Review: Norm Stockton, Grooves & Sushi

  ByEditor, Raul Amador April 25, 2022April 11, 2022
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  Interview With Bassist Pete Trewavas

  ByEditor, Raul Amador April 18, 2022March 31, 2022
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  Exclusive JGT Video Podcast With Bassist Adam Nitti

  ByBass Musician April 14, 2022April 14, 2022
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  Interview With Bassist Craig Schoedler: Bass Legacy

  ByB.A. Johnson April 11, 2022April 1, 2022
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  Truly the Fretless Monster, Tony Franklin: April 2022 Issue

  ByEditor, Raul Amador April 1, 2022February 26, 2022
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  Artist Update With Stu Hamm… New ArtistWorks Course and More!

  ByEditor, Raul Amador March 28, 2022March 25, 2022
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  Interview With Bassist Percy Jones

  ByDavid C Gross March 21, 2022March 3, 2022
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  Tapping into Impermanence, A Discussion with Bassist John Ferrara

  ByCurt Miller March 14, 2022March 3, 2022
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  Interview With Brand New Heavies Bassist Andrew Levy

  ByEditor, Raul Amador March 7, 2022March 8, 2022
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  Eternal Rocker, John Lodge: March 2022 Issue

  ByEditor, Raul Amador March 1, 2022March 25, 2022
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  Victor Wooten on “The Spirit Of Music”

  ByEditor, Raul Amador February 21, 2022February 22, 2022