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Alternate Fingering And The Plucking Hand
Welcome back, folks! Last time around I took a momentary departure from purely technical subjects to introduce to you the importance of melody. Moving forward, I hope that you will remember to make even your technique building exercises musical. Once you get past the initial challenge of executing each exercise without repetitive mistakes or mis-fingerings, go out of your way to try and make the exercises sound as musical as possible. A great player can make even the most mundane phrases or exercises come to life by playing in an expressive or emotional manner. Even a simple major scale can be made to sound lyrical by doing such things as altering dynamics, loosening the time feel by allowing the pulse to ‘breathe’, or even altering your technique to vary your tone across the phrase.
In this installment, we will get back to the pursuit of increased dexterity and endurance, and we will focus this time on the plucking hand. One approach that will help to refine your right hand technique is the strict use of alternation with your picking fingers. Just as when you walk down the street you alternate your feet (left, right, left, right), the same approach can be adapted to your plucking fingers (1, 2, 1, 2, etc… or 2, 1, 2, 1, etc…). For those of you that use a pick exclusively, this approach can be adapted just as easily; the only difference is that you will look at your picking upstrokes and downstrokes as corresponding to the movements of the 2 plucking fingers, 1 and 2. Alternation is important because it evenly splits up your right hand workload evenly amongst your picking fingers, thereby making your picking more efficient and promoting economy of motion. Regardless of whether you use two, three, four (or more!) picking fingers, alternation is a key concept that will help you to be more proficient.
For the exercises in this installment, remember that you are to alternate your plucking fingers without any deviation, whatsoever. This will most likely require some very focused attention; I have found in the past that sometimes the best way to monitor your consistency is to practice in front of a mirror or with your eyes focused on your plucking hand. Keep in mind that our momentary concern with alternating perfectly is only a practice routine tactic designed to maximize the effectiveness of these drills. The idea is that the consistency and confidence we develop in the shed will work its way into our performance playing automatically. Let me stress that IT IS NOT IMPORTANT that you alternate perfectly when you perform on a gig or play a set of tunes. The intention is to build more headroom into our performance potential so that we are not at all hindered by technical limitations. Your goal should be complete freedom in spontaneous musical expression.
Example 1
When you practice alternation exercises, try to avoid “raking” as you move from higher pitched strings to lower. Raking is when you “brush” from the last note played on a higher string to the first note played of the next lowest string, resulting in the same finger being used to play 2 or more successive notes. (See example above)
Although it is a useful technique on its own, try not to use it at all when you are working exclusively on your alternation. This way you will develop full independent control over both techniques, and subsequently choose the best method for the job in various performance situations. Keep in mind we’re not trying to eliminate raking from your technical repetoire, just developing an independent skill through alternation.
Practicing Using Permutations
One great way to develop your alternation is to practice exercises that involve moving across the strings using deliberate, challenging movements. A very simple approach that can be developed further into more complex examples involves the use of fretting hand fingering permutations that assign one finger per fret. Using a one finger per fret approach in a closed position, we can come up with 24 different fingering permutations that we can use to practice our alternation:
1-2-3-4
1-2-4-3
1-3-2-4
1-3-4-2
1-4-2-3
1-4-3-2
2-1-3-4
2-1-4-3
2-3-1-4
2-3-4-1
2-4-1-3
2-4-3-1
3-1-2-4
3-1-4-2
3-2-1-4
3-2-4-1
3-4-1-2
3-4-2-1
4-1-2-3
4-1-3-2
4-2-1-3
4-2-3-1
4-3-1-2
4-3-2-1
Note: The numbers in each permutation correspond to the fingers on your plucking hand. Numbers 1, 2, 3 and 4 represent your index, middle, ring, and pinky fingers, respectively.
Okay… Let’s get started! We will play through every permutation while moving across the strings in both ascending and descending directions. Let’s go over how we would approach practicing through each of these…
To begin with, place your fretting hand at a median location on your neck, for example, in 5th position. (5th position is where your left hand first finger is lined up with your 5th fret.) Now simply lay your fretting hand fingers on the neck so that you are in a one finger per fret position. (see above)
Exercise 1
Our first permutation will be: 1-2-3-4, which we will play using the basic hand position shown in figure 1. Keep in mind that your plucking hand fingering needs to alternate 1-2-1-2-1-2, etc. without deviation until you complete the permutation across all strings and back. This is demonstrated in exercise 1 above.
NOTE: If you are playing a bass that has 5 or 6 strings or more, extend these exercises so that you are playing the permutations across ALL of your strings, both ascending and descending.
The next permutation, 1-2-4-3, is illustrated in exercise 2 on the next page.
Exercise 2
Now that the basic approach has been shown to you, practice playing through each of these permutation exercises with a metronome or drum machine, making use of strict 1-2 alternation with the plucking hand and a smooth legato feel with the fretting hand. For each permutation, first choose a moderate tempo that is slow enough for you to play the exercises perfectly. I would suggest only increasing tempos only after you can play all 24 of the exercises without any errors in execution or fingering. Here are some suggestions for target tempos:
starting tempo: 60 bpm
target tempo: 120 bpm
practice duration: 30 min
These are merely suggestions to get you started, based on an average beginner’s level of technical ability. Feel free to change these to suit your own level. However, if you need to either slow down or speed up the targets, do so in a manner that allows you to play correctly and still be challenged.
Some final points to consider:
-Pay strict attention to what your plucking hand is doing as you work through these. It is easy to deviate from a steady 1-2 alternation with the plucking hand if you do not keep your eyes focused on it.
-If you are having trouble putting both hands together at first, focus on only one hand at a time, paying strict attention to the problem areas. Work them out one component at a time, and then slowly bring your two hands together, playing broken down versions of each permutation and then gradually building. For example, don’t try to play across all four strings until you can successfully and consistently play over one.
-In case you haven’t guessed already, you should ultimately be able to lead with either finger if you want to be effective with this technique. Most of us who have worked on this in the past may already be in the habit of starting with the same finger each time we begin to alternate. However, this will eventually expose some limitations when we start to get into more challenging passages that require changes in our fingering.
Until next time, practice hard and have fun!
Positive Grid launches Spark 2, the next evolution of their cutting-edge smart guitar practice amplifiers and Bluetooth® speakers.
Engineered for acoustic, electric guitar, and bass, Spark 2 delivers an immersive practice and playing experience. Enjoy detailed sound and an all-new upgraded speaker design powered by Positive Grid’s exclusive Sonic IQ Computational Audio technology. With an onboard creative looper, optional battery power, and intuitive AI features for tone exploration and practice, Spark 2 is the gateway to a musical experience that goes beyond expectations.
Proprietary Audio and Advanced Technology
Spark 2 represents a leap forward in amplifier design. It integrates a new DSP amp modeling engine with double the processing power, and at 50 Watts, it packs 25% more volume than the original. Positive Grid’s proprietary Sonic IQ Computational Audio delivers incredibly detailed and dynamic sound. New HD amp models, enhanced by multi-band dynamic range compression and virtual bass augmentation, redefine the sonic landscape.
Equipped with two premium FRFR speakers and reflex ports, Spark 2 offers wide stereo imaging and broader frequency response, ensuring refined bass and clear, immersive sound.
Built-In Creative Looper
Spark 2’s built-in Groove Looper features hundreds of hyper-realistic drum tracks. From basic loops to multi-layered soundscapes or the ultimate jam session, this intuitive tool inspires endless creativity. Onboard amp controls provide quick, on-the-go looping functionality.
AI-Powered Tone and Smart Jam
Spark AI revolutionizes tone exploration. Describe any desired tone in the Spark app – from practical to outlandish – and Spark AI will suggest tones to audition or download. The more it’s used, the smarter it gets, delivering the perfect sound.
Additional smart features make it easy to practice, learn new songs and improve playing skills. Smart Jam listens to the user’s playing style and generates accompanying bass and drum parts, while Auto Chords analyzes any song streamed and displays the guitar chords in real time, to make learning and practicing new songs easier than ever.
Enhanced Hardware Design and Portability
Spark 2 allows for storing up to eight customizable presets directly on the amp for quick access to favorite sounds. Perfect the tone with large, visible onboard controls for looper, EQ, gain, reverb, and more.
Designed for convenience, an optional rechargeable battery provides up to 12 hours of playtime for on-the-go sessions. The new double-thick strap and durable build ensure easy and secure transport. Spark 2 is also Bluetooth® ready, allowing for music streaming and jamming along with favorite tracks anytime, anywhere.
Multiple Outputs and Advanced Features
Spark 2 offers versatile connectivity with a headphone out for private practice, stereo line outs for external audio sources, and a USB-C port which enables it to function as an audio interface. WiFi-enabled, Spark 2 allows convenient over-the-air firmware updates, keeping the amp up to date with the latest features and improvements.
“I’ve used a ton of practice amps while touring the world for over 38 years and it was always just a technical, bland exercise,” says guitar virtuoso, singer-songwriter and producer Nuno Bettencourt. “Spark 2 is like taking Madison Square Garden wherever you go – epic and versatile.”
Color Options
Available in Pearl or Black finish with a dark weave grille and premium finish.
Special Event, Upgrade Pricing & Availability
Join the special live premiere event featuring Nuno Bettencourt and surprise guests on August 1, 2024, at 8:00 am PT/11:00 am ET. Visit positivegrid.com/pages/livestream for more details and to sign up for a reminder.
Regularly USD $299, Spark 2 will be available at special early bird pricing during the pre-order period. Registered Spark 40 owners can also receive exclusive upgrade pricing.
For more information and to sign up for pre-order alerts, visit positivegrid.com/products/spark-2.
A review of the Joyo Gloam – Sub Octave Fuzz Pedal for Bass
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
Introduction: The Joyo Gloam is a sub-octave fuzz pedal specifically designed for bass players, combining modern sub-octave effects with rich fuzz tones. With two independently controlled circuits, the Gloam aims to provide a versatile range of sounds, from deep, aggressive fuzz to Moog-like synth effects. This review will explore the Gloam’s specifications, controls, and overall performance, highlighting both its strengths and areas for improvement.
Specifications:
- Dimensions: 130 * 110 * 50 mm
- Weight: 403g
- Working Voltage: DC 9V
- Controls: The Joyo Gloam features a comprehensive control set designed to provide bassists with a wide range of tonal options:
- Dry Tone: Adjusts the tone of the clean signal.
- Dry Volume: Controls the volume of the clean signal.
- Sub Octave Volume: Adjusts the volume of the sub octave signal.
- Gain: Controls the amount of gain in the fuzz circuit.
- Fuzz: Adjusts the intensity of the fuzz effect.
- Bass: Controls the bass frequencies in the fuzz circuit.
- Treble: Adjusts the treble frequencies in the fuzz circuit.
- Fuzz Mode Switch: Switches between two different fuzz modes.
- Dry Tone Frequency Switch: Selects between two different frequency points for the dry tone.
Performance: The Joyo Gloam excels in its dual-circuit design, offering both a sub octave and a fuzz channel that can be controlled individually. However, it’s important to note that the octaver cannot be used without the fuzz circuit activated; the only way to solo the octaver is by turning down the fuzz while both channels are engaged.
Fuzz Circuit: The fuzz circuit includes standard controls such as gain, volume, bass, and treble, along with a fuzz mode switch that toggles between two distinct fuzz modes. While one of the fuzz modes is highly usable and delivers a rich, aggressive tone, the other mode falls short and is less practical for most applications.
Octaver Circuit: The octaver circuit features controls for sub octave volume, clean volume, and clean tone, along with a dry tone frequency switch that provides two different frequency options. This allows for significant tonal versatility, enabling bassists to fine-tune their sound to match their preferences. Despite its limitation of being tied to the fuzz circuit, the octaver produces a deep, balanced sound that stands out.
Combined Effect: When used together, the fuzz and octaver circuits create a wide range of sounds, from classic, aggressive fuzz to synth-like tones reminiscent of a Moog synthesizer. This combination makes the Gloam a powerful tool for bassists seeking to experiment with their sound and achieve unique, textured tones.
Pros:
- Versatile Controls: Extensive control options for both fuzz and octaver circuits.
- Rich Tones: Delivers deep, aggressive fuzz and balanced octaver sounds.
- Sturdy Construction: Durable build quality ensures reliability.
- Wide Range of Sounds: Capable of producing everything from classic fuzz to synth-like effects.
Cons:
- Unusable Fuzz Mode: One of the fuzz modes is less practical.
- Dependent Octaver: Octaver cannot be used independently of the fuzz circuit.
Conclusion: In conclusion, the Joyo Gloam sub-octave fuzz pedal offers a versatile and powerful option for bassists looking to expand their tonal palette. Despite some flaws, the Gloam delivers impressive sounds and flexibility. Its combination of rich fuzz and deep octaver tones, coupled with a sturdy construction, makes it a valuable addition to any bassist’s pedalboard. For those seeking a modern bass distortion with the added depth of sub-octave effects, the Joyo Gloam is a compelling choice for a very compelling price.
Visit online at joyoaudio.com/product/281.html
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Behind the Strings – Jim’s Corner…
D’Addario & Co. proudly announces the launch of “Jim’s Corner,” a captivating new YouTube series telling the 400-year-old story of the D’Addario family creating the world’s largest music accessories company. This series features Jim D’Addario, Founder and Director of Innovation at D’Addario and Co., sharing his family’s remarkable journey from 17th century Italy to a 21st century global enterprise.
In the first four episodes now available, Jim D’Addario takes viewers back to the beginning, making strings from animal guts and knotting ukulele wire as a family around the television. Countless generations carried the passion forward until the 1970s when the company made it official and never looked back. Jim recounts the creation of strings that inspired legendary riffs, including one by The Who, the launch of Darco strings, the merger with Martin Guitars and the company’s humble beginnings with his wife, Janet and brother, John. Jim D’Addario’s firsthand accounts provide an intimate and personal perspective on the milestones and challenges that shaped D’Addario into the revered brand it is today.
Episode Highlights:
- Episode 1: The Early Days in Italy and the Move to America
- Episode 2: Inspiring Iconic Riffs and Legendary Partnerships
- Episode 3: Launching Darco Strings and Merging with Martin Guitars
- Episode 4: Building the D’Addario and Co. Legacy
Watch & Subscribe Now:
Join us in celebrating this incredible legacy by watching the first four episodes of “Jim’s Corner” on YouTube. New episodes will drop every month so please subscribe to our channel to ensure you don’t miss any future episodes and exclusive content from D’Addario & Co.: www.youtube.com/@daddarioandco
Gear News
Gear News: Aguilar Amplification Unveils Limited Edition NYC Gold Skyline Tone Hammer Preamp
Aguilar Amplification announces the release of the Limited Edition NYC Gold Skyline Tone Hammer Preamp pedal. Hand serialized 1-100, this exclusive edition celebrates Aguilar’s deep roots in New York City with a tribute to its iconic landmarks and vibrant spirit.
Born in the heart of NYC and raised on the road, the Tone Hammer Preamp DI has been an indispensable tool for bassists seeking inspiring tone and versatility. The new Limited Edition Gold NYC builds on this legacy with striking custom graphics encapsulating the essence of New York City. Featuring iconic landmarks from the Statue of Liberty to the Empire State Building, this pedal is not just a tool, but a piece of art embodying the soul of the city. Each unit features a sharp platinum silkscreen over a stunning matte gold sparkle finish, that is as visually captivating as it is sonically powerful.
The Tone Hammer is an essential preamp/direct box for every bassist’s toolbox. The Tone Hammer features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer’s pristine D.I. players are set for either studio or stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure and EQ with the “stomp” of a button. You can go from modern slap sounds to vintage or overdriven. 18-volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles. Separate gain and master controls allow players to dial in just the right gain structure for any instrument.
Aguilar Amplification’s Jordan Cortese adds, “With only 100 hand-numbered units available, this third iteration of our NYC edition Tone Hammer is a collector’s dream. “It’s a homage to our city’s monumental influence on music and culture and celebrates the craftsmanship and the story of Aguilar”.
Street price: $299.99 For more information, please visit www.aguilaramp.com
Gear News: Future Impact V4 Guitar & Bass Synth Now Available in the U.S.
Interview With Barker Bass’s Inventor and Writer Lee Barker
Working-Class Zeros: Episode #4 – Boutique and Vintage Basses, Dress Code for Summer Gigs
Gear News: Ibanez & Graph Tech Launch Multi-Scale Bass with Cutting-Edge Tuning
Album: John Entwistle, Rarities Oxhumed – Volume Two
July 22 Edition – This Week’s Top 10 Basses on Instagram
Gear News: Positive Grid Launches Spark 2
Gear Review: Exploring the Joyo Gloam – Sub Octave Fuzz Pedal for Bass
Alberto Rigoni On Unexpected Lullabies
