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Bass Videos

The Legends of Funk and R&B – the Sixties With Mark von Bergen

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Meet Mark von Bergen

Clearly the most important instrument in funk and R&B music – OK, together with the drums – is the electric bass. While Leo Fender first introduced the electric bass in 1951, it wasn’t until about ten years later that the instrument started making an impact in popular music, thanks to James Jamerson, session bassist for Motown Records in Detroit. Following in the footsteps of Jamerson were many notable bassists, most of whom at the time were uncredited and unknown.

In this edition, we will explore legendary funk and R&B bassists of the 1960s. In a past column, we covered the bassists for James Brown, including Bernard Odum, Tim Drummond, and Charles “Sweets” Sherrell, who provided the foundation of funk in the Sixties for the Godfather of Soul. But there are many others who provided some of the most memorable basslines in popular music during the decade. Some of the most prominent are featured here.

James Jamerson

Jamerson is widely credited as the man who brought the electric bass into the forefront of popular music. He played on countless seminal recordings, backing such artists as Stevie Wonder, the Supremes, the Four Tops, Marvin Gaye, the Temptations, and Junior Walker. Surprisingly, Jamerson plucked the strings using only his index finger, known as “the Claw.” This technique can be seen on this very rare appearance of Jamerson on video, backing Marvin Gaye on “What’s Going On?”

Duck Dunn

Donald “Duck” Dunn was a member of Booker T and the MG’s, which served as the house band at Stax Records in Memphis. There he backed such artists as Otis Redding, Wilson Pickett, and Sam & Dave, as well as holding down the bass chair in the MG’s, known for instrumental hits like “Green Onions” and “Hip Hug Her.” In 1977, he joined John Belushi and Dan Ackroyd as part of the Blues Brothers Band, and can be seen in the “Blues Brothers” movie. Here he is with Booker T’s band.

Jerry Jermott

A large influence on players such as Jaco Pastorious (listen to Jaco’s “Come On Come On Over” and “The Chicken”), Jerry Jermott played on many important records of the Sixties and Seventies. He came into prominence when he joined King Curtis’s band in the late Sixties, culminating in the recording of two of the greatest R&B records of all time – “King Curtis Live at the Fillmore West” and “Aretha Franklin Live at the Fillmore West.” One of his most well-known basslines can be heard on B.B. King’s “The Thrill is Gone.” Here he performs “Memphis Soul Stew” with King Curtis.

George Porter, Jr.

George Porter Jr. co-founded the Meters in 1965 and remains today the most respected practitioner of New Orleans funk bass. Porter has also backed the likes of Dr. John, Maceo Porter, David Byrne, and Paul McCartney. In this video, he is seen with the Meters in 1974.

Bass Videos

Interview With K3 Sisters Band

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Interview With K3 Sisters Band

K3 Sisters Band Interview…

It is very rare when I talk to a band where all the members play bass. The K3 Sisters Band is a perfect example of a group where Kaylen, Kelsey and Kristen Kassab are all multi-instrumentalists and take turns playing bass.

Hailing from Texas, these three sisters have been playing music since they were very young and have amassed an amazing amount of original music,  music videos, streaming concerts, podcasts, and content that has taken numerous social media platforms by storm. On TikTok alone, they have over 2.5 million followers and more than a billion views.

Join me as we hear the story of their musical journey, how they get their sound, and the fundamental principles behind these prolific musicians.

Here is the K3 Sisters Band!

Photo, Bruce Ray Productions

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Bass Player Health

What is a Pinched Nerve? with Dr. Randy Kertz

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Dr Randal Kertz - Bass Player Health - Oct 2022

What is a Pinched Nerve?

In this month’s video, we will cover how to tell if you have a pinched nerve and when to seek professional help.

Dr. Randall Kertz is the author of The Bassist’s Complete Guide to Injury Management, Prevention and Better Health. Click here to get your copy today!

The Bassist’s Complete Guide to Injury Management, Prevention & Better Health

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Bass Videos

Interview With Bassist Danielle Nicole

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Interview With Bassist Danielle Nicole

Bassist Danielle Nicole…

Blues music has universal appeal. We all have our ups and downs and this particular musical genre often fits our reality. Just hearing that we are not alone makes us feel a bit better. 

Danielle Nicole writes and sings the Blues. She does an amazing job at delivering both exquisite smoky vocals but plays just the right bass line to drive the tune home. Danielle recently released “The Love You Bleed” last January and will be touring the album this upcoming year.

Join me as we learn about Danielle’s musical journey, how she gets her sound, her plans for the future and more.

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Photo, Missy Faulkner

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Bass Videos

Working-Class Zeros: The Struggles of Working-Class Musicians – Episode #1

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WORKING-CLASS ZEROS With Steve Rosati and Shawn Cav

Working-Class Zeros: Episode #1 – Gig Triangle, Day Gig, and It’s Awesome But Is It Necessary…

These stories from the front are with real-life, day-to-day musicians who deal with work life and gigging and how they make it work out. Each month, topics may include… the kind of gigs you get, the money, dealing with less-than-ideal rooms, as well as the gear you need to get the job done… and the list goes on from there.” – Steve the Bass Guy and Shawn Cav

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Bass Edu

Premiere! Bass Playthrough With Foetal Juice’s Bassist Lewis Bridges – From the Album, Grotesque

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Premiere! Bass Playthrough With Foetal Juice's Bassist Lewis Bridges - From the Album, Grotesque

Premiere! Bass Playthrough With Foetal Juice’s Bassist Lewis Bridges – From the Album, Grotesque

Bassist Lewis Bridges Shares…

“Gruesome’s sparse intro marks a stark contrast from the intensity of the rest of the album.  The original intention was to keep the bass simple but colourful, however as I worked on it, the lines grew more expressive and the more striking flourishes began to emerge.  The intensity builds into a harmonic minor passage that takes us into the drop — a signature death grind cacophony.  This is where Foetal Juice thrives.  You’re getting a full-on right-hand barrage to in the face to take you into a groove-laden mulch-fest.

I owe my throbbing bass tone to the Darkglass Alpha Omega pedal borrowed from our sound engineer, Chris Fielding (ex-Conan), mixed with the clarity of the tried and true Ampeg SVT CL.

As mentioned earlier, colourful basslines are important, especially in a one-guitar band. Chucking some funny intervals and odd flourishes here and there brings life into the brutality. There’s no point sounding brutal if it’s not gonna be fucking evil too!

Recording this playthrough was hard work. This was not the fault of James Goodwin (Necronautical), who was kindly filming and is ace to work with, but because in true Foetal fashion, we had stinking hangovers — and that jam room was hot!”

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