Latest
Be Honest… Be Yourself! By Igor Saavedra
Hi my friends…. as I write this, it is 7am… my eyes wide open in my hotel room, not being able to sleep too much perhaps because of the excess of endorphins circulating in my body after sharing an amazing and exciting musical experience at the London Bass Guitar Show 2013!
While performing and getting all the wonderful feedback from the British audience, a little idea (that BTW cost me a wrong note ha-ha) came into my mind, so I “stored” it in order to be able to develop it ASAP in the form of a new article for you guys… so here I am in my bed typing on my iPhone.
It’s amazing how many awesome bass players are spread all over the world; I have the opportunity to see them often, in all the bass shows I’ve been able to participate… but have you asked why so many do not really succeed? In fact, if you analyze this issue carefully, you’ll see that the success pyramid is crudely unforgiving.
The core of the analysis, in my humble opinion, has to be focused on that very special moment when a musician is aware that they have already achieved a really good level of professionalism and proficiency on relevant musical aspects, like technique and musical theory knowledge, and still sees that nothing really successful is happening with his/her career… and to be honest, on most occasions will never “happen”.
So, what’s missing????
Based on my experience, which is just “my experience” and it’s not proposed as any dogma or any official truth, the most difficult aspect to achieve as a musician is not being awesomely good and skilled but “Being unique and original”. Don’t come to the conclusion that this means you just need to be unique and original in order to succeed, because this is something you should be able to “add” to your fundamental musical knowledge and technical abilities.
Every human being is a completely new and different universe on his own, so why this appears not so clearly exposed (so to say) when we see and listen to tons of musicians, and on this specific case, when we see and listen to tons of excellent bass players?
I think that the explanation is quite simple, and it’s because we the musicians, and every artist must learn to let our most profound being flow and pass through our music, pure and untouched. In order to achieve that, in a certain point of our career, we must be able to get to a solid and meaningful conclusion about “Who we are”, and to begin, we should start seriously asking ourselves that fundamental question… if we don’t do that, the chances of coming up with a useful answer are really few.
As you can see, Mother Nature has already done half of the job for you! You are already a special and unique being, the only thing you have to do now is “find yourself within you”, and then immediately establish a direct connection between that ‘finding’ and the very essence of your music and your scenic performance, because in my opinion, if an artist never does so, he/she will always be that un-honest being, showing and sharing something that really does not belong to him/her, but to others that were there before them, instead of using it as a tool for creating new ideas and new concepts, which is something profoundly different.
When it comes to music and bass and achieving successfulness, you MUST be creative…. you MUST be honest with your ideas, concepts and performances…. and most important, you MUST be yourself!
See you on the next folks…
Latest
20 April Edition – This Week’s Top 10 Basses on Instagram
Check out our top 10 favorite basses on Instagram this week…
Click to follow Bass Musician on Instagram @bassmusicianmag
FEATURED @kilianduartebass @meridian_guitars @adamovicbasses @marleaux_bassguitars @jcrluthier @sandbergguitars @ibanezuk_official @dingwallguitars @torzalguitars @ariaguitars
Latest
April 13 Edition – This Week’s Top 10 Basses on Instagram
Check out our top 10 favorite basses on Instagram this week…
Click to follow Bass Musician on Instagram @bassmusicianmag
FEATURED @bacchusguitars @franz.bassguitars @mendesluthieria @ramabass.ok @meridian_guitars @adamovicbasses @shukerbassguitars @fantabass.it @andys_vintage_guitars @valdesbasses
Latest
April 6 Edition – This Week’s Top 10 Basses on Instagram
Check out our top 10 favorite basses on Instagram this week…
Click to follow Bass Musician on Instagram @bassmusicianmag
FEATURED @murraykuun_guitars @ja.guitars @combe_luthier @overloadguitars @kevinhidebass @franz.bassguitars @indra_guitars @petercrowdesign @baboomin_bass @jcrluthier
Latest
Mar 30 Edition – This Week’s Top 10 Basses on Instagram
Check out our top 10 favorite basses on Instagram this week…
Click to follow Bass Musician on Instagram @bassmusicianmag
FEATURED @sandbergguitars @benevolent_basses @rayriendeau @olintobass @wonkorbasses @bite.guitars @adamovicbasses @maruszczyk_instruments @skervesenguitars @ramabass.ok
Features
Melissa Auf Der Maur: Music, Bass, Gear, Hole, New Memoir, and More…
Photo: Self-portrait by Melissa Auf Der Maur
Melissa Auf Der Maur is a Canadian bassist who played with Tinker, Hole, and The Smashing Pumpkins. She released her own work and is a photographer with photos published in Nylon, Bust, and National Geographic. She released her ‘90s Rock Memoir “Even The Good Girls Will Cry” on 17 March 2026.
KB: Did you always want to be a singer-musician growing up?
I’ve played music my whole life. In school, I played trumpet and sang in a children’s choir, so music was always within me. My mother was the first female disc jockey on the Montreal airwaves; her record collection played a huge role in my inspiration and love of music.
KB: When did you start playing bass, and why this instrument?
When I was 19, the early 90s music explosion began to percolate in tiny clubs around the world. I was lucky to be a ticket girl at Montreal’s underground music club. In one year, I saw Hole, Sonic Youth, Smashing Pumpkins, White Zombie, and The Breeders – all had female bass players. That’s when the seed was planted. By the age of 22, I was the bass player of Hole.
KB: Which brands of basses have you used in your career, and which one are you using now?
The first bass that I learned on was a vintage Squier Precision. Hole was sponsored by Fender guitars, so I upgraded to Fender Custom Shop Precisions. That is all I play, but I have a cool vintage 8-string Greco that I use on recordings to thicken up guitar parts.
KB: What equipment do you use or have you used with your basses?
Ampeg SVT amps and cabinets, a couple of Sans-Amp pedals, and that is it.
KB: How did you become a member of Hole, and what is your fondest memory of that time?
Billy Corgan of the Smashing Pumpkins was helping scout a replacement for (RIP) Kristen Pfaff, Hole’s bass player. My band, Tinker, opened for them on the Siamese Dream tour, so Billy had seen me play and could vouch for me. Courtney trusted her talented friend, and that was it. I initially said “no thank you” due to my commitment to my photographic studies and the drama and chaos surrounding the band during the “Live Through This” album release. Courtney took it as a good sign that I said no, so convinced me to reconsider, and soon after, I accepted their invitation, in the name of helping put females in the male-dominated landscape of rock music. My fondest memory is every show we played as a mostly female band, symbolizing what a woman could do in a rock band. Every show had a purpose: get more women to play music.
KB: You are a photographer as well. What makes a great picture? Do you shoot in color or b/w?
I started shooting photographs at age 15. Initially only shot black & white and worked in the art school darkroom. In university, I took a color photography course, and shifted mostly and forever to that, because it was easier to process film on the road when I joined a rock band. I experimented with many cameras, point and shoots, manual, polaroids, medium format, and vintage finds. The trick to a good photograph is to shoot many and all the time – the magic is in the edit and selection process.
KB: Are there artists you would love to collaborate with or wish you had?
??I’ve been lucky to collaborate with some of my favorite musicians in my career. I would still love to collaborate with a new generation heavy electronic artist on an analog bass, heavy electronic drums, and synths collaboration project. Take me out of my usual zone, merging the past and future: my love of 80s dark new wave and new artists exploring that genre. It was very futuristic back then, and we are now, after all, living in the future. I am in the mood to play bass to heavy beats I want to dance to.
KB: What are your 7 favorite bass lines in music across all genres? And why these 7?
“Mountain Song” – Jane’s Addiction (love a rambling, rolling bass line – feels like the ocean waves)
“Black Top – Helmet” (was the first bass line I taught myself)
“Gold Dust Woman” – Hole from “The Crow 2” Soundtrack (it was my first bass line contribution to the band)
“Get Ready” – The Temptations (Motown just feels so good, because of the bass)
“Lucretia My Reflection” – Sisters of Mercy (makes me want to hit the dance floor and play bass simultaneously)
“Be My Druidess” – Type O Negative (full chord bass playing at its best by iconic, demonic, Peter Steele, RIP)
“Romantic Rights” – Death from Above (1979 – unique distorted overdriven tone, combined dance rhythm and melodic intelligence, all in one shot – also! Shout out to a bass & drum only band, which is awesome, and we should have more of, but the bass player needs to be a killer to fill that role.
KB: What are you currently up to?
Releasing my ‘90s Rock Memoir “EVEN THE GOOD GIRLS WILL CRY”. Visceral healing process, it was to get it out of me and write it, but I suspect the real magic will begin by putting it into the world and reflecting with others on what the magic of the ‘90s was all about. Powerful music decade that carried us into what is now a brave new world of digital corporate weirdness – may the past shed a light on our future. That’s my hope for this book release and tour.
Visit online:
Official Website
Facebook
Instagram
YouTube
Spotify
