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New Album – Brian Bromberg Celebrate Me Home: The Holiday Sessions

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New Album - Brian Bromberg Celebrate Me Home: The Holiday Sessions

Brian Bromberg Celebrate Me Home

World-Renowned Bassist and Producer Brian Bromberg Celebrates Being Home – and Nowhere Else – for the holidays with New Album, Recorded in Quarantine – Celebrate Me Home: The Holiday Sessions.

The album Features an Eclectic Mix of Songs in a Wide Array of Styles, with an All-Star Cast Including Najee, Everette Harp, Maysa, Elan Trotman and Chris Walker.

For a virtuoso jazz bassist and world-renowned producer, quarantined in his Southern California home during a global pandemic and contemplating an uncertain future, the holidays would seem to be the last thing on one’s mind.

The chameleonic Brian Bromberg has never been one to follow the expected path, however. With live gigs canceled and the opportunity for collaboration complicated by social distancing, Bromberg virtually assembled a stellar cohort of musicians to celebrate the most wonderful time of the year on Celebrate Me Home: The Holiday Sessions.

Available now on Artistry Music/Mack Avenue Music GroupCelebrate Me Home takes its title from the Kenny Loggins classic, co-written by Bob James, which feels all the more poignant given our current circumstances. Gorgeously expressed by vocalist Chris Walker, the song achingly captures the yearning for a return to familiar surroundings and loved ones that many of us are feeling right now, regardless of the season.

“It’s an incredible song, and it absolutely fits this moment,” Bromberg says, admitting that tackling beloved Christmas songs in isolation made for an unusual challenge. “We can’t go anywhere, we can’t do anything; we’re all stuck dreaming about all the things we’d rather be doing, the fun we’d love to be having, but we just can’t. So, we had to figure out how to create a vibe and an experience while we’re stuck in this weird place. On the flip side of that, I don’t think this record would have happened the way that it did had I not been in quarantine. This made it possible to take a dark place and turn it into a light place, which became my saving grace.”

The album’s joyous spirit belies the conditions under which it was created. The sessions were conducted piece by piece, with each musician contributing from their home studio, or in isolation at a studio of choice. To transcend those limitations, Bromberg invited an all-star roster of special guests: vocalists Walker and Maysa, saxophonists Everette HarpElan Trotman and Gary Meek, flutist Najee, guitarist Ramon Stagnaro and steel pan master Kareem Thompson. They join a remarkable band of longtime collaborators that includes keyboardist Tom Zink, guitarist Ray Fuller, saxophonist Andrew Neu, drummers Tony Moore and Joel Taylor, and percussionist Alex Acuña.

Longtime Bromberg fans have become familiar with the versatile bassist’s whiplash shifts in style and approach from one project to the next over the course of his four-decade career.

His recordings span big band swing and smooth jazz, Latin rhythms and tender balladry, raucous funk and blistering rock (the holiday album’s release, in fact, coincides with the remixed and remastered reissue of his 2012 album Bromberg Plays Hendrix, a muscular tribute to the late rock icon). But Celebrate Me Home brings Bromberg’s many facets together for a musical holiday party where jazz mingles with calypso and R&B meets swing under the mistletoe.

That stylistic diversity is in keeping with the eclectic choice of material on the album, which includes many of the expected Yuletide classics (“The Christmas Song,” “Deck the Halls”) but also such pop hits as Donny Hathaway’s “This Christmas” and Paul McCartney’s “Wonderful Christmastime,” José Feliciano’s “Feliz Navidad,” a smash hit that is rarely reprised, and a pair of heartfelt original compositions.

Bromberg is the first to admit that the idea of recording a Christmas album had never crossed his mind.

He had contributed to other artists’ Christmas albums, including projects by David Benoit and Brian Culbertson, and knew that radio was always hungry for new songs of the season as the end of the year came into sight. He was also urged to get into the spirit by his fiancée and her best friend, so eventually gave in and recorded a finger-snapping swing rendition of “Let It Snow,” featuring a duet between Walker and Maysa. “It was so much fun,” Bromberg says, “I decided to take this more seriously. It allowed me to be creative and jump into Latin jazz, big band jazz, swinging straight-ahead jazz, funky stuff and R&B jams, all on one record and get away with it.”

A smooth, soulful version of “This Christmas” opens the album, with Bromberg playing the silky melody on nylon-string piccolo bass. McCartney’s polarizing “Wonderful Christmastime” follows, with Bromberg tipping his Santa cap to the ex-Beatle’s legacy with an homage to “All You Need Is Love” in Andrew Neu’s horn arrangement. The entrance of sleigh bells segues into the wintry landscape of Bromberg’s first original, the warmly embracing “Let’s Go On a Sleigh Ride!”

The open fire roasts more than chestnuts on a romantic reimagining of “The Christmas Song,” while Bromberg gives “Jingle Bells” a cultural twist as a medley with “Dreidel, Dreidel, Dreidel,” along with the Barbados-born Trotman and Thompson’s steel pans transforming both songs into a tropical calypso culminating at the end in “St. Thomas.” Bromberg shows off his impressive drum skills as he sets the pace for a brisk, swinging hybrid of “Deck the Halls” and “God Rest Ye Merry Gentlemen” before slowing things down for the original ballad “Holidays Without You.” Stagnaro and Acuña add a Latin feel to “The Most Wonderful Time of the Year” and “Feliz Navidad,” while Bromberg’s acoustic bass and Neu’s baritone sax stand-in for Thurl Ravenscroft’s snarl on “You’re a Mean One, Mr. Grinch.”

For all of the improbabilities facing its creation, Celebrate Me Home ended up being a lively and deeply felt project of which Bromberg is deservedly proud. “The one thing that I hope people will hear on the record is honesty,” he concludes. “I really think you can hear that we’re all having fun and that my heart was in it, 100 percent.”

For more information, please visit BrianBromberg.net

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New Album: Iron Axxis, 2286

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New Album: Iron Axxis, 2286

Iron Axxis, 2286…

New York’s metal scene is growing and mighty, and bringing the genre to new heights is instrumental metal band Iron Axxis.

Iron Axxis is gearing up for the release of their forthcoming album 2286. Due out March 29, 2024, the album highlights the band’s unique progressive, guitar-driven songwriting. “The sound is closer to Dream Theater than Van Halen, but there are some neat tips of the hat to Eddie, with some playful bends and whammy bar horse whinnies, while the track also crosses into Vai-esque meditative phrases and Holdsworthian scalic runs.” (GuitarWorld)

The band states, “‘‘2286’ is our first full-length album release. The album blends the high-risk Influences of the ‘guitar & bass guitar virtuosos’ of yesteryear and looks into the future by incorporating modern metal.. for a futuristic take on ‘guitar music. The listener will hear that ‘2286’ runs deep with their favorite metal influences with badass heavy riffage, thundering bass lines, and monstrous drum grooves, all while exploring metal through a wide cinematic lens, which ultimately takes it up a notch to an untamed guitar universe. “

Iron Axxis was forged from a friendship between Anupam Shobhakar and Phil Duke, two metal heads. They have worked together on previous recording studio projects and were in Book of Harmony, which was signed to Sony affiliates. Hailing from Brooklyn, they began to develop Iron Axxis at their studio in 2022.

Visit online at ironaxxis.live

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New Solo Album: Derek Frank, Origin Story

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New Solo Album: Derek Frank, Origin Story

Former Gwen Stefani/Shania Twain Bassist Announces New Solo Album “Origin Story”…

Veteran session/touring bassist Derek Frank is thrilled to announce the release of his new instrumental album “Origin Story” on March 25th, 2024. 

Origin Story is Derek’s third album as a solo artist, and his second album project with multiple Grammy award-winning producer Jim Scott (Tedeschi Trucks Band, Tom Petty, Wilco, Sting, Red Hot Chili Peppers). He is joined by his touring band, which includes guitarist Joshua Ray Gooch (Derek’s longtime bandmate with Shania Twain), keyboardist Carey Frank (Social Distortion, Tedeschi Trucks Band), drummer Randy Cooke (Smashmouth, Brit Floyd), percussionist Demian Arriaga (Miley Cyrus, The Jonas Brothers), along with keyboardist Matt Rohde (Janes Addiction, The Chicks), guitarist Anthony King (Buffy Sainte-Marie), Vegas horn Section The Fat City Horns, featured guests Karl Denson (saxophone), Brent Mason (guitar), among others. 

After years of touring the world with artists such as Gwen Stefani, Shania Twain, Shakira, Air Supply, and others, veteran LA bass player Derek Frank decided it was time to take a slight detour from the life of a “hired gun” musician and focus on his own instrumental quintet. Described as “Seventies-Inspired Funky Instrumental Jams With Fewer Bass Solos Than You Would Expect”, Derek and his band blend funk, blues, soul, jazz, southern rock, and seventies soundtrack music into a genre all their own. 2020 saw the release of “Eleven Years Later”, Derek’s first solo album since his 2009 debut “Let the Games Begin…”, and now Origin Story is set for release on March 25th, 2024 on all download and streaming platforms. The 2-disc vinyl version (with bonus live tracks) will be available sometime in May 2024. 

In concept, Origin Story is an instrumental homage to Pittsburgh, Pennsylvania, the city where Derek was born, grew up, discovered his love for music, and decided what he wanted to be when he grew up. 

For more information, visit online at derekfrank.com 

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New Album: Tom Kennedy, New Start

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New Album: Tom Kennedy, New Start

Tom Kennedy, New Start…

Autumn Hill Records is pleased to announce the March 22nd release of Tom Kennedy’s New Start.  Autumn Hill Records is a worldwide leader in instrumental music, boasting 11 billion streams and counting, and Tom Kennedy ranks as one of the top electric and acoustic bass players on the planet.  The new album features the Grammy-winning and Modern Drummer Hall of Famer Dave Weckl, as well as performances from Eric Marienthal, Randy Brecker, Mike Stern, Bill Evans and others. It is the sixth solo album from Tom Kennedy.  New Start will be available digitally on all major streaming and download platforms March 22nd, 2024. 

Kennedy writes that “The legendary pianist Keith Jarrett once said of his recorded music, ‘If there were words to express it, there would be no need for the music.’ Ironically, Keith’s sentiment provided the perfect verbiage for describing the process I’ve experienced in creating the music for this album.  These compositions did not come to me in complete thoughts, but rather as bits and pieces of melody, harmony, or rhythm to build from, much as in a live improvisation.  A single note or chord could inspire a pathway to a new section or critical transition of a song, and at times a completely orchestrated idea would just pop into my head.  No method, no foresight…just the music.”

Kennedy’s musical roots were on the acoustic bass, an instrument he started playing at age 9 and took to so naturally that within a few years, he was performing with internationally known players such as Freddie Hubbard, James Moody, Nat Adderley, Sonny Stitt and Stan Kenton. At age 17, Tom would create a musical alter ego when he began playing the electric bass. Intrigued by the endless possibilities of the instrument, he began developing his now signature style best described as deep, soulful grooves merging seamlessly into acrobatic, horn-like soloing.

Gaining a reputation that soon traveled beyond his native St. Louis, Tom relocated to New York City, where he quickly gained work with multiple groups. Further accolades came through a recording with guitar great Bill Connors and tours with tenor saxophonist Michael Brecker in the world-renowned jazz-fusion group Steps Ahead. Additional tours and recordings with Brazilian pianist Tania Maria and guitarist Al DiMeola followed. In 1998, Tom became an integral part of Modern Drummer Hall of Famer Dave Weckl’s band, a group he toured, composed and recorded with for over nine years. Tom and Dave have continued to perform and record together on various of Tom’s own albums as well as projects for other artists, including Mike Stern, Didier Lockwood, Dave Grusin and Lee Ritenour.  They’ve been performing this music live for the last two years during tours of The Dave Weckl/Tom Kennedy Project.

Visit Online

www.autumnhillrecords.com
www.tomkennedymusic.com

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New Album: EZRA’s Self-titled Debut Album

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New Album: EZRA's Self-titled Debut Album

EZRA released their self-titled debut album with Adhyâropa Records…

Founded by award-winning composer and multi-instrumentalist Jesse Jones, EZRA is a collective of classical, jazz, rock, and bluegrass musicians focused on the creation of genre-crossing and style-inclusive new music. The ensemble consists of world-renowned mandolinist Jacob Jolliff, banjo virtuoso Max Allard, and bassist extraordinaire Craig Butterfield, with Jones on guitar- and keyboard-related instruments.

EZRA’s debut album EZRA includes nine works by Jones, and was recorded while Jones was on a one year sabbatical from his composition professorship at Oberlin Conservatory. Jones, who is also a luthier, used much of his sabbatical to build some of the instruments he plays on the album. He then invited longtime collaborator Butterfield, together with Jolliff and Allard, for an intense week of rehearsals and recording in Oberlin. It was the first time all four musicians had been in the same room, much less played together, but things fell into place from the first notes.

This speaks to the musicianship and camaraderie of all involved, but it is also due to the fact that Jones had been collecting these pieces for years, waiting for the right moment, and the right musicians. Jones says, “I sat alone in my living room for at least a decade playing through the dozens of compositions I had in my head. When I met Craig, who shared a lot of similar classical, roots, and folk interests, I decided to stretch myself and see if I could hang (musically) with a world-class musician like him. We hit it off, and from 2013 through 2019 we co-wrote and recorded three albums as a duo. I grew immeasurably as a musician as a result.”

Jones continues, “When the pandemic closed everything down, I found myself back in my living room, writing tune after tune alone with my instruments. In 2021, I fortuitously reconnected with an old friend, the phenomenal mandolinist Jacob Jolliff, and around the same time became acquainted with banjo wunderkind Max Allard. I jumped on the chance to get these guys together and record nine of the tunes I had lying around. The result was beyond what I could have imagined and was heaps of fun to rehearse and record.”

“Fabulous playing! So great to hear the next generation of string wizards dive in and continue the tradition forward.” — Mike Marshall

Jones began building instruments in 2020, studying with Alan Chapman of Chapman/Fisher Guitars. In the last year and a half, Jones has built a variety of instruments, including a quarter-tone Irish bouzouki, a 13-tone small instrument, a Pardessus, several steel string guitars, four classical guitars, two ukuleles, three mandolins (two of them experimental, single string designs), and a mandola.

On the track “Jarrah,” Jones plays the banjo-tuned guitar he built using jarrah wood, a deep red wood he particularly enjoys working with: “I have just a small block of it and used it for the rosette/headstock — when I got the instrument up and running, a tune fell from it into my hands, and I named it “Jarrah” after the wood.”

Jones explains that a lot of his compositions come about that way: “I play a lot of different instruments, and when I go down the rabbit hole on one of them (say the banjo in double C tuning), I tend to fall into several new tunes, almost by accident — Banjaleena, Dix-Neuf (at least the 4/4 melody part), Smoke in the Valley, and Garden Gate all came as I was searching and discovering new shapes and sounds on the banjo (the parts Max plays). “Cowboy Walks” just emerged from the first classical guitar I made.”

Though Jones wrote all nine compositions for the debut album, EZRA’s focus is centered around collaboration. Working up the arrangements together was part of the process (and the fun). Recorded and engineered by Paul Eachus at First Church in downtown Oberlin and mastered by Dave Sinko (Punch Brothers, Béla Fleck, Edgar Meyer), EZRA’s debut album captures lightning in a bottle.

EZRA is available on all services. For more information, visit online at ezraquartet.com

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New Album: Alberto Rigoni, Unexpected Lullabies

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New Album: Alberto Rigoni, Unexpected Lullabies

Alberto Rigoni, Unexpected Lullabies…

In an exhilarating revelation, the musical genius Alberto Rigoni has announced his latest masterpiece, “Unexpected Lullabies”, set to hit the airwaves on June 4th, 2024.

This album isn’t just any release; it’s a bold exploration of sound, merging the soothing essence of lullabies with the raw energy of rock-metal to create a musical hybrid that’s absolutely groundbreaking. Rigoni’s latest venture is a heartfelt ode to the circle of life, dedicated to newborns everywhere, symbolizing hope and the beautiful continuity of life with the poignant message: “There are no just tragedies in this world, life is going on!”

*A Stellar Lineup of Musical Legends*

What makes ‘Unexpected Lullabies’ even more exciting is the assembly of musical titans. The album features the legendary bassist Michael Manring, the keyboard wizardry of Alessandro Bertoni (of the Graham Bonnet Band) and Vitalij Kuprij (known for Artension and Trans-Siberian Orchestra), and many more yet-to-be-revealed guest artists.

Unexpected Lullabies is now available on pre-order from Shop Sliptrick at deadpulse.com/product/alberto-rigoni-unexpected-lullabies/

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