Bass Videos
‘Hustle’… Artist Update with Bassist Jon Von Boehm
Bassist Jon Von Boehm on his new album ‘Hustle’, featuring Aly Cutter.
On ‘Hustle’, expect the unexpected, in my opinion, should really be the name of the latest release from Bassist Jon Von Boehm; of course, I like the name “Hustle” just as much.
On this album, Jon isn’t afraid to take things outside the box. Being true to himself and his musicianship, he plays what he feels. So many folks put music and musicians into categories, which isn’t fair; musicians should be able to express themselves the way they feel, and that is what Jon has done on this release and he has done it extremely well.
As my friend Andy Poynter states, “Jon Von Boehm has not only taken the brave steps to release an EP in these tough times for any musician but he has also taken a dramatic change to the style we all know and love. The Masterful Bass is still there but his collaboration with Aly Cutter really works”.
On ‘Hustle’, Jon only uses bass, while you may find that hard to believe, that’s what it is.
Jon is a master at creating some of the coolest soundscapes with bass that I have ever heard, and these soundscapes are abundant and extremely well done. I can’t recall any bassists doing what Jon has done on this release. Are there bass-only releases only out there? Sure, there are a multitude of them, but I can’t recall any of them going to the extreme that Jon has with ‘Hustle’.
On top of doing all the bass, Jon has done all the drum and percussion programming. Enter Aly Cutter, a vocalist with a beautiful, angelic voice to add even more spice to an already, well, I am just going to say it, a magnificent work of art.
I got to sit down with Jon to talk about the new album and a favorite subject, gear…
My only disappointment with ‘Hustle’ is that it only has six tracks, being honest here, I want more.
From the smooth funk groove of “Bet You Can’t”, to the great grooving feel of “Spotlight” with Aly just adding more here with the feel of her performance on this one and right after the breakdown, that funky slap-groove we all know that Jon does very well. Let’s not forget “What You Need”, which has a very fitting tapping section, and “Maiden Fair”, which kind of reminds me a little of smooth Jazz. I have to say it, if I had to pick a favorite, which was hard to do, it would have to be “Spotlight”, which has a nice melodic bass solo (after all, it is a solo bass release – lol).
Jon Von Boehm always leaves me wanting more from him with his releases and we never will know what his next one will be, but I already expect the unexpected and I know Jon can deliver in that aspect. Who knows, maybe the next one will be a metal release! (hint hint)
You can check out Jon Von Boehm and Aly Cutter on: Spotify, Apple Music, iTunes, Amazon, Pandora, Deezer, Tidal, iHeartRadio, ClaroMusica, Saavn, Boomplay, Anghami, KKBox, NetEase, Tencent, Triller, Yandex Music, MediaNet and Shazam.
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June 2019: Interview with Bassist Jon Von Boehm
For more than six decades, the sound of the upright bass in modern jazz has carried the unmistakable authority, elegance, and intelligence of Ron Carter.
Recognized as the most recorded jazz bassist in history, Maestro Carter’s tone has become part of the very architecture of the genre.
From shaping the harmonic foundation behind countless landmark sessions to collaborating with many of the greatest jazz artists of our time, his artistry has both defined and expanded what the bass can be.
But beyond the staggering discography lies something even more enduring: dedication.
Maestro Carter has never stopped learning, never stopped refining, and never stopped listening. His commitment to excellence extends well beyond the stage and studio. As an educator and mentor, he has invested deeply in the next generation of bassists, setting a living example of discipline, curiosity, and musical integrity.
Now, in yet another inspired chapter of his extraordinary career, Maestro Carter joins forces with renowned choirmaster Ricky Dillard for a powerful gospel–jazz collaboration, Sweet Sweet Spirit, released February 6, 2026.
This project beautifully bridges sanctified soul and sophisticated swing, blending Carter’s masterful touch with Dillard’s uplifting choral brilliance.
The result is music that feels both reverent and rhythmically alive, deeply rooted, yet refreshingly expansive.
It is truly an honor to share this conversation with a living legend whose work continues to inspire musicians across genres and generations.
Here is Maestro Ron Carter.
Photo, Paul Rivera
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This month, we discuss right-hand techniques to minimize injury while playing bass.
Dr. Randall Kertz is the author of The Bassist’s Complete Guide to Injury Management, Prevention and Better Health. Click here to get your copy today!
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Adam Russell, bassist for Story of the Year, hasn’t slowed down for a second.
With the band’s latest album A.R.S.O.N. dropping on February 13, 2026, they’ve not only delivered new music but also pushed their creativity further through a series of visually striking videos, several of which Adam himself co-directed and edited.
In this interview, we dive into the making of the new record, explore how Adam shapes his signature bass sound, and get the inside scoop on the band’s upcoming Camp Screamo Tour with Silverstein and Origami Angel.
Here’s Adam Russell.
Photo: Ryan Stephens
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Get ready for a conversation with one of Southern rock’s enduring forces, Tim Neilsen. For over 35 years, Drivin N Cryin has been delivering a powerful blend of grit, melody, and heart, and they’re not slowing down anytime soon. With their brand-new album “Crushing Flowers” set to drop on April 10th, the band is gearing up for another exciting chapter.
At the core of that signature sound is bassist Tim Nielsen, whose driving grooves have helped define the band’s identity and earned them a place in the Georgia Music Hall of Fame.
In this interview, we sit down with Tim to talk about the new album, the secrets behind his unmistakable tone, and what lies ahead for Drivin N Cryin.
Here is Tim Nielsen.
Photos: Chris Neilsen, Carlton Freeman, Ted Lanthangue, and courtesy Tim Neilsen
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Oteil Burbridge & Lamar Williams Jr. Champion Love Over Hate in New Single “Hush” | New Album ‘The Offering’ Out May 1.
Bassist Oteil Burbridge and vocalist Lamar Williams Jr. continue the rollout of their forthcoming collaborative album The Offering, with the release of its second single, “Hush”. A slow-burning Southern soul meditation rooted in love, peace, and emotional clarity, the track is a centerpiece on the album with a potent, thematic statement, in Williams’ words to “block out all of that nonsense” and “remember that there is more love in the world than hate.” The full-length album arrives May 1 via Flóki Studios, recorded on Iceland’s northern coast and produced by drummer, engineer, and Soulive co-founder Alan Evans.
While much of The Offering grew out of Burbridge’s banjo-based writing, “Hush” emerged from he and Williams’ shaping a deliberate sonic vision. Burbridge says they were “trying to capture a more old school Memphis, Macon, Muscle Shoals vibe,” leaning into a Southern soul feel that fits Williams’s phrasing. The end result is a song that is unhurried with a deep pocket that allows the groove and the song’s message breathe and stand at the forefront.
The album features an all-star lineup of drummer John Morgan Kimock, percussionist Weedie Braimah, organist Melvin Seals of the Jerry Garcia Band, pianist and violinist Jason Crosby, guitarists Tom Guarna and Jaden Lehman — musicians whose overlapping histories connect the Allman Brothers Band, Dead & Company, the Jerry Garcia Band, Soulive, and West African percussion traditions.
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