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Debut Album: Afro-Andean Funk, The Sacred Leaf



Debut Album: Afro-Andean Funk, The Sacred Leaf

The Sacred Leaf Traces Shamanism, Indigenous Peruvian Culture, & Human Rights alongside the powerful, healing Coca Leaf…

The coca leaf is a sacred plant of the Andes with many healing powers revered for thousands of years in Andean culture. Often chewed while doing agricultural activities, the coca leaf has an important role in rituals where shamans make sacred requests to the leaf.

NEW YORK, NY – Latin Grammy® nominated Peruvian singer and producer Araceli Poma and bassist, composer, producer Matt Geraghty have just released (May 31, 2022) their debut album, The Sacred Leaf featuring their new band Afro-Andean FunkPoma and Geraghty were nominated for a Latin Grammy® in 2020 in the best Long Form Music Video category. 

Araceli Poma met Geraghty in a recording studio in Lima, Peru in 2019 while she was invited to be part of a documentary and album called ‘The Warrior Women of Afro-Peruvian Music.’Geraghty brought this music travel series to Peru to highlight emerging artists and discover hidden cultural treasures in the Americas. With a focus on Afro-Peruvian women artists, Geraghty and team invited nine distinguished singers and percussionists to be part of this historic all women recording and documentary. 

This serendipitous encounter between Geraghty and Poma would start a creative partnership leading to teaming up on a documentary in Puerto Rico and beginning to write new music together.

From that moment on, the two began to join forces to break cultural barriers and after two years of collaborating together and receiving a Latin Grammy® Nomination, a new band was born: Afro-Andean Funk, which made its debut in New York City in 2021.

Poma’s unique talent as a singer is equally matched by her talent as a producer. This is exemplified by Poma’s relentless work to bring Peruvian music to the world, documenting the legacies of the masters and creating platforms for women artists to share their stories and their struggles against racism and marginalization. 

Poma now takes a creative leap forward with Afro-Andean Funk and the result is a fresh new sound, blending roots music of the Andes and the Afro-Peruvian scene with electronica, funk and rock, alongside West African grooves.

“I am proud of my roots and I want Peruvian music to reach the whole world with our new sound,” exclaims Poma. “We are inspired as much by artists such as Susana Baca, Victoria Santa Cruz, David Byrne and Caetano Veloso as well as by Thom Yorke, Empire of the Sun, Herbie Hancock and James Brown.” 

“We don’t see any limits stylistically to our music so I think The Sacred Leaf is a reflection of that,” comments Geraghty.

Afro-Andean Funk’s first release, The Sacred Leaf, presents 9 original songs with Araceli Poma singing in Spanish as well as in the ancient Incan language known as Quechua–thus paying homage to her Andean and Afro-Peruvian roots. 

Poma continues her work of bringing visibility to the painful stories of women in the Americas with the first single track “Luchadora del Ande” (Woman Fighter of the Andes). Poma composed this piece to specifically give a powerful voice to thousands of indigenous women who were victims of the Peruvian government between 1996 and 2001, when mass sterilizations were carried out against their will!

“We wrote ‘Luchadora del Ande’ inspired by these women who have been fighting for justice for years,” says the singer. “This song features ‘spoken word’ by one of the victims, Victoria Vigo, who speaks to the solidarity with other survivors and raises the voices of these women to let the world know they will not remain silent.”

The nine original tracks on The Sacred Leaf, composed by Geraghty and Poma, reflect the duo’s deep love for music from a variety of styles and places. Their music expressively mingles a broad spectrum of traditional and modern musical styles such as Afro-pop, Huayno (a popular form of Andean music and dance), electronica, drum and bass, funk, Cumbia (a folkloric music and dance that originated in Colombia) as well as hard rock. Lyrics on the album span across different languages like Spanish, Quechua, Haitian-Creole and English as well. 

Best known for his cross-cultural and inclusive music collaborations, Geraghty has woven these many styles alongside Poma’s lyrical approach cohesively in the nine eclectic compositions. The songs are driven by his prominent melodic electric bass playing along with his own supporting background vocals on several tracks. 

“I admire the stories, music and cultures of all the many artists I have been fortunate to work with. We also know that music has the power to spotlight issues that need more attention – especially relating to marginalized peoples and cultures. That is why we have several compositions featuring Quechua in our music. It’s a language that is disappearing and it’s important to preserve these traditions,” says the Latin Grammy®-Nominated producer. 

The second single from the album, ‘Agua del Olvido’ (Water to Forget), brings to life the ancestral stories of the jungle and the shamanic rituals that take place during Ayahuasca sessions in the Peruvian Amazon. And, the title track, ‘The Sacred Leaf’ pays tribute to healing powers of the coca leaf. That track also features the star Haitian singer and producer, Mannobeats

“In addition, we worked closely with the well-known electronica artist Grod from Argentina in the development of key ambient sounds and electric beats as well as the incorporation of live percussion instruments from my Afro-Peruvian traditions such as the checho, the cajita, the donkey jaw bone and the Peruvian cajon,” says Araceli. “You’ll also hear the Andean stringed instrument known as the charango on several tracks. It has an important role on songs like ‘Luchadora del Ande,’ ‘Me Permito’ and ‘Tanto Tanto.’ 

The sum total of Afro-Andean Funk’s album is a music that is not only deeply reflective of its roots and history, but is a music that finds unity through a diversity of sounds, languages and stories — a catalyst for demystifying cultural differences and building bridges between musical communities. 

The album was produced by bassist Matt Geraghty. All compositions were written by Matt Geraghty and Araceli Poma. Electronica arrangements are by Grod. 

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New Album: EZRA’s Self-titled Debut Album



New Album: EZRA's Self-titled Debut Album

EZRA released their self-titled debut album with Adhyâropa Records…

Founded by award-winning composer and multi-instrumentalist Jesse Jones, EZRA is a collective of classical, jazz, rock, and bluegrass musicians focused on the creation of genre-crossing and style-inclusive new music. The ensemble consists of world-renowned mandolinist Jacob Jolliff, banjo virtuoso Max Allard, and bassist extraordinaire Craig Butterfield, with Jones on guitar- and keyboard-related instruments.

EZRA’s debut album EZRA includes nine works by Jones, and was recorded while Jones was on a one year sabbatical from his composition professorship at Oberlin Conservatory. Jones, who is also a luthier, used much of his sabbatical to build some of the instruments he plays on the album. He then invited longtime collaborator Butterfield, together with Jolliff and Allard, for an intense week of rehearsals and recording in Oberlin. It was the first time all four musicians had been in the same room, much less played together, but things fell into place from the first notes.

This speaks to the musicianship and camaraderie of all involved, but it is also due to the fact that Jones had been collecting these pieces for years, waiting for the right moment, and the right musicians. Jones says, “I sat alone in my living room for at least a decade playing through the dozens of compositions I had in my head. When I met Craig, who shared a lot of similar classical, roots, and folk interests, I decided to stretch myself and see if I could hang (musically) with a world-class musician like him. We hit it off, and from 2013 through 2019 we co-wrote and recorded three albums as a duo. I grew immeasurably as a musician as a result.”

Jones continues, “When the pandemic closed everything down, I found myself back in my living room, writing tune after tune alone with my instruments. In 2021, I fortuitously reconnected with an old friend, the phenomenal mandolinist Jacob Jolliff, and around the same time became acquainted with banjo wunderkind Max Allard. I jumped on the chance to get these guys together and record nine of the tunes I had lying around. The result was beyond what I could have imagined and was heaps of fun to rehearse and record.”

“Fabulous playing! So great to hear the next generation of string wizards dive in and continue the tradition forward.” — Mike Marshall

Jones began building instruments in 2020, studying with Alan Chapman of Chapman/Fisher Guitars. In the last year and a half, Jones has built a variety of instruments, including a quarter-tone Irish bouzouki, a 13-tone small instrument, a Pardessus, several steel string guitars, four classical guitars, two ukuleles, three mandolins (two of them experimental, single string designs), and a mandola.

On the track “Jarrah,” Jones plays the banjo-tuned guitar he built using jarrah wood, a deep red wood he particularly enjoys working with: “I have just a small block of it and used it for the rosette/headstock — when I got the instrument up and running, a tune fell from it into my hands, and I named it “Jarrah” after the wood.”

Jones explains that a lot of his compositions come about that way: “I play a lot of different instruments, and when I go down the rabbit hole on one of them (say the banjo in double C tuning), I tend to fall into several new tunes, almost by accident — Banjaleena, Dix-Neuf (at least the 4/4 melody part), Smoke in the Valley, and Garden Gate all came as I was searching and discovering new shapes and sounds on the banjo (the parts Max plays). “Cowboy Walks” just emerged from the first classical guitar I made.”

Though Jones wrote all nine compositions for the debut album, EZRA’s focus is centered around collaboration. Working up the arrangements together was part of the process (and the fun). Recorded and engineered by Paul Eachus at First Church in downtown Oberlin and mastered by Dave Sinko (Punch Brothers, Béla Fleck, Edgar Meyer), EZRA’s debut album captures lightning in a bottle.

EZRA is available on all services. For more information, visit online at

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New Album: Alberto Rigoni, Unexpected Lullabies



New Album: Alberto Rigoni, Unexpected Lullabies

Alberto Rigoni, Unexpected Lullabies…

In an exhilarating revelation, the musical genius Alberto Rigoni has announced his latest masterpiece, “Unexpected Lullabies”, set to hit the airwaves on June 4th, 2024.

This album isn’t just any release; it’s a bold exploration of sound, merging the soothing essence of lullabies with the raw energy of rock-metal to create a musical hybrid that’s absolutely groundbreaking. Rigoni’s latest venture is a heartfelt ode to the circle of life, dedicated to newborns everywhere, symbolizing hope and the beautiful continuity of life with the poignant message: “There are no just tragedies in this world, life is going on!”

*A Stellar Lineup of Musical Legends*

What makes ‘Unexpected Lullabies’ even more exciting is the assembly of musical titans. The album features the legendary bassist Michael Manring, the keyboard wizardry of Alessandro Bertoni (of the Graham Bonnet Band) and Vitalij Kuprij (known for Artension and Trans-Siberian Orchestra), and many more yet-to-be-revealed guest artists.

Unexpected Lullabies is now available on pre-order from Shop Sliptrick at

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FOREIGNER Announces Red Vinyl Farewell Album



FOREIGNER Announces Red Vinyl Farewell Album

FOREIGNER Announces Red Vinyl Farewell Album for Valentine’s Day…

Who needs candy or flowers, when you can give the gift of music to your better half with a red-hot limited-edition vinyl from FOREIGNER.  The band continues its epic two-year farewell tour with Las Vegas residences at The Venetian Hotel, a run of Canadian shows, and this summer, co-headlining the “Renegades & Juke Box Heroes” tour with Styx and special guest John Waite. Now, FOREIGNER announces FAREWELL – The Very Best Of Foreigner (HOT BLOODED EDITION), a very special limited-edition album, available exclusively at tour stops and online in time for Valentine’s Day at

A must-have collector’s album, this limited-edition striking red vinyl features FOREIGNER’s greatest hits produced by Mick Jones with Jeff Pilson. Tracks include FOREIGNER’s most beloved hits including “Hot Blooded,” “Cold As Ice,” “Urgent,” “Double Vision,” and the worldwide #1 hit, “I Want To Know What Love Is,” among many more. Only 5,000 individually numbered albums are available, and with many tour dates already selling out, these albums are sure to go quickly!  2024 Foreigner shows commence on March 1st.  Please go to for full information.

The “Renegades & Juke Box Heroes” tour is set to launch June 11, 2024 in Grand Rapids, MI at the Van Andel Arena. Nothing sounds more like summer than collective feel-good anthems such as “Come Sail Away,” “Feels Like The First Time,” “Renegade,” “Juke Box Hero,” “Mr. Roboto,” and “Double Vision” plus John Waite’s #1 songs, “Missing You” and “When I See You Smile.” Tickets are going fast, available at

Mick Jones continues to elevate FOREIGNER’s influence and guide the band to new horizons with his stylistic songwriting, indelible guitar hooks and multi-layered talents. Lead singer Kelly Hansen, one of rock’s greatest showmen, has led FOREIGNER into the digital age, inspiring a whole new generation of fans. Bassist Jeff Pilson; Michael Bluestein on keyboards; guitarist Bruce Watson; Chris Frazier on drums, and guitarist Luis Maldonado provide an unprecedented level of energy that has resulted in the re-emergence of the astounding music that speaks to FOREIGNER‘s enduring popularity.

With more Billboard Top 10 hits than Journey, and just as many as Fleetwood Mac, FOREIGNER is universally hailed as one of the most popular rock acts in the world with a formidable musical arsenal that continues to propel sold-out tours and album sales, now exceeding 80 million. Responsible for some of rock and roll’s most enduring anthems, including “Juke Box Hero,” “Cold As Ice,” “Hot Blooded,” “Waiting For A Girl Like You,” “Feels Like The First Time,” “Urgent,” “Head Games,” “Say You Will,” “Dirty White Boy,” “Long, Long Way From Home” and the worldwide #1 hit, “I Want To Know What Love Is,” FOREIGNER still rocks the charts more than 40 years into the game with massive airplay and continued Billboard Top 200 album success.  Streams of FOREIGNER’s hits are approaching 15 million per week.

Side A:
1. Feels Like The First Time / 2. Cold As Ice / 3. Long, Long Way From Home / 4. Hot Blooded / 5. Double Vision / 6. Head Games
Side B:
1. Dirty White Boy / 2. Urgent / 3. Waiting For A Girl Like You / 4. Juke Box Hero / 5. I Want To Know What Love Is

To purchase FAREWELL – The Very Best Of Foreigner (HOT BLOODED EDITION), please visit

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New Album: Ross Valory Debut Solo Album, All Of The Above + First Single



New Album: Ross Valory Debut Solo Album, All Of The Above + First Single

Ross Valory, All Of The Above + First Single…

ROSS VALORY, regarded as one of rock’s best bass guitarists and an original member of the multi-platinum band Journey until his 2020 departure, returns today (January 17) with the video for “Tomland.” It’s the hypnotic first single from the bassist and songwriter’s debut solo album ALL OF THE ABOVE due out this April (exact date TBA) on OID Music. Watch the movingly atmospheric video, directed by Michael CottenHERE for the single which is out this Friday (January 19).

Penned by VALORY, the all-instrumental “Tomland” marks the second piece recorded for the project—and the first done entirely at his new studio in the East Bay area of Northern California. The track builds to a ripping, climactic solo by red-hot guitarist Miles Schon, drummer Prairie Prince and keyboardist Eric Levy. VALORY had the basic parts kicking around since shortly after leaving the Steve Miller Band in 1972, a bluesy set of chords that roll into each other mellifluously, something he had jammed on a lot over the years. He pulled it out to fashion a piece that not only recalls the passing of collaboratorTom Size (accomplished engineer known for his work with Mr. Big, Y&T, and Aerosmith), but also offers an affirmation of resolve to move forward, the sunlight of optimism illuminating the process.  

ROSS VALORY always had pieces of music tucked away that he had written, although songwriting contributions to Journey slipped away after the first three “experimental” albums. As a member of Journey, VALORY concentrated on shaping the rhythm section and contributing his baritone vocals to the background blend.

During the band’s second coming following the 1995 reunion album Trial By Fire, VALORY began sorting through his files and polishing up some of his old notes. In between tour dates, he pulled together a tight-knit group of collaborators and slowly began to finish what he started. After a lifetime in music, VALORY scrupulously etched ALL OF THE ABOVE. The album was produced by VALORY and co-produced by Jacob Stowe and Eric Levy.

VALORY developed a repertory company of musicians over the years that came together at his studio. He cultivated individual numbers like sprawling projects, experimenting with different arrangements played by an assortment of musicians. Sometimes spending years jamming on these ideas, the pieces took shape slowly. Different ideas were tried and discarded, remodeled and refurbished. The basic concept was to find the heart of the material and expand upon it until VALORY could refine and shape the music’s path to his supreme satisfaction. He cast specific musicians to specific parts. The studio became his laboratory and the compositions his experiments.

From the Latin-fired intensity of “Wild Kingdom” to the ethereal dirge of “No One Wins a War,” the raucous party on “Low Rider” or the brilliant reprise ofSantana’s “Incident of Neshabur,” the album presents an evolved artist fully in command of his vision, a lifetime of experience behind the project, augmenting his core associates with guest musicians such as Gregg Errico ofSly & the Family Stone, drummer Steve Smith, and saxophonist Marc Russo. The nine tracks on the album represent the full maturity of VALORY’s musical gifts, cutting a broad swath through the instrumental territory the music travels. He plays keyboards, guitar, and, of course, many basses in a display of cultivated virtuosity across a palette far broader than could be found in his work with Journey. He is stepping out from behind his bass and, for the first time in his more than half-century as a professional musician, representing his vision and his compositions.

VALORY left Journey in 2020 and the band members worked out their issues in a peaceful mediated settlement. VALORY, who spent most of his life as a member of Journey, has no regrets. He counts his blessings at having spent an amazing career with a remarkable group of musicians who succeeded beyond their wildest dreams.

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New Album: Mark Egan, Cross Currents



New Album: Mark Egan, Cross Currents

Bassist Mark Egan to release “Cross Currents” with Shawn Pelton and Shane Theriot – Release Date: March 7th, 2024…

After five decades of touring and recording as an in-demand sideman and leader in his own right, acclaimed bassist Mark Egan has finally released an album that encapsulates his myriad of musical influences in one all-encompassing package. “In many ways this is a new production sound for me,” said the bassist who studied privately with Jaco Pastorius during the mid ‘70s while attending the University of Florida before becoming a charter member of The Pat Metheny Group. “My early influences are from playing r&b, soul and rock before becoming indoctrinated into jazz in the Miami years.

This trio record explores those rootsy R&B funk-rock grooves coupled with my jazz and world sensibilities and utilizes the various fretted and fretless basses that I’ve worked with over the years. It’s a culmination of the many worlds of my experiences and is the reason that it’s titled Cross Currents.”

Completing this potent trio with Egan are drummer Shawn Pelton (a 30-year veteran of the Saturday Night Live band and first-call New York City studio player who has recorded with everyone from Bob Dylan, Rod Stewart and Bruce Springsteen to Elton John, Billy Joel, Van Morrison, Sheryl Crow, David Byrne, Pink and Luciano Pavarotti) and Louisiana-born guitarist Shane Theriot (musical director for Hall & Oates who has also recorded and/or performed with The Neville Brothers, Dr. John, Boz Scaggs, Allen Toussaint, Rickie Lee Jones, Willie Nelson and Todd Rundgren).

Together they cut a wide stylistic swath on Cross Currents, from funk (‘Homebrew’, ‘Pocket Call’) to ambient (‘Big Sky’) to swamp rock (‘Gulf Stream’), second-line (‘Ponchatrain’) and ballads (the Jimi Hendrix flavored ‘Sand Castles’ and the moody ‘Roll With It’) with allusions to Cajun (‘Nonc Rodell’) and Indian Raga (‘Eastern Blue’).

Recorded at Power Station New England in Waterford, CT (a perfect replica of the storied New York City recording studio where Bruce Springsteen, Paul Simon, David Bowie, Madonna, Sting, Bob Dylan, John Lennon, Stevie Ray Vaughan, John Mayer recorded iconic albums), Cross Currents is Egan’s most versatile and ambitious offering to date. While his past outings as a leader, like 2006’s As We Speak, 2010’s Truth Be Told, 2014’s About Now and Direction Home, 2018’s Dreaming Spirits and 2020’s Electric Blue, have been primarily organic trio and duo affairs, Cross Currents is a power trio with orchestrated layers of rhythms and textures by the participants.

“The intent of this recording was to capture the interplay and energy of the trio and orchestrate it by adding additional guitars, bass and percussion to enhance what the songs were calling for.

Everyone had so many great ideas for orchestrating and arranging the material. The record has electric and acoustic guitar as well as bass and percussion overdubs. We wanted to make atmospheric pads to create a backdrop for us to improvise over. Once I had decided on recording this trio format I spent nine months of composing and arranging the compositions. Shane and Shawn also spent a lot of time conceptualizing and contributing songs. We had three days to record and orchestrate the eleven compositions so the preproduction allowed us to have the time to be creative in the studio and focus on the group interplay and soloing.”

For Egan, interplay and soloing means digging down on his fretted bass

groove lines to lock with the rhythm section and using his fretless electric bass for his signature singing sound that has graced his own recordings since 1985’s groundbreaking and decidedly bass-centric Mosaic. That quality comes across throughout Cross Currents and is particularly evident with him carrying the melody on tunes like ‘Gulf Stream’, ‘Big Sky’, ‘Pocket Call’ and the title track or by his uncommonly lyrical improvising on tunes like ‘Ponchatrain’, ‘Homebrew’, ‘Sunflower’ and ‘Eastern Blue’.

The bassist had high praise for his comrades Shawn and Shane on Cross Currents. “They both came very prepared for the sessions. I had sent them demos along with arrangements with suggestions for solo sections and overdub possibilities, and we rehearsed one day before going into the studio to work things out. Shane and Shawn both brought so much to the table and did their homework by creating and practicing grooves, melodies and instrument choices as well as coming up with great orchestration ideas. They are both so fundamentally strong in everything they do that it made the recording process creative and a lot of fun.”

Egan had previously recorded with Theriot on the bassist’s 2018 album, Dreaming Spirits, an Indian flavored trio project with tabla player/percussionist Arjun Bruggeman. “I loved Shane’s contribution on Dreaming Spirits and thought he would be a perfect fit for the trio on Cross Currents. And though Shawn and I have played together on many sessions in New York over the years, he had never played on any of my records before.”

The three players had actually first established some chemistry on a show backing NYC poet Frank Messina back in pre-pandemic times. “This was late 2019, before the COVID shut down,” Egan recalled. “Frank asked me to recommend people for this show that he was performing in New York City and I recommended Shane and Shawn. There was no rehearsal but just a very loose structure to it all with a lot of improvisation. Frank gave us a lot of room to improvise and play off of his poetry. At one point that evening we were playing trio — just Shane, Shawn and myself. That was the ‘light bulb moment’ for me, when I thought, this is very happening. I want to record a project with this trio. In the fall of 2022 I was in touch with Shane and Shawn about recording a trio project and I started writing songs for the group. Shane also sent me a few of his songs that inspired me to write others in a similar style. We co-wrote ‘Big Sky’ as Shane sent me the song as a demo with acoustic guitar chords and a groove and I wrote a melody and added an extended section for his acoustic guitar solo. Shane also contributed ‘Ponchatrain’, ‘Sunflower’ and ‘Homebrew’. Shawn contributed ‘Nonc Rodell’ which is a tribute to his uncle.

‘Nonc Rodell’ showcases Shawn as a world class groove drummer as well as the depth of his creative drumming abilities. Shawn pre recorded his tracks at his studio with his drums, squeezebox (accordion), and added tenor guitar parts as well. We brought those tracks into Power Station New England studio and Shane and I added guitars and basses on top of Shawn’s prerecorded tracks. It’s a very creative track that features Shawn’s amazing drumming and I love it.”

An in-demand New York City studio musician who has played on multi-gold and platinum-selling recordings by Sting, Arcadia, Marc Cohn, GRP Christmas, Mecano and Joan Osborne, Egan has also recorded with a wide variety of artists from pop stars like Roger Daltry, Sophie B. Hawkins, Marianne Faithfull, Judy Collins, Cyndi Lauper and Art Garfunkel to jazz notables like David Sanborn, John McLaughlin, John Abercrombie, Randy Brecker, Gato Barbieri, Freddy Cole, Pat Martino, Jim Hall, Joe Beck, Mark Murphy and Larry Coryell. A member of the Gil Evans Orchestra for 13 years, he has 14 albums as a leader to his credit and another 10 as a co-leader of Elements, the fusion band he formed in 1982 with his Pat Metheny Group bandmate, drummer Danny Gottlieb.

And now Cross Currents, on his own Wavetone label, may be his crowning achievement to date as Egan continues to push the boundaries of his creativity.

For more information visit

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