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Marcus Miller, Renaissance – a CD Review

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I could be blindfolded and listen to 30 seconds of Marcus Miller’s latest CD “Renaissance and totally recognize who is playing.

Marcus has such a distinctive “voice” but by the same token, this CD clearly demonstrates the extraordinarily wide scope of his musicality! When we reflect on the meaning of “Renaissance” or “rebirth” a creative explosion of a grand variety of arts comes to mind.

Our August cover interview with Marcus, by Rick Suchow, gives us some keen insight into the thoughts behind this creative work; so if you missed it, check out

I also found a clip from Concord records of Marcus talking about this project that I wanted to share.

Now that we have the foundation down, let’s get down to this CD!

Marcus recruited a veritable army of musicians to help on different tracks including Gretchen Parlato and Ruben Blades. They are all excellent at their craft and with Marcus tying it all together on every tune.

Let’s have a closer look at some of my favorite tracks…

The First track “Detroit” starts us out with some classic funky slapping and popping. This tune has its own attitude and is nice and tight! Of course the bass is precise and lightning fast in parts and Marcus plays with a fluidity that makes it seem easy.

February” weaves an exotic flow of piano, bass, sax and trumpet, guitar and djembe into a fascinating, syncopated time signature piece. I get a kind of Mid-Eastern vibe at times and then it changes into a kind of reflective smoothness.

Slippin into Darkness” brings a slow, gritty, funky deliberate kind of feel. Bass, piano and nice tight horns trade off for the musical theme and there is a juicy amount of soloing in the middle; everyone has a chance to shine here. Marcus’s bass does some serious “Talking” when he unleashes it.

Setembreo” (Brazilian Wedding Song) is the tune I mentioned before featuring Gretchen and Ruben on vocals. They lend a certain authenticating effect to the music, but I would have liked to hear more from Ruben than chorus and a few interjected accents.  This cut has a nice smooth Latin groove and percussion. There is a marked Afro-Antilles component going on through out the piece. Marcus brings his triple threat out by playing fretless bass, bass clarinet and acoustic bass.

Revelation” is a piece that seems to be perfect for a “Cirque” act. The simple beauty of the bass opening followed by electric guitar, aggressive African tempo and a musical flow that wants to tell a story. There should be somebody on a trapeze somewhere!

Lastly let me mention the amazingly haunting solo bass rendition of “I’ll Be There” that renders a tribute to the late Michael Jackson in a pure bass way. This is Marcus by himself and it couldn’t get any better… very nice!

So, there you have it. I have only skimmed the surface of this excellent musical masterpiece CD from the iconic, Grammy award winning Mr. Marcus Miller. It was everything I expected and then some. You need to hear the whole thing… definitely one for the collection!

Marcus Miller’s Renaissance available at Amazon.com

Bass CDs

Album Review: Brian Bromberg, LaFaro

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Album Review: Brian Bromberg, LaFaro

Brian Bromberg, LaFaro…

Scott LaFaro was an extraordinary upright bass player who we lost in 1961 at the age of 25. Even though he was a young bassist he worked with the Bill Evans Trio from 1959 to 1961; he was an exceptional musician and his bass work was lightyears ahead of his time.

Brian Bromberg has teamed up with pianist Tom Zink and drummer Charles Ruggiero to produce a tribute album to this legendary player. We are treated to a dozen tracks (with three bonus tracks on the digital platforms) that were Bill Evans Trio standards. While the original band’s work inspired Brian, this tribute album is not an attempt by the musicians to replicate the music but to organically express themselves on these tunes. When you listen, you may note that it doesn’t sound like LaFaro and it isn’t supposed to.

As I have noted on many of Brian’s previous albums, the bass work (all upright here) is extraordinary and he knows how to get a crystal-clear sound. Every note is pristine and balanced perfectly with the piano and drums. Brian’s approach to recording upright bass should be the golden standard for all upright players. He also handpicked the other members of this trio and they are excellent musicians who really deliver the goods.

If you would like more insight into this album, I can share that in my cover interview with Brian, coming soon.

The projected album release date is April 5, 2024, and will be available at www.brianbromberg.net

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Album Review: Gabriel Espinosa, Bossas and Boleros

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Album Review: Gabriel Espinosa, Bossas and Boleros

Bassist Gabriel Espinosa was inspired by the music he grew up with in Yucatan, Mexico, and now brings us a collection of ten tracks on Bossas and Boleros.

Six of these tunes on Bossas and Boleros are his original compositions. As you might expect from the title, some of these tunes fit in a kind of retro/romantic category whereas others are in a kind of soft Latin jazz vein. Interestingly, Gabriel also found inspiration in current events and translated them into musical interludes.

Gabriel assembled an excellent collection of musicians to bring this album to life and his bass playing is solid and precise but not flashy. His playing compliments the music in a noticeable way but is very balanced in the overall mix. The compositions are intricate and quite lovely with a generous helping of Latin tempos. I especially enjoyed his vocal rendition of “Aqui Estoy Yo” where he sings with just a piano. It is a rare treat to actually hear a bass player’s voice in a tune.

The great thing about this album is it’s universal appeal as it is not all about the bass. Everyone can relate to a collection of beautiful music and it’s excellent execution. This album is perfect to listen to while you enjoy a glass of wine with a loved one as you watch the sunset. Listening made me feel both relaxed and happy and that are feelings we all want to share.

Bossas and Boleros is available on Amazon.com

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Album Review: Fernando Molinari, Reaching Inside

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Album Review: Fernando Molinari, Reaching Inside

Album Review: Fernando Molinari, Reaching Inside…

Bassist Fernando Molinari assembled a team of excellent musicians (including Marco Minnemann on drums) to bring us eight tracks of original, hard-hitting, instrumental rock. Now, even though this music falls in the rock category, it has progressive elements as well as shades of fusion.

This album is high-energy providing a platform for these talented musicians to treat us to the full extent of their abilities. Fernando’s bass playing is flawless and precise and definitely drives each tune with frequent solo sections that give us a clear idea of his skill. Of course, with a tight group like this, the bar is set very high and everybody delivers perfectly.

This is a perfect album to listen to when you want to be pumped up. It would be a great workout set, road trip music, or a fitting background for an action movie. If you want to get your heart pumping, this is the album for you!

Available on Amazon.com

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Album Review: Brad Russell, Metal Improved

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Album Review: Brad Russell, Metal Improved

Brad Russell, Metal Improved…

We have been listening to Brad Russell play bass over the years, and it is quite clear that versatility is at the heart of his talent. Whether it is playing in the pit for a musical or on stage at the NAMM Show, Brad has serious chops. With Metal Improved, he is giving us a sample of what it sounds like when he applies a focused, overdriven, metal approach to a collection of tunes.

Brad has teamed up with hardcore drummers Gregg Bissonette, Jason Furman, and Aquiles Priester to produce seven tracks of high-intensity, calculatedly frenetic, musical wizardry. Three of the tracks are Brad’s original compositions and the others are very recognizable tunes by Billy Sheehan, Edward Van Halen, Chick Corea, and J. S. Bach.

This EP is badass… if Metal is your thing you will want to give it a listen.

Metal Improved available on Amazon.com

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Album Review: Wolfgang Van Halen, Mammoth II

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Album Review: Wolfgang Van Halen, Mammoth II

Album Review: Wolfgang Van Halen, Mammoth II…

Following hot on the tail of Mammoth WVH, Wolfgang Van Halen now brings us Mammoth II, clearly showing us that he has a lot more music in store for us to enjoy.

Wolfgang repeats the amazing act of writing the music and playing all the instruments for the entire album with the exception of one track where there is Wah operation on a solo by Patrick “Uncle Pat” Bertinelli. Without a doubt, Wolfgang Van Halen is the consummate musician with a serious amount of talent to play all the instruments at such a high level; you just have to listen to the music to know he has the goods. Pay attention to the detail in each instrument and you find them impressively balanced and expertly performed. The bass work is tight but I find the drums catching my ear as there is some serious drum work here.

The vocals in this album are excellent and the harmonies are nicely blended as it is all Wolfgang’s voice.

There is a generally energetic, upbeat feel to the music in this album and it is loaded with high-energy rock. I personally tend to overlook lyrics as I get caught up in the music itself but it is clear that Wolfgang has a lot to say and I am guessing that it is cathartic to let these thoughts and feelings out. I am sure that many listeners will identify with the lines that they can relate to and adopt these songs as their own personal anthems.

Mammoth II stands firmly on its exceptional merits and is another great piece of work. Bravo Wolfgang!

Available on Amazon.com

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