Latest
Proud To Support
After receiving the blessing of touring and recording with artists of various genres early on, I quickly realized and appreciated the fact that playing out my role or position to the fullest is essentially what the people hiring me wanted whether they realize it or not. Some may expect more and some less, but ultimately and generally you are appreciated and respected for bringing your brand or style to the position you play.
For instance, I just returned from India, hired by a producer I’ve done many gigs and recordings with in the past. It was very open within the song forms and we got to really open up and play. I had in mind that I’d be in store for a pretty laid back and free improvisational hit while there as well. Well, the gig was free flowing but he pretty much only wanted me to lay the foundation and nothing more though it seemed all the other musicians got to solo into oblivion. I, patiently, waited for my turn to say something extra on my instrument, like a benched hopeful that can’t wait to get into the game to do his part to prove he is worthy to be on the team, which on most nights never came.
I knew the chain of command and would not overstep my boundaries though we are good friends and I, probably, could have gotten away with it. I had to quickly check myself because I had the preconceived notion that this hit was going to be a solo fest for me as it had been before with this artist and it wasn’t.
It reminded me of college days when I first learned how to swing and though most of my gigs were top 40 or contemporary jazz gigs, I relished the chance to work out my newly acquired bebop chops on the straight ahead gigs that popped up every so often. Once I got back on track and got my priorities straight and recognized it wasn’t like the past gigs done with this group I was cool. Besides, My favorite thing to do on the gig is groove, anyway. It’s just that I, initially, came on the gig with a certain mindset but, generally, I’m always just proud to support. And that is what I did. Another lesson learned.
Check out our top 10 favorite basses on Instagram this week…
Click to follow Bass Musician on Instagram @bassmusicianmag
FEATURED @kilianduartebass @meridian_guitars @adamovicbasses @marleaux_bassguitars @jcrluthier @sandbergguitars @ibanezuk_official @dingwallguitars @torzalguitars @ariaguitars
Check out our top 10 favorite basses on Instagram this week…
Click to follow Bass Musician on Instagram @bassmusicianmag
FEATURED @bacchusguitars @franz.bassguitars @mendesluthieria @ramabass.ok @meridian_guitars @adamovicbasses @shukerbassguitars @fantabass.it @andys_vintage_guitars @valdesbasses
Check out our top 10 favorite basses on Instagram this week…
Click to follow Bass Musician on Instagram @bassmusicianmag
FEATURED @murraykuun_guitars @ja.guitars @combe_luthier @overloadguitars @kevinhidebass @franz.bassguitars @indra_guitars @petercrowdesign @baboomin_bass @jcrluthier
Check out our top 10 favorite basses on Instagram this week…
Click to follow Bass Musician on Instagram @bassmusicianmag
FEATURED @sandbergguitars @benevolent_basses @rayriendeau @olintobass @wonkorbasses @bite.guitars @adamovicbasses @maruszczyk_instruments @skervesenguitars @ramabass.ok
Photo: Self-portrait by Melissa Auf Der Maur
Melissa Auf Der Maur is a Canadian bassist who played with Tinker, Hole, and The Smashing Pumpkins. She released her own work and is a photographer with photos published in Nylon, Bust, and National Geographic. She released her ‘90s Rock Memoir “Even The Good Girls Will Cry” on 17 March 2026.
KB: Did you always want to be a singer-musician growing up?
I’ve played music my whole life. In school, I played trumpet and sang in a children’s choir, so music was always within me. My mother was the first female disc jockey on the Montreal airwaves; her record collection played a huge role in my inspiration and love of music.
KB: When did you start playing bass, and why this instrument?
When I was 19, the early 90s music explosion began to percolate in tiny clubs around the world. I was lucky to be a ticket girl at Montreal’s underground music club. In one year, I saw Hole, Sonic Youth, Smashing Pumpkins, White Zombie, and The Breeders – all had female bass players. That’s when the seed was planted. By the age of 22, I was the bass player of Hole.
KB: Which brands of basses have you used in your career, and which one are you using now?
The first bass that I learned on was a vintage Squier Precision. Hole was sponsored by Fender guitars, so I upgraded to Fender Custom Shop Precisions. That is all I play, but I have a cool vintage 8-string Greco that I use on recordings to thicken up guitar parts.
KB: What equipment do you use or have you used with your basses?
Ampeg SVT amps and cabinets, a couple of Sans-Amp pedals, and that is it.
KB: How did you become a member of Hole, and what is your fondest memory of that time?
Billy Corgan of the Smashing Pumpkins was helping scout a replacement for (RIP) Kristen Pfaff, Hole’s bass player. My band, Tinker, opened for them on the Siamese Dream tour, so Billy had seen me play and could vouch for me. Courtney trusted her talented friend, and that was it. I initially said “no thank you” due to my commitment to my photographic studies and the drama and chaos surrounding the band during the “Live Through This” album release. Courtney took it as a good sign that I said no, so convinced me to reconsider, and soon after, I accepted their invitation, in the name of helping put females in the male-dominated landscape of rock music. My fondest memory is every show we played as a mostly female band, symbolizing what a woman could do in a rock band. Every show had a purpose: get more women to play music.
KB: You are a photographer as well. What makes a great picture? Do you shoot in color or b/w?
I started shooting photographs at age 15. Initially only shot black & white and worked in the art school darkroom. In university, I took a color photography course, and shifted mostly and forever to that, because it was easier to process film on the road when I joined a rock band. I experimented with many cameras, point and shoots, manual, polaroids, medium format, and vintage finds. The trick to a good photograph is to shoot many and all the time – the magic is in the edit and selection process.
KB: Are there artists you would love to collaborate with or wish you had?
??I’ve been lucky to collaborate with some of my favorite musicians in my career. I would still love to collaborate with a new generation heavy electronic artist on an analog bass, heavy electronic drums, and synths collaboration project. Take me out of my usual zone, merging the past and future: my love of 80s dark new wave and new artists exploring that genre. It was very futuristic back then, and we are now, after all, living in the future. I am in the mood to play bass to heavy beats I want to dance to.
KB: What are your 7 favorite bass lines in music across all genres? And why these 7?
“Mountain Song” – Jane’s Addiction (love a rambling, rolling bass line – feels like the ocean waves)
“Black Top – Helmet” (was the first bass line I taught myself)
“Gold Dust Woman” – Hole from “The Crow 2” Soundtrack (it was my first bass line contribution to the band)
“Get Ready” – The Temptations (Motown just feels so good, because of the bass)
“Lucretia My Reflection” – Sisters of Mercy (makes me want to hit the dance floor and play bass simultaneously)
“Be My Druidess” – Type O Negative (full chord bass playing at its best by iconic, demonic, Peter Steele, RIP)
“Romantic Rights” – Death from Above (1979 – unique distorted overdriven tone, combined dance rhythm and melodic intelligence, all in one shot – also! Shout out to a bass & drum only band, which is awesome, and we should have more of, but the bass player needs to be a killer to fill that role.
KB: What are you currently up to?
Releasing my ‘90s Rock Memoir “EVEN THE GOOD GIRLS WILL CRY”. Visceral healing process, it was to get it out of me and write it, but I suspect the real magic will begin by putting it into the world and reflecting with others on what the magic of the ‘90s was all about. Powerful music decade that carried us into what is now a brave new world of digital corporate weirdness – may the past shed a light on our future. That’s my hope for this book release and tour.
Visit online:
Official Website
Facebook
Instagram
YouTube
Spotify
Gear News: Fender Unveils Highly Anticipated Vintera III Series
New Music: Oteil Burbridge & Lamar Williams Jr. New Single, Hush
Interview With Bassist Virginia Franks
Nathan East, Echoes of a Lineage – April/May 2026 Issue
Gear Review: Italia Leather Straps
Mar 2 Edition – This Week’s Top 10 Basses on Instagram
Mar 9 Edition – This Week’s Top 10 Basses on Instagram
Mar 16 Edition – This Week’s Top 10 Basses on Instagram
Mar 23 Edition – This Week’s Top 10 Basses on Instagram