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Bassist Rick Sepulveda, Upright and Center: December 2019 Issue
Upright and Center: An Interview with Bassist Rick Sepulveda
I recently had the pleasure of chatting up the talented bassist Rick Sepulveda of LA-based metalbilly group, Calling Kings. Sepulveda is an impressive upright bassist who brings his many years of experience playing in rockabilly bands to the high-energy trio, wowing audiences with his skilled playing and Jimbo Wallace-reminiscent theatricality.
The boys have just released their latest single from their new EP, “Fake,” which deals with the ongoing social disconnection caused by technology and social media, and also they’re prepping for their first international tour.
Alexx: What inspired you to play upright bass vs. a traditional bass guitar?
Rick Sepulveda: What inspired me to play an upright bass was the first time I saw Jimbo Wallace from Reverand Horton Heat… Watching him play a flamed out upright bass at Hootenanny was one of the most inspiring moments in my life. Also watching Brent Loveday from 3 Bad Jacks lighting his bass on fire; I knew right then that I needed to try it.
Electric basses just haven’t ever been a favorite of mine because I have huge hands. It’s hard for me to stay in tune, plus it’s something that most bands do normally, so I wanted to be different than most. Also, the sound of an upright bass is just so warm feeling; it’s hard to explain, but that thump it gives, an electric can’t do it for me.
Do you play any other instruments?
I do not play any other instruments. I’ve navigated most of my bass career on strictly upright. I feel like there is always something new to learn on it. Plus being creative while playing is so much easier with the amount of space on the fretboard.
Calling Kings are often referred to as “metalbilly.” Did you yourself grow up on rockabilly and/or psychobilly bands?
The metalbilly sound just came out of nowhere. I never played metal in my life, but playing rockbilly for so many years, I wanted to try something completely new. Playing with the Calling Kings allowed me to adventure into a whole new music world.
The rockabilly scene for me just started becoming cookie-cutter bands. Every band sounded the same and there was no new sound to explore or be creative with. I had my fun in it, and was just over the lifestyle. But meeting up with CJ Hockenbury; it was a new adventure by far, and I was intrigued by his unique sound and all I did was walk into the studio and added my flavor to their overall sound.
How did you hook up with CJ and Mathias?
I met up with CJ from an ad he posted online looking for a bass player and truly after years of dealing with my last band, I was looking for a fresh start. So we met up in a bar in Pasadena and talked things through, and here we are now rocking out almost every weekend. Mythias came into the picture because the drummer we were using at the time had to move on with life, so we met him and the punk/metal hard-hitting drummer was what made this whole project come together.
How would you say you get your trademark Rick Sepulveda sound? Which strings and pedals are you using for example?
Well, my sound comes from the whole rockabilly scene, but with more bass instead of your typical high pitch clacky sounds. I like low-end with mid clack. It sounds so much more fuller that way. The strings I use are Innovations. The head is a GK 1001 RB with a GB Neo 4 12 all tied into a K n K rockabilly preamp with Vic pickups.
Aside from being a fantastic bassist, you’re quite the artist, and you even painted the very upright bass that you play with the Calling Kings. How long have you been painting?
I have been a painter for over 20 years now, restoring classic cars and painting whatever interests me. Ever since I started playing, I never had a plain bass. I’ve had over 12 uprights and I normally custom paint them to fit the look of the band I’m in. Black Betty, which is the current bass I use was painted to fit that old school retro Rat Fink era, which I love the most.
You’re also a painter at Disneyland too. Have you painted anything we’d recognize, or has the Mouse sworn you to secrecy?
Yes, I am a painter at the good ol’ rat trap. It’s a job that pays bills and allows me to enjoy my life. After owning a shop for 17 years and having kids, I needed a steady life. Things that I was known for at Disney were painting most of the classic cars on display like the 1939 Packard when you walk into California Adventure. Also the main street corndog wagon, which both have hidden Mickeys. Good luck finding them!
Are you guys doing any touring here soon?
We are in the works to be doing a tour in Europe soon as well as other states. There are many things in the works for Calling Kings, so keep a lookout for us.
Stay caught up with Bassist Rick Sepulveda online at callingkings.com
Photos, Leire Baztarrica
For more than six decades, the sound of the upright bass in modern jazz has carried the unmistakable authority, elegance, and intelligence of Ron Carter.
Recognized as the most recorded jazz bassist in history, Maestro Carter’s tone has become part of the very architecture of the genre.
From shaping the harmonic foundation behind countless landmark sessions to collaborating with many of the greatest jazz artists of our time, his artistry has both defined and expanded what the bass can be.
But beyond the staggering discography lies something even more enduring: dedication.
Maestro Carter has never stopped learning, never stopped refining, and never stopped listening. His commitment to excellence extends well beyond the stage and studio. As an educator and mentor, he has invested deeply in the next generation of bassists, setting a living example of discipline, curiosity, and musical integrity.
Now, in yet another inspired chapter of his extraordinary career, Maestro Carter joins forces with renowned choirmaster Ricky Dillard for a powerful gospel–jazz collaboration, Sweet Sweet Spirit, released February 6, 2026.
This project beautifully bridges sanctified soul and sophisticated swing, blending Carter’s masterful touch with Dillard’s uplifting choral brilliance.
The result is music that feels both reverent and rhythmically alive, deeply rooted, yet refreshingly expansive.
It is truly an honor to share this conversation with a living legend whose work continues to inspire musicians across genres and generations.
Here is Maestro Ron Carter.
Photo, Paul Rivera
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For decades, we’ve had the privilege of following the remarkable career of Nathan East, listening closely to his albums, tracking his milestones with Yamaha Instruments, and watching his evolving partnership with Laney Amplification with great interest. Along the way, we’ve talked gear, tone, and technique, while hearing his unmistakable musical “voice” woven into the work of more iconic artists than we could possibly list.
Today, we’re thrilled to reconnect with this true giant of the bass world following the release of a very special new album, Father Son, produced by Nathan alongside his son, Noah East. It’s a deeply personal project that showcases not only extraordinary musicianship but also a powerful family bond.
Join us as we dive into the making of this outstanding record, explore the new Laney Nathan East Signature Bass Preamp, and look ahead to what the future holds for one of music’s most respected and influential bassists.
Here is the one and only… Mr. Nathan East.
Photos, John Abbott @johnabbottphoto
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www.NathanEast.com
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For nearly seventeen years, we’ve followed the ever-evolving journey of bassist Cheikh Ndoye, watching with admiration as his musical vision continues to deepen and expand. Each project has revealed a restless curiosity and a commitment to sound that resists easy categorization.
When we last spoke in 2018, Ndoye was already hinting at new directions, and he hasn’t slowed down since.
In the years that followed, he’s been quietly and intensely at work, culminating in a new album, Genetic Tones, a project that captures both his roots and his forward-looking approach to music.
I recently had the great pleasure of listening to several rough tracks from the album, and, as always, I was both impressed and genuinely excited by what I heard. Genetic Tones feels like a bold and thoughtful statement, rich in texture and intention. Join me as Cheikh shares insights into the making of this upcoming release and reflects on the ways his musical language has continued to transform over the years.
Photo Credits: Courtesy of Cheikh Ndoye and Courtesy of Aguilar Amplification
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This month, we have a real treat for all you metal fans out there! Joining us is none other than Pär Sundström, the powerhouse bassist and co-founding member of Sabaton, a band many consider to be the #1 global power metal act in the world.
Pär isn’t just the man behind those thunderous bass lines; he’s also one of the main lyricists and the band’s manager, helping to shape Sabaton’s unmistakable sound and unstoppable rise.
Hailing from Sweden, Sabaton has been conquering stages and hearts around the world for over twenty-five years, delivering their signature blend of history, heroism, and heavy metal might. And now, with the release of their brand-new album ‘Legends,’ the band is gearing up for a tour that promises to be absolutely spectacular.
We’re diving into all the details, from the making of Legends, to the evolution of Sabaton’s epic sound, to what lies ahead for this legendary band.
So, without further ado, let’s welcome the man himself… Pär Sundström!”
Photos: Jens De Vos (cover & interview photos), Ben Alexis (interview photos)
Featured Videos:
Templars”
“Hordes of Khan”
“The Duelist”
“Lightning at the Gates”
“Crossing The Rubicon”
(Featuring singer Jonny Hawkins and guitarist Mark Vollelunga of NOTHING MORE)
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I’m sure many of you will remember that I had the pleasure of chatting with Lettuce bassist Erick “Maverick” Coomes just last year, where we covered a ton of great material. (If you missed it, you can check out that interview here>>>bassmusicianmagazine.com.)
Now, with Lettuce on the verge of releasing their brand-new album Cook, I thought it was the perfect time to catch up with Erick and see what’s been cooking… pun definitely intended!
In this conversation, we dive into the new album and the videos that accompany it, explore Lettuce’s exciting collaboration with Aquila Cellars on their signature wines, and get a glimpse into what’s next for the band.
So sit back and enjoy… here’s Erick “Maverick” Coomes!
Cover Photo, Alex Varsa | Other Photos: HIllary Clinton, and Sam Silkworth
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Maestro Ron Carter, Sharing the Spirit – June/July 2026 Issue
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New Music: Golden Flower, Are You Even Awake?
Interview With Bassist Adam Russell
Right Hand Technique Strategies with Dr. Randy Kertz
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