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The Sky There’ll Always Be – New CD Featuring Tony Levin, Billy Sheehan and Stu Hamm

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THE SKY THEY’LL ALWAYS BE - New CD with Tony Levin, Billy Sheehan and Stu Hamm

Acclaimed Italian guitarist Marco Iacobini debuts his latest release The Sky There’ll Always Be (Muso Entertainment) on April 23rd. The third release from the prolific Italian guitarist features an all-star line up of legendary performers including bassists Tony Levin (Peter Gabriel/King Crimson), Billy Sheehan (Mr. Big/Steve Vai) and Stu Hamm (Joe Satriani); as well as drummers Dave Weckl (Paul Simon/Madonna), Keith Carlock (Steely Dan/James Taylor) and Thomas Lang (Asia/stOrk) as well as saxophonists Bill Bergman (Stevie Wonder/Bonnie Raitt) and Carl Verheyen (Supertramp) as well as Grammy-nominated keyboardist Philippe Saisse (Chick Corea) among others to capture Iacobini’s unmistakable blend of jazz/funk tinged instrumental rock and showcase his technically masterful guitar playing.

Recorded over the course of three years at Forward Studios in his hometown of Rome and in New York City at Avatar Studios, The Sky There’ll Always Be captures listeners’ ears and minds in equal measure. Tracks like “The Great Rush” showcase Iacobini’s impossibly fast salvos of notes and dramatic whammy bar heroics while still retaining an immense understanding of music. Ferocious metal drummer Mike Terrana (Yngwie Malmsteen/Steve Lukather) guests on the track along with bassist Stu Hamm to create the rock solid sonic counterbalance to Iacobini’s aggressive soloing.

The title track, “The Sky There’ll Always Be” pairs soaring melody with intricate guitar work that alternates between languid, soaring riffs and intricate, powerful shredding. Huge and dynamic, the song creates its own gravity and pulls the listener in while Billy Sheehan’s flawless, bass line flows through the song like delicious, liquid sound and drummer Thomas Lang’s finesse and surprisingly delicate playing adds a splashy vibrancy.

Written by Stu Hamm, “18F” is homage to Iacobini’s favorite airplane seat on the flight from the United States to Europe. Iacobini channels John Frusciante on this funky, fusion/rock track which also offers up a slap bass intro courtesy of Hamm and legendary drummer Dave Weckl’s deep-pocket playing is nothing short of perfection.

Iacobini wrote, “When the Angels Come Down” when his grandmother passed away. “In my life, only one person has given to me the certainty to be loved always without limitations. This person is my granny,” says Iacobini. “For this song I have asked the help of my friend Stefano Sastro on keys, Tomy Levin on stick and Mike Terrana on drums.” Plush and textured, the song is fitting tribute to love without limits.

Iacobini is no stranger to collaborating with some of the music industry’s top artists. In 2009 he worked on the release Spirito Libero” from Italian vocalist “Giorgia” which also featured Herbie Hancock, Ronan Keating and Michael Baker among others. In addition, he opened for Tony Levin and Dave Kilmister.

Marco Iacobini is endorsed by Carvin guitars and uses Visual Sound products. For additional information, please visit www.marcoiacobini.com

 

Bass CDs

Album Review: Brian Bromberg, LaFaro

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Album Review: Brian Bromberg, LaFaro

Brian Bromberg, LaFaro…

Scott LaFaro was an extraordinary upright bass player who we lost in 1961 at the age of 25. Even though he was a young bassist he worked with the Bill Evans Trio from 1959 to 1961; he was an exceptional musician and his bass work was lightyears ahead of his time.

Brian Bromberg has teamed up with pianist Tom Zink and drummer Charles Ruggiero to produce a tribute album to this legendary player. We are treated to a dozen tracks (with three bonus tracks on the digital platforms) that were Bill Evans Trio standards. While the original band’s work inspired Brian, this tribute album is not an attempt by the musicians to replicate the music but to organically express themselves on these tunes. When you listen, you may note that it doesn’t sound like LaFaro and it isn’t supposed to.

As I have noted on many of Brian’s previous albums, the bass work (all upright here) is extraordinary and he knows how to get a crystal-clear sound. Every note is pristine and balanced perfectly with the piano and drums. Brian’s approach to recording upright bass should be the golden standard for all upright players. He also handpicked the other members of this trio and they are excellent musicians who really deliver the goods.

If you would like more insight into this album, I can share that in my cover interview with Brian, coming soon.

The projected album release date is April 5, 2024, and will be available at www.brianbromberg.net

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Album Review: Gabriel Espinosa, Bossas and Boleros

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Album Review: Gabriel Espinosa, Bossas and Boleros

Bassist Gabriel Espinosa was inspired by the music he grew up with in Yucatan, Mexico, and now brings us a collection of ten tracks on Bossas and Boleros.

Six of these tunes on Bossas and Boleros are his original compositions. As you might expect from the title, some of these tunes fit in a kind of retro/romantic category whereas others are in a kind of soft Latin jazz vein. Interestingly, Gabriel also found inspiration in current events and translated them into musical interludes.

Gabriel assembled an excellent collection of musicians to bring this album to life and his bass playing is solid and precise but not flashy. His playing compliments the music in a noticeable way but is very balanced in the overall mix. The compositions are intricate and quite lovely with a generous helping of Latin tempos. I especially enjoyed his vocal rendition of “Aqui Estoy Yo” where he sings with just a piano. It is a rare treat to actually hear a bass player’s voice in a tune.

The great thing about this album is it’s universal appeal as it is not all about the bass. Everyone can relate to a collection of beautiful music and it’s excellent execution. This album is perfect to listen to while you enjoy a glass of wine with a loved one as you watch the sunset. Listening made me feel both relaxed and happy and that are feelings we all want to share.

Bossas and Boleros is available on Amazon.com

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Album Review: Fernando Molinari, Reaching Inside

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Album Review: Fernando Molinari, Reaching Inside

Album Review: Fernando Molinari, Reaching Inside…

Bassist Fernando Molinari assembled a team of excellent musicians (including Marco Minnemann on drums) to bring us eight tracks of original, hard-hitting, instrumental rock. Now, even though this music falls in the rock category, it has progressive elements as well as shades of fusion.

This album is high-energy providing a platform for these talented musicians to treat us to the full extent of their abilities. Fernando’s bass playing is flawless and precise and definitely drives each tune with frequent solo sections that give us a clear idea of his skill. Of course, with a tight group like this, the bar is set very high and everybody delivers perfectly.

This is a perfect album to listen to when you want to be pumped up. It would be a great workout set, road trip music, or a fitting background for an action movie. If you want to get your heart pumping, this is the album for you!

Available on Amazon.com

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Album Review: Brad Russell, Metal Improved

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Album Review: Brad Russell, Metal Improved

Brad Russell, Metal Improved…

We have been listening to Brad Russell play bass over the years, and it is quite clear that versatility is at the heart of his talent. Whether it is playing in the pit for a musical or on stage at the NAMM Show, Brad has serious chops. With Metal Improved, he is giving us a sample of what it sounds like when he applies a focused, overdriven, metal approach to a collection of tunes.

Brad has teamed up with hardcore drummers Gregg Bissonette, Jason Furman, and Aquiles Priester to produce seven tracks of high-intensity, calculatedly frenetic, musical wizardry. Three of the tracks are Brad’s original compositions and the others are very recognizable tunes by Billy Sheehan, Edward Van Halen, Chick Corea, and J. S. Bach.

This EP is badass… if Metal is your thing you will want to give it a listen.

Metal Improved available on Amazon.com

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Album Review: Wolfgang Van Halen, Mammoth II

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Album Review: Wolfgang Van Halen, Mammoth II

Album Review: Wolfgang Van Halen, Mammoth II…

Following hot on the tail of Mammoth WVH, Wolfgang Van Halen now brings us Mammoth II, clearly showing us that he has a lot more music in store for us to enjoy.

Wolfgang repeats the amazing act of writing the music and playing all the instruments for the entire album with the exception of one track where there is Wah operation on a solo by Patrick “Uncle Pat” Bertinelli. Without a doubt, Wolfgang Van Halen is the consummate musician with a serious amount of talent to play all the instruments at such a high level; you just have to listen to the music to know he has the goods. Pay attention to the detail in each instrument and you find them impressively balanced and expertly performed. The bass work is tight but I find the drums catching my ear as there is some serious drum work here.

The vocals in this album are excellent and the harmonies are nicely blended as it is all Wolfgang’s voice.

There is a generally energetic, upbeat feel to the music in this album and it is loaded with high-energy rock. I personally tend to overlook lyrics as I get caught up in the music itself but it is clear that Wolfgang has a lot to say and I am guessing that it is cathartic to let these thoughts and feelings out. I am sure that many listeners will identify with the lines that they can relate to and adopt these songs as their own personal anthems.

Mammoth II stands firmly on its exceptional merits and is another great piece of work. Bravo Wolfgang!

Available on Amazon.com

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