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Lies and Hoes by Kel Elliott

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Lies and Hoes by Kel Elliott… After a few minutes of listening to Kel Elliot’s “Lies and Hoes” one word came to my mind… Retro! Now let me expand on this a little bit. This CD is not a bunch of old tunes rehashed, but new original tunes kind of ‘yesteryear’ feel written by Kel herself along with Kelvin Leitch; The quality of the sound and the arrangements is definitively current!

Here is the roster of main musicians:

Kel Elliott              double bass and vocals

Kelvin Leitch       acoustic/electric guitar and backing vocals

Leo Steeds            piano, organ, moog, violin, glockenspiel & backing vocals

Tom Voce             drums & percussion

There is a small group of additional musicians that add horns, accordion and harmonica to the mix; I will mention that they do a great job at making this CD a real winner.

Touching on some of the tracks…

“Django Horror” opens the set with an upbeat, jazzy tune you would expect to hear in a smoky little establishment in France. Kel’s voice is crisp and expressive and she tells the story while she keeps the groove going on bass. The guitar elicits the whole Django motif and a tight arrangement of piano and horns wraps this tune up nicely.

“Part of you” shoots us ahead in time to what feels like the 60’s. This smooth Bossa is complimented by a touch of  sultry vocal work from Kel. The bright piano accents and supporting horns are flawless.

“Misunderstood” sounds like a tune you might hear in an old burlesque theater. Bluesy and melancholy, this cut really accents the diversity of the music on this CD. The glockenspiel is a nice touch to paint a mental image.

“The Circus” is another example of a song that tells quite a story. We are talking about the Media “Circus” and I would use the term sinister to describe the feel. Brilliantly setting the stage with minor tones, there is a bold statement buried cleverly in the lyrics. Even though the music has that old feel, the content is quite current and relevant.

“Hey” actually brings me to the present time with a soulful piece that transforms into a great walking-bass tune. There is a cool reference in this song to time and the beat mimics a clock beat. Very creative!

“Do-B-Do“ zips us back to the past (twenties or thirties maybe). The tight weave of Bass, Banjo and piano, and heavy Tom-tom propel this roaring piece. The horn section does a smoking job of supporting the theme and the vocal harmonies are just the cherry on top! Syncopated changes and clever use of the musical momentum make me want to hear this one yet again.

Any bassist that can play and sing at the same time impresses the heck out of me! (This is mostly because I can’t do it).  Taking this amazing skill one step further, Kel Elliot brings us a solid bass foundation that supports a superb, unique vocal talent. I enjoyed the entire recording from start to finish.

This CD is worth checking out!

Visit online at www.kelelliott.com

Available on Amazon.com (MP3 downloads) and on her website.

Bass CDs

Album Review: Brian Bromberg, LaFaro

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Album Review: Brian Bromberg, LaFaro

Brian Bromberg, LaFaro…

Scott LaFaro was an extraordinary upright bass player who we lost in 1961 at the age of 25. Even though he was a young bassist he worked with the Bill Evans Trio from 1959 to 1961; he was an exceptional musician and his bass work was lightyears ahead of his time.

Brian Bromberg has teamed up with pianist Tom Zink and drummer Charles Ruggiero to produce a tribute album to this legendary player. We are treated to a dozen tracks (with three bonus tracks on the digital platforms) that were Bill Evans Trio standards. While the original band’s work inspired Brian, this tribute album is not an attempt by the musicians to replicate the music but to organically express themselves on these tunes. When you listen, you may note that it doesn’t sound like LaFaro and it isn’t supposed to.

As I have noted on many of Brian’s previous albums, the bass work (all upright here) is extraordinary and he knows how to get a crystal-clear sound. Every note is pristine and balanced perfectly with the piano and drums. Brian’s approach to recording upright bass should be the golden standard for all upright players. He also handpicked the other members of this trio and they are excellent musicians who really deliver the goods.

If you would like more insight into this album, I can share that in my cover interview with Brian, coming soon.

The projected album release date is April 5, 2024, and will be available at www.brianbromberg.net

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Album Review: Gabriel Espinosa, Bossas and Boleros

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Album Review: Gabriel Espinosa, Bossas and Boleros

Bassist Gabriel Espinosa was inspired by the music he grew up with in Yucatan, Mexico, and now brings us a collection of ten tracks on Bossas and Boleros.

Six of these tunes on Bossas and Boleros are his original compositions. As you might expect from the title, some of these tunes fit in a kind of retro/romantic category whereas others are in a kind of soft Latin jazz vein. Interestingly, Gabriel also found inspiration in current events and translated them into musical interludes.

Gabriel assembled an excellent collection of musicians to bring this album to life and his bass playing is solid and precise but not flashy. His playing compliments the music in a noticeable way but is very balanced in the overall mix. The compositions are intricate and quite lovely with a generous helping of Latin tempos. I especially enjoyed his vocal rendition of “Aqui Estoy Yo” where he sings with just a piano. It is a rare treat to actually hear a bass player’s voice in a tune.

The great thing about this album is it’s universal appeal as it is not all about the bass. Everyone can relate to a collection of beautiful music and it’s excellent execution. This album is perfect to listen to while you enjoy a glass of wine with a loved one as you watch the sunset. Listening made me feel both relaxed and happy and that are feelings we all want to share.

Bossas and Boleros is available on Amazon.com

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Album Review: Fernando Molinari, Reaching Inside

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Album Review: Fernando Molinari, Reaching Inside

Album Review: Fernando Molinari, Reaching Inside…

Bassist Fernando Molinari assembled a team of excellent musicians (including Marco Minnemann on drums) to bring us eight tracks of original, hard-hitting, instrumental rock. Now, even though this music falls in the rock category, it has progressive elements as well as shades of fusion.

This album is high-energy providing a platform for these talented musicians to treat us to the full extent of their abilities. Fernando’s bass playing is flawless and precise and definitely drives each tune with frequent solo sections that give us a clear idea of his skill. Of course, with a tight group like this, the bar is set very high and everybody delivers perfectly.

This is a perfect album to listen to when you want to be pumped up. It would be a great workout set, road trip music, or a fitting background for an action movie. If you want to get your heart pumping, this is the album for you!

Available on Amazon.com

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Album Review: Brad Russell, Metal Improved

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Album Review: Brad Russell, Metal Improved

Brad Russell, Metal Improved…

We have been listening to Brad Russell play bass over the years, and it is quite clear that versatility is at the heart of his talent. Whether it is playing in the pit for a musical or on stage at the NAMM Show, Brad has serious chops. With Metal Improved, he is giving us a sample of what it sounds like when he applies a focused, overdriven, metal approach to a collection of tunes.

Brad has teamed up with hardcore drummers Gregg Bissonette, Jason Furman, and Aquiles Priester to produce seven tracks of high-intensity, calculatedly frenetic, musical wizardry. Three of the tracks are Brad’s original compositions and the others are very recognizable tunes by Billy Sheehan, Edward Van Halen, Chick Corea, and J. S. Bach.

This EP is badass… if Metal is your thing you will want to give it a listen.

Metal Improved available on Amazon.com

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Album Review: Wolfgang Van Halen, Mammoth II

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Album Review: Wolfgang Van Halen, Mammoth II

Album Review: Wolfgang Van Halen, Mammoth II…

Following hot on the tail of Mammoth WVH, Wolfgang Van Halen now brings us Mammoth II, clearly showing us that he has a lot more music in store for us to enjoy.

Wolfgang repeats the amazing act of writing the music and playing all the instruments for the entire album with the exception of one track where there is Wah operation on a solo by Patrick “Uncle Pat” Bertinelli. Without a doubt, Wolfgang Van Halen is the consummate musician with a serious amount of talent to play all the instruments at such a high level; you just have to listen to the music to know he has the goods. Pay attention to the detail in each instrument and you find them impressively balanced and expertly performed. The bass work is tight but I find the drums catching my ear as there is some serious drum work here.

The vocals in this album are excellent and the harmonies are nicely blended as it is all Wolfgang’s voice.

There is a generally energetic, upbeat feel to the music in this album and it is loaded with high-energy rock. I personally tend to overlook lyrics as I get caught up in the music itself but it is clear that Wolfgang has a lot to say and I am guessing that it is cathartic to let these thoughts and feelings out. I am sure that many listeners will identify with the lines that they can relate to and adopt these songs as their own personal anthems.

Mammoth II stands firmly on its exceptional merits and is another great piece of work. Bravo Wolfgang!

Available on Amazon.com

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