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Bass Musician

New Album: Iron Axxis, 2286

Editor, Raul Amador

Interview With K3 Sisters Band

Ty Campbell

Spector NS Ethos HP 4 Bass Review

Valery Amador

Coffee Break Grooves – Smooth Backing Tracks For Bass Players

Damian Erskine

Damian Erskine Reviews the Stadium Bag by GruvGear

Jaime Vazquez

Bass Lines: The Circle

Jake Kot

CD Review: Rhythm Dogs, Rewired

Jonathan Moody

Review: Eventide H90 Part 1… How I Cut My Pedalboard In Half

Momo

Spotlight Interview: Mark Smith from Bass North

Dr. Randall Kertz

What is a Pinched Nerve? with Dr. Randy Kertz

Alberto Rigoni

Alusonic Django Supreme Custom 5-string Bass Review

Jake Wolf

Review: Sushi Box Elementary and More Pedals

Kilian Duarte

Mike Pope, Low-End Renaissance Man: July 2020 Issue

Steve Rosati

Working-Class Zeros: The Struggles of Working-Class Musicians – Episode #1

Andrea Fascetti

Bass Improvisation – Michael Brecker ‘Moment’s Notice’ Solo Adapted for Electric Bass

B.A. Johnson

Interview With Bassist Craig Schoedler: Bass Legacy

Rick Suchow

Nathan East Looks Back – For The Record

Steve Gregory

Avishai Cohen releases “The Healer” with Abraham Rodriguez, Jr.

Mark Marxon

Mark Marxon’s Meme Monday – Friday vs Monday

Igor Saavedra

Why an 8 String Bass by Igor Saavedra

A. Farmakalidis

Bassist Oytun Ersan and His Band Release Fusiolicious

David Enos

Music Mechanics: The Context Principle (Part 2); Circle Progressions

Eric Parsons

The Bass Shack – The Five Dollar Insurance Policy

Lucas Pickford

Bass Transcription of Flat Out by Guitarist John Scofield

David C Gross

Review: Italia Leather Straps

Josh Needleman

Dean Town Bass Transcription

Allee Futterer

Some Velvet Morning to Release 12 Singles in 2016

Martin Simpson

South African Bassist: Interview with Kai Horsthemke by Martin Simpson

John Kuhlman

Review – Westwood by Earthquaker Devices

Joshua Barnhart

Guide Tones by Joshua Barnhart

Vuyani Wakaba

Luthier Spotlight: Maurizio Caduto of Maurizio Über Basses

Freekbass

Review: dUg Pinnick Signature DP-3X by Tech 21

Willis

The A.V. Club

Donald Waugh

MG Bass Tone Demo

James Rosocha

Approach Notes – Part 5

Jimi Durso

Relax by Jimi Durso

Rajoe

Larry Graham – Pow

Holly Franklin

Mastering Speed on the Bass Guitar

Kevin Guin

Chromatic Major Sounds In Two Octaves

Ray Riendeau

How To Buy a Vintage Fender Bass with Ray Riendeau

Tim Fletcher

Dan Hawkins Releases New Online Funk Bass Course

Brad Houser

D. Lakin Basses – Bob Glaub Signature Model Review {Video}

Doug Johns

Loopity-Loop by Doug Johns

Adam Nitti

Adam Nitti Technique Series: Practicing With Chord Tones, Part 2: Navigating Changes

Mark von Bergen

Jamaaladeen Tacuma – Bass Musician Magazine, April 2015 Issue

Tim Seisser

Interview with Bassist Derrick Hodge

Phil Baker

In the Present by Phil Baker

Biscuit

Biscuit’s Bassment Review on Rotosound

David Dyson

Priorities by David Dyson

Jason Heath

Exploring the Jazz Bass Scene with Contrabass Conversations

Rhayn Jooste

Uptown Funk Bass Transcription

Vaughn Skow

Summer NAMM 2019, The Low-Down

Alex Wilkerson

The Sorcerer – A Bass Transcription by Alex Wilkerson

Alexx Calise

Interview With Multi-instrumentalist Nicholas Emilio

Bill Harrison

Jazz Studies With Bill Harrison: Lesson 9 – Using Melodic Minor on the ii/V/i

Carl Dawkins

How Much Should I Charge for a Gig?

Cláudio Ribeiro

Gear Review: Origin Effects Cali76 Compact Bass

Rob Collier

Welcome to the Phil Zone: A Lesson in the Phil Lesh Style

Tim Risser

Bassist Rob Calder’s Humble Approach to Playing, Recording and Enjoying the Journey

Al Caldwell

Extended Bass With Al Caldwell

Kevin Freeby

The Illusion of Speed by Kevin Freeby

Paul DeStefano

Video Review and Demo: Spector’s New NS Pulse 5, NS Ethos 5, and NS Dimension 5

Yves Carbonne

Fretless Bass with Yves Carbonne : Melodic Exercice for Intonation and Technique

Alain Caron

Stretch’s & Jumps

Alex Lofoco

Lesson 4 – Double Thumbing with Alex Lofoco

Darren Frate

Darren Frate’s Altered Tunings: D-F#-C#-E

Dennis Moody

Interview With Tom Kennedy

Todd Johnson

The Jazz Gym: Part 5 of the Improvisers Workout Program | Major II-V-I Vocabulary

Brad Russell

Tribute to Maxim Janowsky

Chris Pizzolo

The Will Lee and Binky Griptite Interview – April 2023 Issue

Franz Vitulli

How To Have A Successful First Rehearsal With A New Band by Franz Vitulli

Joe Darcy

Roger Sadowsky

Justin Emord

Understanding Artist Endorsements

Marco Ignacio Toba

Walk on the 16th Note Groove

Michael Lazarus

Beyond Salsa: The Bass and Piano in Contemporary Cuban Dance Music

Paul McBride

Christopher Beaudette: Bass Special Teams & Multi-Instrumentalist

Anna Achimowicz

Most Injuries Are Self-inflicted… A look Into the Mirror of Bass Player’s Health

Chance Walte

In This Issue | MSI, Joe Barden, DR, AccuGroove, Fodera, Ashdown : Product Impressions

Ian Stewart

La Chica Red Bull Bass Transcription

Marco Passarelli

Jerry Barnes, Rebirth of the Funk – Bass Musician Magazine, June 2016 Issue

Mark Wright

Beginnings of Christian and Gospel Bass with Mark Wright

Maureen Pandos

The Best in Double Bass Strings by Maureen Pandos

Mikel Combs

Conversation With Dan Lutz by Mikel Combs

Mike Pope

Practice Session Tips

Simon Zauels

Lee Konitz Saxophone Solo, Transcription For Electric Bass

Bentura Madrid

La Bella Olinto Bass Review

Bill Dickens

If You Can Conceive It, You Can Achieve It

Bob Considine

Mark King – Bass Musician Magazine Q&A by Bob Considine

Chris Metaxas

Unsung Heroes of Bass: Bob Bowen/Pete Coco

Harvey Citron

Bass Setup by Harvey S. Citron

Ivan Carranza

Willie Weeks Bass Transcription

Keith Collins

Finding the Best Upright Bass Mics… Here Are Some Options

Manuel Pino

Adioaxiom: A Dub Transmission – Transcription by Manuel Pino

Oteil Burbridge

It’s All About Attitude by Oteil Burbridge

PW Farrell

The Human Capacity for Music by PW Farrell

Silas Maitland

How To Record Bass For Remote Sessions – Part 2, Mixing and Production with Fred Abbott

Steve Adelson

An Interview with Emmett Chapman by Steve Adelson

Vail Johnson

On the Road With Vail Johnson: Kenny G: Setting the Record Straight…

Ahmad Hani

Bass Lesson – The Hijaz and Jazz Improvisation

Ariane Cap

An All Female Jazz Camp – What gives? with Ariane C. Cap

Bill Bartolini

Bill Bartolini: Something to Share

Bill Lanphier

Wild Bill’s World With Bill Lanphier: Really Odd-Meter Bass

Cole Davis

Video: So You Want to Talk About Thumb Position

Curt Miller

Tapping into Impermanence, A Discussion with Bassist John Ferrara

Derek Jones

Bass Musician Magazine Reviews – The Nadine from Ear Trumpet Labs

Don Campbell

Soul Survivors: Blues, Soul & R&B Bass With Don Campbell / Jerry Jemmott: Still Finding the Pocket

Ed Lucie

Ed Lucie Answers Your Questions: Chord Substitutions

Freddy Villano

The Bassists of Gary Moore by Freddy Villano

George Gekas

The Revivalists: “Got Love” Bass Technique Breakdown

Ivor Levene

Brian Wilson – Take 3

Jayme Lewis

Modulating Sweep Arpeggios and Inversions by Jayme Lewis

Joe Fazio

Video Demo – DSM Noisemaker OmniCabSim Deluxe

Jon von Boehm

PJB Nanobass X4 Review

Keiko Gutierrez

Bass Musician Magazine’s Year of the Luthier – George and Marcel Furlanetto

Kenn Smith

The Bass Player and Networking

Kenny Butcher

Build Your Own Clone AB True Bypass Looper Pedal by Kenny Butcher

Kevin Smith

BASS IMPROVISATION: The Complete Guide to Soloing

Laura Greenberg

10 Not So Standard Blues Forms Every Bassist Should Know

Marcos Alto

Simone Vignola, Going to the Next Level

Michael Manring

Solo Bass 101 by Michael Manring

Reggie Washington

Anatomy of MY Groove : Grooves With Reggie Washington

Ric Fierabracci

The Audition Process & Some Other Wacky Things to Think About…

S. Leigha-Shiff

Chuck Jones – Dopapod At Aura Fest

Selina Metoxen

An Interview with Andy Irvine by Selina “The Fox” Metoxen

Steve Araujo

Darkglass Microtubes 500 Review

Tech Support

Hal Leonard’s 25 Top Rock Bass Songs

Todd Urban

The NS Radius Bass – A New Approach to Bass Ergonomics by Todd Urban

Tom Wictor

Scott Thunes: Un-Ghosted by Tom Wictor

William Ellis

One LP Project: Victor Bailey

W. Hochberg, Esq.

Walking the Bass Line: How Original Does a Riff Need to Be in the Post – “Blurred Lines” World

Yiorgos Fakanas

Development of Technique and Its’ Right of Use Helps Expression and Musicality by Yiorgos Fakanas

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